Robert Bramkamp

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Robert Bramkamp (born May 15, 1961 in Münster ) is a German director and screenwriter .

Life

Robert Bramkamp was born in Münster in 1961. From 1981 to 1988 he studied German at the Westphalian Wilhelms University there , and from 1983 to 1988 he also studied film at the Art Academy in Münster . In 1988 he became a master student of Prof. Lutz Mommartz . Since 1988 he has been working regularly with the visual artist Susanne Weirich, with whom he has been married since 2002.

Director and screenwriter

His first full-length feature film was Yellow Sorte , which was produced for the small television game. From 1989 to 1990 he produced an alternative TV program with Eine, Keiner, 100,000 . The Conquest of the Middle , his second feature film, premiered at the 1995 Berlinale . Bramkamp has made a name for himself as a director of unconventionally experimental films, especially with his subsequent films, Prüfstand 7 (based on motifs from “The Ends of the Parable” by Thomas Pynchon ) and Der Bootgott vom Seesportclub .

In 2013, his three-year art project, the film production Art Girls with Inga Busch , Megan Gay and Peter Lohmeyer in the leading roles, premiered at the Hof International Film Festival.

From 1998 to 2006 he was a lecturer for feature film directing at the University of Film and Television “Konrad Wolf” in the Potsdam media city Babelsberg , and since 2008 he has been a professor at the University of Fine Arts in Hamburg .

Movies

  • 1983: Stand By (short film)
  • 1984: Katarina moves (half-length film)
  • 1985: The Man Who Was Cary Grant (short film)
  • 1985–1987: Yellow Sorte (feature film), ZDF Kleines Fernsehspiel
  • 1987: The Heaven of Heroes (short film), special award of the WDR 1988, audience award short film festival. Hamburg, Int. Tour program e-film workshop
  • 1989: The man at the window (short film), 1st prize Festival Int. du Film d ́Architecture et d'Urbanisme Lausanne
  • 1989–1990: One None 100 000, Channel 4, with Martin Hagemann, exp. TV magazine, four episodes of 30 minutes each
  • 1992: Beckerbillett (short film), 2nd prize Int. Document ART 1993
  • 1993: Cut a Long Story Short (short film)
  • 1995: Die Eroberung der Mitte (feature film), with Peter Lohmeyer, Karina Fallenstein (Berlinale 1995 / Forum, distributor: Silver Cine; TV: premiere)
  • 1995: Slave driver of the soul (TV magazine), DCTP, with Alexander Kluge
  • 1996: XXO (action series), lens film / RTL, with Kirsten Ellerbrake, story development
  • 2001: Test stand 7 with Inga Busch , Peter Lohmeyer , Matthias Fuchs, festival evaluation (Hof, Duisburg etc.), nomination for the Grimme Prize Special
  • 2002: Der gefrorene Blitz (TV magazine), DCTP, with Alexander Kluge
  • since 2002 Art Girls (1,2) / Neue Natur (project development)
  • 2006: Der Bootgott vom Seesportclub (cinema documentary), ZDF / arte, Federal Cultural Foundation
  • 2013: Art Girls (feature film) with Inga Busch , Peter Lohmeyer , Megan Gay, Saralisa Volm. World premiere: 47th Int. Hof Film Festival
  • 2015: Neue Natur (TV documentary fiction) with Inga Busch , Peter Lohmeyer , Christian Steyer, Megan Gay, ZDF / arte March 2, 2015
  • 2017: Forcing Satan to do so (HFBK collective film) with Dietrich Kuhlbrodt and 87 collective narrators. Premiere: Akademie der Künste Berlin, Filmfest Hamburg, Lichterfilmfest Frankfurt; VOD: www.realeyz.de

Publications

  • Topography of reality. On the representation of reality in Arno Schmidt's short novel “Aus dem Leben eines Fauns”, in: text and criticism 20 / 20a. Arno Schmidt, Munich 1986.
  • A witch who uses up a lot of energy. Conversation with Jean-Marie Straub and Danièle Huillet, in: Schönberg. Blonda. Huillet. Straub. From today to tomorrow, published by Klaus Volkmer, Patrick Primavesi, Klaus Kalchschmid, Berlin 1997.
  • One of the ancient drugs. Alexander Kluges many media, in: We are family - Remix 98, ed. and introduced by Rembert Hüser, in: Literary Studies and Science Research, Ed. Jörg Schönert, Stuttgart / Weimar 2001.
  • Test stand 7 - The book on film and other research on the spirit of the rocket, Eds. Robert Bramkamp and Olga Fedianina, Berlin 2002.
  • A Veil Between Pictures, in: Pynchon Notes 50-51, Spring-Fall 2002, Ed. John Krafft, Baltimore 2004.
  • For a real complex rocket museum, in: Kritischeberichte 3.2009, Eds. Tristan Weddigen and Anette Tietenberg, Marburg 2009.
  • Art Girls - the last disaster film. Conversation by Robert Bramkamp and Georg Seeßlen, in: Lerchenfeld 27, Hamburg 2015.
  • Collective storytelling - de-escalated !, in: Unruly design. Design practice and social responsibility, eds. Hans-Jörg Kapp and Friedrich Weltzien, Reimer, Berlin 2017
  • Double exposures, or: a computer program behind every hedge. Nils Plath and Robert Bramkamp in conversation; in: ksb magazine 31-33; Federal Cultural Foundation, Halle 2018

literature

  • “Eros of Possibilities”, a small sketch for the films by Robert Bramkamp, ​​by Georg Seeßlen, in: epd film 4.2015
  • “Slave driver of the soul”, conversation with Alexander Kluge about “The Conquest of the Middle”, in: 10vor 11, dctp 1995
  • “The frozen lightning”, conversation with Alexander Kluge about “test stand 7”, in: News & Stories dctp 2002
  • "Form und Warenfoermigkeit", The films by Robert Bramkamp; Annett Busch in: GELD UND KINO, ed. by Margrit Frölich and Rembert Hüser; Schüren Marburg 2011, pp. 181–203
  • “Zeitgeist in Glacier Ice”, Olaf Möller, in: taz, November 23, 2004; Emphasis: Plugs dropped. Zeitgeist (er) in glacier ice, July 2008, Olaf Möller, HFBK Hamburg newsletter
  • "Mr. Enkert and Held Enkidu", Ekkehard Knörer, in: taz, December 18, 2008
  • " Conquering the Middle", Georg Seeßlen, in: epd film 8.1995
  • “The truth is an ocean,” Michael Girke, in: filmdienst, July 16, 2009
  • “Prüfstand 7, Das Buch zum Film”, Dietrich Kuhlbrodt, in: epd film, May 2003
  • “Art Girls - always in motion and fundamentally unpredictable” by Ulrich Kriest, in: Filmdienst 7/2015
  • “Only a god does the job”, Brigitte Werneburg, in: taz, June 1, 2006
  • "Enkis Comeback", Fritz Göttler, Süddeutsche Zeitung September 14, 2006
  • “Five times faster than sound”, Christine Moles Kaupp, in: Tagesspiegel, June 27, 2002
  • "The one who thinks", Daniel Wiese, in: taz Nord, July 3, 2008
  • “Der Bootgott vom Seesportclub” - Film of the Month, Michael Girke, in: Konkret 6.2006

Web links

personal data
SURNAME Bramkamp, ​​Robert
BRIEF DESCRIPTION German filmmaker and screenwriter
DATE OF BIRTH May 15, 1961
PLACE OF BIRTH Muenster