Stefan Pohlit

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Stefan Pohlit (* 1976 in Heidelberg ) is a German composer and music theorist .

Career

Stefan Pohlit received his first composition lessons from 1992 to 1995 from Róbert Wittinger. From 1995 he studied composition with Theo Brandmüller (Saarbrücken), with Detlev Müller-Siemens and Roland Moser (Basel), with Gilbert Amy (Lyon) and, from 1999 to 2005, with Wolfgang Rihm and Sandeep Bhagwati , as well as music theory with Bernd Asmus and Peter-Michael Riehm in Karlsruhe.

From 1999 he devoted himself to intensive oriental studies, traveled to the Middle East and stayed in Turkey in 2003/04 as a guest of the composer Nevit Kodallı. In 2007 he moved to Turkey, taught at times as a foreign expert at the State Conservatory in Ankara and received his doctorate in 2011 from the music research institute MİAM of the Technical University of Istanbul with a dissertation on the tuning system of the Kanun player Julien Jalal Eddine Weiss. From 2012 to 2014 he taught as a junior professor at the State Conservatory for Turkish Music at the TU Istanbul. In February 2018, Pohlit won a lawsuit against the TU Istanbul in Turkey for his dismissal. He is the brother of the composer Hannes Pohlit .

In addition to his artistic work, Stefan Pohlit has emerged as a publicist and through lectures. Pohlit's works have been discussed on the radio since 1995, in 2013 in a one-hour portrait by Hessischer Rundfunk. He has lived and worked in Germany since 2018.

Awards

  • Sponsorship award from the German Association of Composers (1993)
  • Scholarship from the Ministry of Education and Culture Rhineland-Palatinate in the Société Franz Schreker , Paris (1996)
  • Scholarship from the Heinrich Strobel Foundation of the SWR (2005 and 2006)
  • Scholarship from the Baden-Württemberg State Foundation (2003)
  • DAAD scholarship (2007)
  • Advancement award of the master class of the RSO Stuttgart (2009)

Selected Works

Solo works

  • Orpheus' Lament for harp (2004)
  • Dafne for violin (2015)
  • Jacob's ladder for violin (2015)

Chamber music

  • gurêz for four recorders (2002, commissioned by the Amsterdam Loeki Stardust Quartet ; published by Channel Classics in 2003)
  • desertum (revised version) for flute and piano (2003/17)
  • Rose and Nightingale (revised version) for tenor recorder and percussion (2005/17)
  • de-sero for string quartet (world premiere in 2006 by the Stadler quartet)
  • Confessions for flute, clarinet, bassoon, horn, trumpet, trombone, violin, viola, cello (2008/12)
  • clairvoyance for violin and violoncello (2010)
  • rain for string quartet (2017)
  • XY for santur, percussion and string quartet (2017/18)

ensemble

  • sinfonia funebre for harp and ensemble (flute, clarinet, bassoon, horn, 2 percussionists, 2 violins, viola, cello) (2015)
  • Tombeau de Julien Bernard for ensemble (flute, clarinet, bassoon, horn, trumpet, trombone, tuba, percussion, 2 violins, viola, cello, double bass) (2016)

orchestra

Vocal music

  • See, I died as a stone ... for mezzo-soprano and ensemble (2002; recorded in 2009 by Ensemble Phoenix Basel )
  • Love Is My Religion for countertenor and tenor recorder (2013)

Web links

literature

  • Şefik Kahramankaptan: Bizi bizden daha iyi bilen bir Alman bestecisi , Andante 6/20086 (Dec. 2008), pp. 56–7
  • Ulrike Böhmer: Succumb to fascination… , Neue Zeitschrift für Musik 4/2013 (June 2013), 35–39
  • Michael Rebhahn: Introducing: Stefan Pohlit , HR2-Kultur, Feb. 5, 2012, 10 p.m.

Individual evidence

  1. Interview with Stefan Pohlit from March 20, 2018 in Die Rheinpfalz . Retrieved August 21, 2018.
  2. Report by Dinçer Gökçe from February 26, 2018 in Hürriyet (English). Retrieved September 14, 2019.