Norah Borges

from Wikipedia, the free encyclopedia

Norah Borges , actually Leonor Fanny Borges Acevedo , (born March 4, 1901 in Palermo , Argentina , † July 20, 1998 there ) was an Argentine artist and art critic.

Life

Borges was the daughter of the lawyer and writer Jorge Borges Haslam and his wife Leonor Acevedo Suárez. The writer Jorge Luis Borges was her older brother.

In 1914, shortly before the outbreak of World War I , Borges traveled to Geneva with her family . Her brother, who was in danger of going blind, was supposed to undergo eye surgery there. During this time, Borges was taught there by her parents and later by private tutors.

In the summer of 1919 Borges traveled to Mallorca to work in the studio of the painter Sven Westman (1867–1962). Together with her brother, who had accompanied her, she also founded the magazine Baleares there . She later moved to Julio Romero de Torres , a painter in Madrid . There she made u. a. made the acquaintance of the writer Juan Ramón Jiménez and illustrated some of his books.

When her family traveled back to Argentina in 1921, she began to study sculpture with Maurice Sarkisoff (1882–1946) at the École des Beaux-Arts in Geneva . With the support of her teacher, she was able to move to Arnoldo Bossi's studio in Lugano in 1924 .

Through her brother she made the acquaintance of various artists of the Grupo Florida and soon became an important member. In 1928 Borges married the writer Guillermo de Torre in Buenos Aires , whom she had already met in Spain in 1920; the couple had two children.

During the Second World War Borges supported together with María Rosa Oliver , Annemarie Heinrich u. a. the Junta de la Vitoria by Cora Ratto de Sadosky and Ana Rosa Schlieper .

Norah Borges died on July 20, 1988 in Buenos Aires, where she found her final resting place in the family vault at La Recoleta Cemetery .

literature

Essays
  • Caleb Bach: The other Borges. Often in the shadow of her older brother, Norag Borges embodies the artistic movement of the early 20th century . In: The Americas , Vol. 2 (2007), p. 37, ISSN  0003-1615 .
  • Sergio Baur: Norah Borges. Musa de las Vanguardias . In: Cuadernos hispanoamericanos , Vol. 610 (2001), pp. 87-96, ISSN  0011-250X .
  • Eam McCarthy: Flirting with futurism. Norah Borges and the Avant-garde . In: International yearbook of futurism studies , Vol. 5 (2015), pp. 111–135, ISSN  2192-0281 .
  • Camilia Sutherland: "El Pájaro de Cuatro Notas". The reception of Argentine women writers and artists' work in avant-garde magazines . In: Journal of Iberian and Latin American Studies , Vol. 23 (2017), pp. 399-416, ISSN  1469-9524 .
Monographs

Individual representations

  1. Your brother is buried on the Cimetière des Rois in Geneva.