Vladimir Georgievich Gaidarov

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Vladimir Gaidarow 1926 on a photograph by Alexander Binder

Vladimir Georgievich Gaidarow ( Russian Владимир Георгиевич Гайдаров ; born July 25, 1893 in Poltava , Russian Empire , † December 17, 1976 in Leningrad , Soviet Union ) was a Russian theater and film actor. He played in Tsarist Russia, Germany and the Soviet Union.

Life

Vladimir Gaidarov studied philosophy at Moscow University from 1912. While still studying, he was accepted into the Moscow Art Theater in 1914 , where he was engaged until 1920. There he met the actress Olga Gsovskaya , whom he married a little later. In 1915 Gaidarov made his film debut with an extra role in Mara Kramskaya . He subsequently appeared regularly with Gsovskaya in Russian films, often directed by Jakow Protasanow . In the Tolstoy film adaptation of Otez Sergi (1917) he played the role of Nicholas I alongside the star of the tsarist cinema Ivan Mosschuchin . In November 1920 Gaidarov went on tour with his wife to Tallinn and Riga and came to Berlin in March 1921 .

Together with other Russian actors in exile, he was hired in 1921 for Carl Theodor Dreyer's Die Gezeichen . Gaidarow was convincing and appeared in more than 20 films in Germany by 1930. Among his best-known roles are those of Johannes Rog in Friedrich Wilhelm Murnau's The Burning Acker (1922), Paris in Manfred Noa's two-part Troy epic Helena (1923/24), and Louis XIV in the Dumas film adaptation of The Man with the Iron Mask (1923) and Alexander I in Carl Froelich's Luise, Queen of Prussia (1931). With his own production company, Gaidarow directed the German-Estonian film Waves of Passion , his first sound film, in 1930 .

In 1933 Gaidarov went back to the Soviet Union with his wife. They settled in Leningrad in 1934 and gave readings and literary lectures. From 1938 to 1968 he was engaged at the Leningrad Pushkin Theater and only occasionally appeared in films. In 1940 Vladimir Gaidarov became a People's Artist of the RSFSR . In 1950 he was awarded the Stalin Prize for his role as General Paulus in the war film Stalingradskaja Bitwa (1949) .

Filmography

In Russia

  • 1915: Mara Kramskaja (Мара Крамская)
  • 1916: Aromat grecha (Аромат греха)
  • 1916: Kogda umirajet ljubow (Когда умирает любовь)
  • 1916: Na kryljach smerti (На крыльях смерти)
  • 1916: Panna Meri (Панна Мэри)
  • 1916: Ty ko mne ne werneschsja (Ты ко мне не вернешься)
  • 1916: Uragan (Ураган)
  • 1916: Shkwal (Шквал)
  • 1917: Jeie schertwa (Ее жертва)
  • 1917: I tainu poglotili wolny (И тайну поглотили волны)
  • 1917: Kogda evo Tschas nastanet (Когда его час настанет)
  • 1917: Ne nado krowi (Не надо крови)
  • 1917: Pesn swobody (Песнь свободы)
  • 1917: Father Sergius (Отец Сергий)
  • 1918: Metel (Метель)
  • 1918: Greschnaja Dschenni (Грешная Дженни)
  • 1918: Iola (Иола)

In Germany

In the Soviet Union

  • 1933: Stepnyje pesni (Степные песни)
  • 1949: Stalingradskaja bitwa (Сталинградская битва)
  • 1955: Geroi Schipki (Герои Шипки)
  • 1968: Fritjof Nansen. Wsewo odna schisn (Фритьоф Нансен. Всего одна жизнь)
  • 1968: Oschibka Onore de Balsaka (Ошибка Оноре де Бальзака)

literature

  • Kay Less : The film's great personal dictionary . The actors, directors, cameramen, producers, composers, screenwriters, film architects, outfitters, costume designers, editors, sound engineers, make-up artists and special effects designers of the 20th century. Volume 3: F - H. Barry Fitzgerald - Ernst Hofbauer. Schwarzkopf & Schwarzkopf, Berlin 2001, ISBN 3-89602-340-3 , p. 167.
  • Kay Less: 'In life, more is taken from you than given ...'. Lexicon of filmmakers who emigrated from Germany and Austria between 1933 and 1945. A general overview. ACABUS-Verlag, Hamburg 2011, ISBN 978-3-86282-049-8 , p. 180 f.

Web links

Individual evidence

  1. Gaidarov's filmography at kino-teatr.ru