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{{Short description|English musician, tenor and organist}}
[[Image:William Hayman Cummings.jpg|frameless|right]]
{{Use dmy dates|date=January 2020}}
'''William Hayman Cummings''' (August 22, 1831 – June 10, 1915), born in Sidbury (near [[Sidmouth]]) in [[Devon]], was an [[English people|English]] musician, [[tenor]] and organist at [[Waltham Abbey (abbey)|Waltham Abbey]].
{{EngvarB|date=January 2020}}
[[File:William Hayman Cummings.jpg|frameless|right]]
'''William Hayman Cummings''' (22 August 1831 – 5 June 1915) was an English musician, [[tenor]] and organist at [[Waltham Abbey Church]].


He was educated at [[St Paul's Cathedral School|St Paul's Cathedral Choir School]] and the [[City of London School]], becoming a pupil of Dr E.J. Hopkins, J.W Hobbs and [[Alberto Randegger]], and was for many years a chorister in [[St Paul's Cathedral]] and the [[Temple Church]].
Cummings was born in Sidbury (near [[Sidmouth]]) in [[Devon]]. He was educated at [[St Paul's Cathedral School|St Paul's Cathedral Choir School]] and the [[City of London School]], becoming a pupil of Dr E. J. Hopkins, J. W. Hobbs and [[Alberto Randegger]], and was for many years a chorister in [[St Paul's Cathedral]] and the [[Temple Church]].


In 1847, as a teenager, he was one of the choristers when [[Felix Mendelssohn]] conducted the first London performance of his ''[[Elijah (oratorio)|Elijah]]'' at [[Exeter Hall]]. Cummings also sang at numerous festivals and concerts throughout Great Britain and twice toured in the [[United States of America|United States]]. His performance at the Triennial Festival of the [[Handel and Haydn Society]] in Boston was noticed as follows by the [[Chicago Tribune]] of May 15, 1871:-
In 1847, as a teenager, he was one of the choristers when [[Felix Mendelssohn]] conducted the first London performance of his ''[[Elijah (oratorio)|Elijah]]'' at [[Exeter Hall]]. Cummings also sang at numerous festivals and concerts throughout Great Britain and twice toured in the United States. His performance at the Triennial Festival of the [[Handel and Haydn Society]] in Boston was noticed as follows by the ''[[Chicago Tribune]]'' of 15 May 1871:
:The tenor is also a new-comer, brought from England for this occasion, Mr. Wm. H. Cummings. He is a slightly-built gentleman, about five feet ten inches high, has light hair, a receding forehead, a light gentlemanly-looking (but not distingue) mustache, and stands quietly while singing. His voice is a tenor of good volume, and admirable quality--like a silver trumpet. The intonation is to be relied on, and his delivery of the tone pleasant. The words are delivered as well as possible, both in recitative and the airs. I doubt whether Mr. Cummings be a great singer, yet he is a better oratorio tenor than I have heard. He is entirely innocent of tremolo and absurd affectation.
<blockquote>The tenor is also a new-comer, brought from England for this occasion, Mr. Wm. H. Cummings. He is a slightly-built gentleman, about five feet ten inches high, has light hair, a receding forehead, a light gentlemanly-looking (but not distingue) mustache, and stands quietly while singing. His voice is a tenor of good volume, and admirable quality—like a silver trumpet. The intonation is to be relied on, and his delivery of the tone pleasant. The words are delivered as well as possible, both in recitative and the airs. I doubt whether Mr. Cummings be a great singer, yet he is a better oratorio tenor than I have heard. He is entirely innocent of tremolo and absurd affectation.{{cite quote|date=January 2024}}</blockquote>


He is credited in 1855 with linking Mendelssohn's tune to [[Charles Wesley]]'s words ''[[Hark! The Herald Angels Sing]]'', which are now universally inextricably linked. At the [[Birmingham Triennial Music Festival|Birmingham Festival]] he was the last-minute tenor soloist at the premiere of ''[[The Masque at Kenilworth]]'' (1866) by [[Arthur Sullivan]], taking [[Mario (tenor)|Mario's]] place (with only half-an-hour's notice to prepare). He was also the tenor soloist there for the premiere of the sacred cantata The Woman of Samaria by [[William Sterndale Bennett]] in 1867.
He is credited in 1855 with linking music adapted from Mendelssohn's ''[[Festgesang]]'' to [[Charles Wesley]]'s words "[[Hark! The Herald Angels Sing]]", which are now universally inextricably linked. At the [[Birmingham Triennial Music Festival|Birmingham Festival]] he was the last-minute tenor soloist at the premiere of ''[[The Masque at Kenilworth]]'' (1866) by [[Arthur Sullivan]], taking [[Giovanni Matteo Mario]]'s place (with only half-an-hour's notice to prepare). He was also the tenor soloist there for the premiere of the sacred cantata ''The Woman of Samaria'' by [[William Sterndale Bennett]] in 1867.


