Herman Foster

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Herman Foster (born April 26, 1928 in Philadelphia , † April 3, 1999 in New York City ) was an American jazz pianist and composer .

Foster's family moved to New York City in 1947; there he worked from the late 1950s in the bands of Lou Donaldson , for whom he composed titles such as Herman's Mambo, Day Dreams or I'll Always Want You Near . In addition to Donaldson's albums such as Blues Walk ( Blue-Note , 1958), Cole Slaw (Argo, 1964) or Blowing in the Wind (Cadet, 1967), he also worked on recordings by King Curtis ( Have Tenor Sax, Will Blow , 1958), Earl May , Gloria Lynne and Jean DuShon with. In the early 1960s he recorded with Al Casey and his own trio (consisting of Earl May and Frankie Dunlop ) for Epic Records ; from 1981 he worked again at Donaldson.

Discographic notes

  • Have You Heard (Epic Records, 1960)
  • The Explosive Piano of Herman Foster (Epic, 1961), with Grassella Oliphant and Earl May
  • Ready and Willing ( Argo , 1963)
  • The One and Only ( Timeless Records , 1984)

Trivia

Herman Foster was completely blind - according to his slightly confused information, both eyeballs were pushed out of their sockets by an (unskilled) midwife with childbirth forceps. Nevertheless, he recognized me immediately when I greeted him more than 3 years after his Jazzland guest performance with a simple: “Herman!” - “Axel, what are you doin 'in New York !!!” Also that he had the US banknotes Being able to distinguish perfectly despite their identical size was almost inexplicable .... - other musicians ( Blind John Davis ) complained bitterly that they were often paid “singles” as “tens” ..... (Axel Melhardt - Vienna )

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