Well praise, my soul, gentlemen
Now praise, my soul, the gentlemen is a Lutheran hymn . Johann Gramann wrote the text before 1540 as a copy of Psalm 103 . The published by Hans Kugelmann in 1540 .
Origin and reception
After Martin Luther had written the first Reformation psalm songs, various authors soon followed his example. According to a tradition traced back to Martin Chemnitz , it was Albrecht , the first Lutheran Duke of Prussia , who asked Gramann as early as 1525, i.e. at the same time as he was called to Königsberg , for a copy of Psalm 103; Albrecht also sang the song on his deathbed. Gustav Adolf of Sweden had it sung on April 24, 1632 at the first Lutheran service after the conquest of Augsburg . And on October 25, 1648, the people spontaneously voted on the market square of Osnabrück, Now praise, my dear, gentlemen , when the Peace of Westphalia was proclaimed. For centuries it was one of the most popular evangelical hymns and was often arranged musically. In addition to several chorale harmonizations (including for the cantata We thank you, God, we thank you , BWV 29), Johann Sebastian Bach created two contrapuntal motet movements ( BWV 28.2 and BWV 225.2) and a concertante solo movement ( BWV 51 .4).
content
In his four twelve-line stanzas, Gramann closely follows the biblical model. Like them, the song is an invitation to praise the Lord for all his benefits to his mortal creatures and to his people , first and foremost for the forgiveness of sins . The fifth stanza by an unknown author was added in 1555; it paraphrases the Gloria Patri with which every psalm ends in the Christian liturgies .
Text synopsis
Psalm 103 (Luther 1984) |
Lyrics ( EG 289) |
Praise the Lord, my soul, |
1. Now praise, my soul, gentlemen, |
He let Moses know his ways, |
2. He has let us know |
As a father has pity on children,
|
3. As a man has pity on |
But the grace of the Lord |
4. God's grace alone
You strong angels,
do his praises
|
Glory to the Father and the Son
|
5. Be praised and praised with honor to |
melody
The melody, in an unclouded major and in a swinging 6/4 time, is underlaid to the psalm song for the first time in 1540 in Hans Kugelmann's Concentus novi trium vocum and is considered his creation. In doing so, Kugelmann probably assumed a shorter and simpler folk tune , which is only documented in the Strasbourg collection of Christian Reuterlieder in 1582 - there with the text Whoever God Will Right Trust -, but is considered to be significantly older. This was combined in 1893 by Franz Magnus Böhme with the secular song text Weiß mir ein Blümleinblau, also from the 16th century , which is why this beginning of the song is mentioned in today's hymn books as a template for Kugelmann's melody.
literature
- Bernhard Leube: 289 - Well, praise, gentlemen . In: Liederkunde zum Evangelisches Gesangbuch . No. 23 . Vandenhoeck & Ruprecht, Göttingen 2017, ISBN 978-3-525-50346-1 , p. 37–43 , doi : 10.13109 / 9783666503467.37 ( limited preview in Google Book search).
Web links
Individual evidence
- ↑ hymnary.org (English)
- ↑ digitized version
- ↑ Frauke Schmitz-Gropengiesser: Weiß mir ein Blümleinblaue (2013). In: Popular and Traditional Songs. Historical-critical song lexicon of the German Folk Song Archive
- ↑ Ludwig Erk , Franz Magnus Böhme (Ed.): Deutscher Liederhort . Second volume. Breitkopf and Härtel, Leipzig 1893, p. 198 f. ( Digitized version ).
- ↑ so on EG 289