Stefan Keym

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Stefan Keym (* 1971 in Bremen ) is a German music historian .

Life

The study of musicology, German literature and history in Mainz , Paris and Halle an der Saale , sponsored by the Scholarship Foundation of the German people , he concluded as Maîtrise de musique at the University of Paris IV and 2001 with the doctorate at the University of Halle-Wittenberg with a thesis on Olivier Messiaen's opera Saint François d'Assise doctorate from. From 2002 he was a research assistant and employee at the Institute for Musicology at the University of Leipzig . After the habilitation there on the German-Polish symphony cultural transfer in the long 19th century and headed a DFG project on the re-internationalization of the symphony using the example of the Leipzig concert and publishing industry 1835-1914 and visiting and substitute professorships at the universities of Tübingen , Zurich , HU Berlin and Hamburg , he was appointed to the professorship for modern music history at the Université Toulouse-Jean Jaurès in 2016 and to the W3 professorship for historical musicology in Leipzig in the 2019 summer semester .

His main research interests are European music history (analysis, aesthetics, cultural history) with a geographical focus on France-Germany-Poland and the special fields: music in the field of tension between international cultural transfers and nationalism, formal and expressive dramaturgies of large instrumental groups (symphony, overture, symphonic poetry, sonata) , modern music theater from Wagner to Rihm, religious themes in instrumental music and opera: from Mendelssohn and Liszt to Messiaen and reception, canon and repertoire research (concerts and music publishers, especially in Leipzig, Paris and Warsaw).

Fonts (selection)

  • Color and time. Investigations into the musical theater structure and semantics of Olivier Messiaens Saint François d'Assise . Hildesheim 2002, ISBN 3-487-11661-8 .
  • Symphony culture transfer. Studies on the study stay of Polish composers in Germany and on their examination of the symphonic tradition from 1867–1918 . Hildesheim 2010, ISBN 978-3-487-14354-5 .
  • as editor: motivic-thematic work as the epitome of music? On the history and problems of a “German” music discourse . Hildesheim 2015, ISBN 3-487-15295-9 .
  • as editor with Peter Schmitz : The Leipzig Music Publishing System. Inner-city networks and international appeal . Hildesheim 2016, ISBN 3-487-15453-6 .

Web links