Philippe Djian
Philippe Djian (born June 3, 1949 in Paris ) is a French writer .
Life
Djian's Armenian father worked as a window dresser , his mother was a housewife. He has two brothers. Djian grew up in Paris, where he attended school from 1955 to 1968, including the Lycée Turgot . As a teenager, Djian had a vacation job at what is now Gallimard . The following year Djian studied literature at the University of Paris VIII in Vincennes and attended a school for journalism , but dropped out of both after a few months. He then worked for two months in Le Havre in the hope of being able to join a ship to South America . However, since he did not succeed in doing this, he bought a plane ticket to New York instead with his earnings . Djian worked there for six months for the Librairie française in the Rockefeller Center and then traveled to South America, namely to Colombia . There he worked as a journalist for the French press, but without success. He then gave up journalism and returned to France.
Here Djian first worked as an editor for the Détective publishing house , then as a bookseller , followed by a number of odd jobs. In 1973 Djian met Anne-Marie Angevin, a French painter who uses the stage name Année . After the birth of the first son the following year, Djian began literary writing. In 1978 he finished his first book with short stories under the French title 50 contre 1 , which was not published until 1981 after it had been rejected by several publishers with partly derogatory comments. Djian celebrated his breakthrough as a writer with the book Betty Blue - 37.2 degrees in the morning in 1985, which made him known worldwide and was also successfully made into a film. Since 1989 he has also been writing chanson texts for the Swiss singer Stephan Eicher on a regular basis . From the early 2000s, he translated several English-language plays into French. In 2008 he published his only own play Lui , which was published in 2010 in the form of a comic strip drawn by Jean-Philippe Peyraud. In 2012 he was awarded for the novel Oh ... the Prix Interallié .
Djian's life is characterized by numerous changes of residence. According to his own statements, he never lived in the same place for more than five years. He has three children with Année, whom he married in 1993. The eldest is the son Loïc, to whom the father dedicated the book Backbone . He dedicated the novel Pas de deux to his daughter Clara and the novel Matador to his daughter Lou-Anne .
style
Djian's literary role models are Richard Brautigan , Henry Miller , Jack Kerouac and Jerome David Salinger . He consciously places himself in the tradition of modern American literature and has said in this context: "I am only interested in style and language because I have no message that I want to pass on." When he began to read, the contemporary French authors are weren't particularly interesting because they didn't deal with real life, as many American writers did at the time. Djian's style is characterized by a sophisticated purism and the speed with which he opposed the established literary salon. He likes to use colloquial words and maintains a fluid, varied sentence structure. In several of his novels, the first-person narrator is a writer who works hard on his writing style: "Don't ask yourself why you are writing and for whom, but instead write as if every sentence could be your last."
Works
original | Art | year | German edition | translation | year |
---|---|---|---|---|---|
50 against 1 | stories | 1981 | 100 to 1 | Michael Mosblech | 2008 |
Bleu comme l'enfer | novel | 1982 | Blue as hell | Michael Mosblech | 1990 |
Zone érogène | novel | 1984 | Erogenous zone | Michael Mosblech | 1987 |
37.2 ° le matin | novel | 1985 | Betty Blue - 37.2 degrees in the morning | Michael Mosblech | 1986 |
Maudit manège | novel | 1986 | Betrayed and sold | Michael Mosblech | 1988 |
Echine | novel | 1988 | backbone | Michael Mosblech | 1991 |
Crocodiles | stories | 1989 | Crocodiles | Michael Mosblech | 1993 |
