Mykola Winhranowskyj

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Cyrillic ( Ukrainian )
Мико́ла Степа́нович Вінграно́вський
Transl. : Mykola Stepanovič Vinhranovskyj
Transcr. : Mykola Stepanowitsch Winhranovsky

Mykola Stepanowytsch Winhranowskyj ( Ukrainian Микола Степанович Вінграновський ;. Scientific transcription Mykola Stepanovič Vinhranovskyj * 7. November 1936 in Pervomaisk , Mykolaiv Oblast , Ukrainian SSR ; † 26. May 2004 in Kiev ) was a Ukrainian director, writer, actor, children's author and poet .

Life

childhood

Mykola Winhranowsky was born in Pervomajsk. The family home was attached to a poultry farm where the parents worked. In later years the family moved to the Bogopol District. He graduated from high school at the school there.

Studies and employment

After graduating from high school, he studied directing at the National University of Theater, Film and Television in Kiev. It was there that he met Oleksandr Dowschenko . Along with Sergei Eisenstein and Vsevolod Pudokin, he is considered to be one of the most important directors of early Soviet film. Dowschenko greatly influenced the further artistic work of Winhranowsky. Winhranowsky's classmates included Giorgi Schengelaia and Otar Iosseliani . Winhranowsky graduated in 1960 and then played his first role in the film Flaming Years , which tells the events in Ukraine during World War II from the perspective of a common soldier. The script was written by his teacher Dowschenko. In the following years he worked in various positions at different workplaces and at the same time published poems that were edited in anthologies. From 1962 to 1963 he worked as an actor in the Dowschenko film studios. He also made his literary debut Nuclear Preludes ( Атомні прелюди ). From 1964 to 1965 he was director of the Odessa film studio and then changed jobs again in 1965. He first became an editor and then director of the Kiev Dovchenko film studios. These two film studios are the largest film production facilities in Ukraine.

death

Winhranowsky died in 2004 after a long illness. He was buried in the Baikowe cemetery in Kiev .

Services

Acting and directing

Even before he published his first volume of poetry, Winhranowsky worked as an actor. He made his debut in the film Flammende Jahre, whose script was written by the director Oleksandr Dowschenko. Dowschenko's work often deals with topics such as homeland and Ukrainian traditions, as well as their decay, which Winhranowsky should also become central themes in his literary and cinematic works. Just like Dowschenko, who even received the Stalin Prize for the film Shchors , Winhranowsky found some of his works to be recognized by the state and others to be rejected.

Poetry

Winhranowsky processed a wide variety of styles in his poems. He was interested in classical sonnets and elegies as well as Japanese haikus . He wrote poems both in hexameters and in free verse. Typically his poems deal with the themes of nature and society. Animals, birds, plants and water play an important role in terms of motifs. The conflict between civilization and nature finds its strongest expression in the story of "Siromanets" from 1977.

Here is a text example from the poem Poplar :

Коли засне, немов дитя шалене,
Глибоке місто неспокійним сном,
Вона приходить здалелеку до
мелев приходить

In sleep, like a crazy child,
deep in the city in restless sleep
It comes to me from afar
And rustles under my window.

(German transliteration:
"Glyboke misto nespokijnym snom,
Vona prichodyt` zdaleku do mene
I šelestit` do mene pid viknom")

From 1989 to 1993 he was President of the Ukrainian branch of the PEN Writers' Association

Works

Volumes of poetry

  • Nuclear Preludes (Атомні прелюди), 1962.
  • Hundred poems (Сто поезій), 1967
  • Seal (Поезії), 1971.
  • On the Silver Coast (На срібнім березі), 1978.
  • Kiev (Київ), 1982.
  • Warm lips and golden eyes (Губами теплими і оком золотим), 1984.
  • The Woman I Love (Цю жінку я люблю), 1990.
  • In The Days You Hugged (З обійнятих тобою днів), 1993.
  • Love don't go (Любове, ні! Не прощавай!), 1997.

Children's books

  • World without war (Світ без війни), 1958.
  • President (Президент), 1960.
  • Evergreen (Первінка), 1971.
  • Siromanet (Сіроманець), 1977.
  • In the depths of the rain (У глибині дощів), 1979.
  • Summer on the Desna (Літо на Десні), 1983.
  • Horse at Sunset (Кінь на вечірній зорі), 1986.
  • Manyunya (Манюня), 2003.

Novels and essays

  • Severyn Nalyvaiko (Северин Наливайко), 1996.
  • The fourteen capitals of Ukraine (Чотирнадцять столиць України), 1997.

Filmography

Work as an actor

  • Flaming Years (Повість полум'яних літ), 1961.
  • Saeima (Сейм виходить з берегів), 1962
  • Coast of Hope (Берег надії), 1967
  • Ballad of a Briton (Дума про Британку), 1970

Work as a director

Feature films

  • The Daughter of Stration (Дочка Стратіона), 1964. (As co-author)
  • Quiet Shore (Тихі береги), 1973.
  • Klimko (Климко), 1984.

Documentaries

  • The Light Blue Sisters of Men (Голубі сестри людей), 1966
  • A word about Andrij Malyško (Слово про Андрія Малишка), 1983.
  • Dovchenko. Diaries 1941-1945 (Довженко. Щоденник 1941-1945), 1993.
  • Chigirin - the capital of Hetman Bohdan Khmelnytsky (Чигирин - столиця гетьмана Богдана Хмельницького) 1993
  • Baturin - the capital of Hetman Ivan Mazepa (Батурин - столиця гетьмана Івана Мазепи), 1993.
  • Galich - the capital of Prince Danilo Galitsky (Галич - столиця князя Данила Галицького), 1993.
  • Getman Sahaidachny (Гетьман Сагайдачний), 1999.

Awards

  • Taras Shevchenko Prize for his children's books, 1984
  • "Blagovest" literary prize
  • Honorary diploma of the Presidium of the Supreme Rada of Ukraine
  • Award from Jemeljan and Tatiana Antonowitsch

See also

literature

  • Volodymyr Deržavyn: Yellow and Blue: a choice of modern Ukrainian poetry . A. Bilous, Augsburg 1948.
  • Anja-Halja Horbatsch: The Ukraine as reflected in its literature: Poetry as a people's way of survival; Contributions . Brodina Verlag, Reichelsheim 1997.
  • Hans-Joachim Schlegel: Aleksandr Dovshenko in Berlin. A research . In: FilmGeschichte , Berlin 1996.

Web links

Individual evidence

  1. Sebastian Kleinschmidt: Sense and Form . Rütten & Loening, Berlin 1977, p. 20
  2. Oleksandr Dowschenko
  3. Anja-Halja Horbatsch: The Ukraine in the mirror of its literature: Poetry as a way of survival of a people; Contributions . Brodina Verlag, Reichelsheim 1997, pp. 55-60.