Little Red Flowers

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Movie
German title Little Red Flowers
Original title Kan shang qu hen mei
Country of production PR China , Italy
original language Mandarin
Publishing year 2006
length 88 minutes
Age rating FSK 16
Rod
Director Zhang Yuan
script Ning Dai
Zhang Yuan
production Li Bolun
Allen Chan
Yao Lifeng
Marco Müller
Zhang Yuan
music Carlo Crivelli
camera Yang Tao
cut Jacopo Quadri
occupation

Little Red Flowers ( Chinese  看上去 很美 , Pinyin Kàn shàng qù hěn měi ) is a Sino-Italian feature film from 2006. Directed by Zhang Yuan , a representative of the so-called sixth generation of Chinese film directors. The production is based on the novel of the same name by Wang Shuo .

action

The communist China at the end of the 1940s. The almost four-year-old Fang Qiangqiang is being sent to a full-time kindergarten in Beijing by his father , as his parents are often away from home for professional reasons. In the state facility, the little ones are cared for by two patient teachers, Ms. Li and Ms. Tang, and their assistants. The teachers drill those present to obedient members of a society that has at performance-oriented. The offspring should get to know organized community life in a playful way. Small, red paper flowers are given to them as an incentive for tasks that have been accomplished or for good behavior. As an individualist, Qiang is clearly finding it difficult to integrate into the collective system. Although he tries to obey the instructions, he repeatedly fails miserably, although the headstrong boy also longs for a commendation, i.e. a red flower. But this is denied to him because he can neither put on and take off independently, nor can he follow the rules.

With the exception of the two sisters Beiyan and Nanyan, the other kindergarten children avoid the company of the newcomer. One day, Qiang spread the rumor that her class teacher Li was actually a camouflaged child-eating monster. In no time at all he succeeds in convincing the others with his fantasy figure. At night, Qiang even incites his companions to tie up the "monster". But the attempt fails. Gradually, the self-confident four-year-old develops an unexpected strength with which he brutally suppresses the other children. Those in charge are overwhelmed because the boy seems indisciplinary. In the hope of breaking the will of the troublemaker and ultimately bringing him to the collective, they isolate Qiang from the community. The outcast then leads a neglected existence far away from the group and thus becomes completely alienated. At the end of the film, Qiang breaks completely with the ruling system and community in favor of a self-chosen individuality. He becomes a satisfied loner.

Awards

Berlin International Film Festival 2006
  • Prize of the CICAE
2006 Sundance Film Festival
  • Nomination in the jury award category for director Zhang Yuan

Web links