Sheila Silver

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Sheila Silver (* 1946 in Seattle , Washington ) is an American composer and music teacher.

Silver received piano lessons from the age of five. She studied composition with Edwin Dugger at the University of California, Berkeley until 1968 . During a two-year study visit to Europe, she was a student of Erhard Karkoschka in Stuttgart and György Ligeti in Hamburg and Berlin. She then studied at Brandeis University with Arthur Berger , Harold Shapero and Seymour Shifrin . An Abraham Sachar Traveling Grant enabled her to spend a year and a half in London, and she also attended a summer course with Jacob Druckman at the Berkshire Music Center in Tanglewood. She lives in New York with her husband, screenwriter and director John Feldman , and is a professor at the State University of New York at Stony Brook .

Silver composed operas and film scores, orchestral works, vocal and chamber music. She has received composition commissions from the Los Angeles Philharmonic Orchestra , the Orchestra Sinfonica Nazionale della RAI , the American Composers Orchestra , the Indianapolis Symphony Orchestra , the Chicago String Ensemble , the Richmond and Illinois Symphony , the Gregg Smith Singers , the Hartford Chamber Orchestra , the Guild Trio , the Muir Quartet , the Ying Quartet and the musicians Alexander Paley , Gilbert Kalish , Heidi Lehwalder and Timothy Eddy . She has received a Radcliffe Institute Fellowship (1978), the Rome Prize (1979), and the American Academy and Institute of Arts and Letters Composer Award (1986).

Her piano concerto was premiered in 1997 in Carnegie Hall by the Lithuanian State Orchestra under the direction of Gintaras Rinkevičius and the soloists Alexander Paley, her opera The Thief of Love in 2001 at the Stony Brook Opera under the direction of David Lawton and Ned Canty . She composed the music for the film Who the Hell is Bobby Roos? , which won the New American Cinema Award at the 2002 Seattle International Film Festival .

Works

  • String Quartet , 1975
  • Galixidi for orchestra, 1976
  • Chariessa for soprano and orchestra (after fragments by Sappho ), 1980
  • Fantasy Quasi Theme and Variations for piano, 1980
  • Theme an Variations for Bowed Vibraphone , 1980
  • Two Elizabethan Songs for mixed choir a cappella, 1981
  • Ek Ong Kar for mixed choir a cappella, 1981
  • The Thief of Love , Opera, 1981-86
  • Shirat Sarah for string orchestra, 1985, 1987
  • Dance Converging for viola, horn, piano and percussion, 1987
  • G Whiz for two violins and marimba, 1988
  • Sonata for Cello an Piano , 1988
  • Windows Waltz for chamber ensemble, 1988
  • Canto (after Ezra Pounds Canto XXXIX ) for baritone and instrumental ensemble, 1989
  • Oh Thou Beautiful One for piano, 1989
  • Dance of Wild Angels for chamber orchestra, 1990
  • Boruchi Nafshi Et Adonai for antiphon choir and piano, 1990
  • Six Preludes pou Piano d'après poèmes de Baudelaire , 1991
  • Three Preludes for Orchestra , 1992
  • To the Spirit Unconquered for violin, cello and piano, 1992
  • From Darkness Emerging for two violins, viola, cello and harp, 1995
  • Transcending for baritone and piano, 1995
  • Piano Concerto , 1996
  • String Quartet # 2 , 1997
  • Winter Tapestry for chamber ensemble, 1998
  • Lullaby for bassoon and piano, 1999
  • As the Earth Turns for two wind instruments, tape and video, 1999
  • Subway Sunset for oboe, piano and video, 2000
  • Chant for double bass and piano, 2000, 2004
  • Fantasy on an Imaginary Folk Song for flute and string orchestra, 2002
  • From Darneslute and string orchestra , 2002
  • Moon Prayer for two violins, two violas and two cellos, 2002
  • Midnight Prayer for orchestra, 2003
  • Twilight's Last Gleaming for two pianos and two percussionists, 2008
  • Hazim's Dance for oboe, harp, violin, viola and cello, 2008
  • Six Beads on a String for violin, 2008
  • The Wooden Sword , Opera, 2007, WP 2010
  • The White Rooster , Cantata, WP 2010

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