Lent dehors | novel | 1991 | pas de deux | Michael Mosblech | 1994 |
Lorsque Lou | narrative | 1992 | |||
Bram van Velde | narrative | 1993 | |||
Sotos | novel | 1993 | Matador | Ulrich Hartmann | 1993 |
Assassins | novel | 1994 | I worked for a murderer | Ulrich Hartmann | 1996 |
Aspirins | Novella | 1996 | |||
Mauvais rebonds | Novella | 1996 | |||
Criminels | novel | 1996 | criminal | Ulrich Hartmann | 1998 |
pornography | items | 1998 | |||
Il dit que c'est difficile | Story (new edition by Bram van Velde ) | 1998 | |||
Sainte-Bob | novel | 1998 | Hot autumn | Ulrich Hartmann | 1999 |
Vers chez les blancs | novel | 2000 | Black days, white nights | Uli Wittmann | 2002 |
Ardoise | Essays | 2002 | In the chalk | Uli Wittmann | 2004 |
Ça c'est un baiser | novel | 2002 | Sirens | Uli Wittmann | 2003 |
Frictions | Novella | 2003 | Frictions | Uli Wittmann | 2005 |
Impuretés | novel | 2005 | The early ripening | Uli Wittmann | 2006 |
Doggy bag: Season 1–6 | novel | 2005-2008 | Doggy Bag 1–6 | Uli Wittmann | 2009 |
Mise en bouche | Comic | 2008 | |||
Impardonnables | novel | 2009 | The frivolous | Uli Wittmann | 2011 |
Lui | Comic | 2010 | |||
Incidences | novel | 2010 | The restless | Oliver Ilan Schulz | 2012 |
Vengeances | novel | 2011 | Like the wild animals | Oliver Ilan Schulz | 2013 |
"Oh…" | novel | 2012 | Oh… | Oliver Ilan Schulz | 2014 |
Love song | novel | 2013 | |||
Chéri-Chéri | novel | 2014 | |||
Dispersez-vous, ralliez-vous! | novel | 2016 | |||
Marlène | novel | 2017 | Marlène | Norma Cassau | 2018 |
A l'aube | novel | 2018 | Dawn | Norma Cassau | 2020 |
Les inéquitables | novel | 2019 |
All German translations have been published by Diogenes Verlag .
Awards
- 2009: Prix Jean Freustié for Impardonnables
- 2012: Prix Interallié for "Oh ..."
Film adaptations
- Literary template
- 1986: Betty Blue - 37.2 degrees in the morning (37.2 ° C le matin) - Director: Jean-Jacques Seeleix
- 1986: The Blue of Hell (Bleu comme l'enfer) - Director: Yves Boisset
- 2011: Impardonnables - Director: André Téchiné
- 2013: Love is the perfect crime (L'amour est un crime parfait) - directed by Arnaud Larrieu and Jean-Marie Larrieu
- 2013: Krokodil - Director: Urs Egger
- 2016: Elle - Director: Paul Verhoeven
- script
- 2004: Let it be (Ne fais pas ça) - Director: Luc Bondy
literature
- Christiane Baumann & Gisela Lerch Eds .: Jean-Luc Benoziglio , Philippe Djian, Jean Echenoz , François Bon , Leslie Kaplan , Valère Novarina, Marie Ndiaye . in: Extreme Present. French literature of the 1980s. Contributions on the occasion of Berlin, European Capital of Culture 1988. Manholt, Bremen 1989 ISBN 3-924903-70-0 Each with own and third-party contributions (eg excerpts of works, interviews) of the named; Publisher's edition of the conference proceedings. Djian pp. 153-174
- Corinna Libal: The portrayal of the person in Philippe Djian's novels: from “Bleu comme l'enfer” (1982) to “Lent dehors” (1991) . In: Literary Studies in the Blue Owl . No. 26 . Verlag Die Blaue Eule, Essen 1999, ISBN 3-89206-961-1 .
Web links
- “Literature as an attitude to life” author Stefan Beuse congratulates on his 60th birthday
- Literature by and about Philippe Djian in the catalog of the German National Library
- Philippe Djian in the Internet Movie Database (English)
- “I don't know any limits” Interview with Djian in the taz on May 2, 2005
- Short biography and reviews of works by Philippe Djian at perlentaucher.de
- “What matters is the style!” Portrait from February 20, 2004
- "Internet Archive Wayback Machine" ( Memento from December 30, 2007 in the Internet Archive ) Archived version of the German Djian homepage that was taken offline
Individual evidence
- ↑ Portrait - Philippe DJIAN - Sans compter (March 17, 2017). Retrieved December 2, 2019 (French).
- ↑ "The Cult of Philippe Djian, ABC Arts online, interview September 19, 2001"
personal data | |
---|---|
SURNAME | Djian, Philippe |
BRIEF DESCRIPTION | French author |
DATE OF BIRTH | June 3, 1949 |
PLACE OF BIRTH | Paris |