Marie NDiaye

from Wikipedia, the free encyclopedia
Marie NDiaye at the Frankfurt Book Fair 2017
Marie NDiaye (2013)

Marie NDiaye (born June 4, 1967 in Pithiviers , Loiret ), also N'Diaye , is a French writer .

Life

Marie NDiaye is the daughter of a French mother and a Senegalese father. Her mother was a teacher. Her father left the family and a little later France when Marie was still an infant. Marie was a very good student; her French teacher wanted to register her to take part in the Concours général . However, she turned down this offer and, in contrast to her older brother, decided against training at the École normal supérieure . Her career aspiration to become a writer was already clear to her when she was still at school.

In 1985 she sent her first novel manuscript to Jérôme Lindon, the publisher of the renowned Éditions du Minuit . The publisher, impressed by her powerful style, accepted the manuscript. The novel was published under the title Quant au riche avenir (German: As for the rich future ). Her second novel, Comédie classique , was published by POL in 1988 ; more novels followed. In 1999 she wrote Hilda on behalf of Radio France , which marked the beginning of her work as a playwright. Since then, Marie NDiaye has written four plays, one with her husband Jean-Yves Cendrey . The play Papa doit manger (German: Papa muss eat ) was premiered in 2003 at the Comédie-Française . In 2009 she wrote the script for the film White Material with the film director Claire Denis .

With her husband and three children, Marie NDiaye has moved from country to country many times: from France to Spain, from there to Italy, to the Netherlands and back to France. “Just be on your own, be able to organize your time freely, live where you want”, is her declared motto. Marie NDiaye has lived with her family in Berlin since Nicolas Sarkozy was elected President . Pap NDiaye , historian at the École des Hautes Études en Sciences Sociales (EHESS) and founder of French black studies , is her brother.

Awards

Plays

Hilda

action

The domineering and lonely Madame Lemarchand finds the longed-for maid in the young Hilda. She is beautiful, she is reserved, she is perfect. Her husband Franck receives the salary, which, however, cannot hide the fact that his wife is being appropriated. Madame Lemarchand takes possession of Hilda verbally, dresses and does her hair and soaks her up. In the end, Hilda only arouses the contempt of Madame Lemarchand - and her husband looks for a replacement.

Hilda is a play about the power of words and the speechlessness of the subject. Hilda has no voice. Even if the viewer expects her resistance, she herself will not enter the scene.

Performance dates

  • World premiere: Théâtre de l'Atelier, Paris 2002
  • German-language premiere: Theater Drachengasse, Vienna 2003
  • German premiere: Bavarian State Theater Munich 2003

Book publication

The snakes

action

It is July 14th, France's national holiday, and France is surprised to greet her mother-in-law. But Madame Diss doesn't come because of the fireworks. She went into debt and wants money from her son. France can't help her because her husband is in a rage and doesn't want to see his mother. Nancy, the man's ex-wife, also approaches the house. July 14th is the anniversary of their son's death and she finally had the courage to visit the grave of little Jacky.

“The snakes” shows the hopeless licking of the three women in front of the locked door. As it turns out, Jacky was left behind by his mother and handed over to his abusive father. This abused him and locked him in a snake cage, where Jacky eventually died. The self-fixated women do not notice that behind the door - and in front of the eyes of the audience - another child sacrifice is looming. An incredible story about adult failure.

Performance dates

  • World premiere: Théâtre de poche de Genéve 2005
  • German premiere: Neues Ensemble Mannheim 2012

More pieces

  • Rien d'humain , first performed at the Comédie de Valence in 2004
  • Toute vérité , together with Jean-Yves Cendrey
  • Providence , world premiere Festival de Genève 2001,
  • Papa doit manger , first performance at the Comédie-Française 2003

Novels and short stories

literature

  • Raphaëlle Rérolle: Libre d'écrire . Le Monde , November 4, 2009, p. 20
  • Colette Sarrey: French women writers of the 80s and 90s and the écriture féminine. in Wolfgang Asholt, Ed .: French literature 20th century: Roman. Stauffenburg, Tübingen 2007, ISBN 978-3-86057-909-1 , p. 365ff.
  • Christiane Baumann & Gisela Lerch Ed .: The interrupted dialogue. A series of events on contemporary French literature as part of Berlin, European City of Culture in 1988. With Jean-Luc Benoziglio , Philippe Djian , Jean Echenoz , François Bon , Leslie Kaplan , Valère Novarina, Marie Ndiaye and Pierre Guyotat . Verlag Literaturhaus Berlin, September 1988. Without ISBN. Slightly abbreviated second edition (Guyotat missing) in dies. Ed .: Extreme Present. Berlin, European Capital of Culture 1988. Manholt, Bremen 1989 ISBN 3-924903-70-0 . About M. Nd .: François Bondy: Quant au riche avenir. (In German!) Pp. 200–203

Web links

Commons : Marie NDiaye  - Collection of images, videos and audio files

Individual evidence

  1. "Ne dépendre que de soi, disposer de son temps là où vivre on désire" Quote according Le Monde , November 4, 2009, p 20
  2. http://www.nachtkritik.de/index.php?option=com_content&task=view&id=4178&Itemid=1
  3. http://www.suhrkamp.de/news/spycher_literaturpreis_leuk_an_marie_ndiaye_1701.html
  4. ^ Nelly Sachs Prize for Marie Ndiaye. In: Börsenblatt . September 8, 2015, accessed September 8, 2015 .
  5. Information on the German premiere ( Memento of the original from May 14, 2012 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. , accessed on May 16, 2012 @1@ 2Template: Webachiv / IABot / www.theater-felina-areal.de
  6. a b Bibliographical information cf. under “Literature”, Baumann & Lerch eds., Berlin 1988 and Manholt 1989.
  7. another common name: "Capital of Culture"