Cummings founded the [[Purcell Society]] in 1876. He served as singing professor at the [[Royal Academy of Music]] for 15 years beginning in 1879. He held strong views on singing and delivered the occasional stern tirade attacking the "pernicious vibrato". As late as 1907 he gave an address on "The Culture of the Voice" in which he praised the [[Messa di voce]] (which was obsolete by then), and, according to the Derby Daily telegraph of 4 January 1907, administered:
Cummings founded the [[Purcell Society]] in 1876. He served as singing professor at the [[Royal Academy of Music]] for 15 years beginning in 1879. He held strong views on singing and delivered the occasional stern tirade attacking the "pernicious vibrato". As late as 1907 he gave an address on "The Culture of the Voice" in which he praised the [[messa di voce]] (which was obsolete by then) and, according to the ''[[Derby Daily Telegraph]]'' of 4 January 1907, administered:
: a crushing rebuke to those who indulge in what is known as the 'tremolo'. It is, as the Doctor said, a reprehensible habit. Apart from the fact that it mars the beauty of many fine voices, it is, I agree, “a most distressing fault to the auditors, who frequently listen in doubt as to the precise pitch of the note the singer is endeavouring to produce".
<blockquote>a crushing rebuke to those who indulge in what is known as the 'tremolo'. It is, as the Doctor said, a reprehensible habit. Apart from the fact that it mars the beauty of many fine voices, it is, I agree, "a most distressing fault to the auditors, who frequently listen in doubt as to the precise pitch of the note the singer is endeavouring to produce".{{cite quote|date=January 2024}}</blockquote>


He later became a professor and later the principal of the [[Guildhall School of Music]]. One of his notable pupils at the school was conductor [[Bruce Carey]]. He received an honorary Doctorate in Music from [[University of Dublin|Dublin University]] in 1900 and was made a gentleman of the [[Chapel Royal]]. In 1902, he published a book on the origins of [[God Save the King]].<ref>God Save the King, William H. Cummings, Novello and Company Ltd, London 1902</ref>
He later became a professor and later the principal of the [[Guildhall School of Music]]. One of his notable pupils at the school was conductor [[Bruce Carey]]. He received an honorary doctorate in music from the [[University of Dublin]] in 1900 and was made a gentleman of the [[Chapel Royal]]. In 1902, he published a book on the origins of "[[God Save the King]]".<ref>{{cite book|last=Cummings|first=William H.|title=God Save the King: The Origin and History of the Music and Words of the National Anthem|publication-place=London|publisher=Novello|publication-date=1902}}</ref>
Cummings' other appointments included:
Cummings' other appointments included:


*Professor - [[Royal National College for the Blind|The Royal Normal College and Academy for the Blind]]
*Professor, [[Royal National College for the Blind|The Royal Normal College and Academy for the Blind]]
*Council Member, [[Incorporated Society of Musicians]]
*Council Member, [[Incorporated Society of Musicians]]
*Vice-President, [[Royal College of Organists]]
*Vice-President, [[Royal College of Organists]]
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*President, Incorporated Staff Sight Singing College
*President, Incorporated Staff Sight Singing College


Cummings married Clara Anne Hobbs, a daughter of his teacher, the well-known singer John William Hobbs (1799-1877).<ref name=autogenerated1>[http://www.fownc.org/newsletters/no49.shtml Friends of West Norwood Cemetery<!-- bot-generated title -->] at www.fownc.org</ref>
Cummings married Clara Anne Hobbs, a daughter of his teacher, the well-known singer John William Hobbs (1799–1877).<ref name=fownc1>{{cite magazine|url=http://www.fownc.org/newsletters/no49.shtml|url-status=dead|magazine=FOWNC Newsletter|date=January 2004|number=49|title=John William Hobbs (1799–1877)|author=Janet Hobbs Johnson|publisher=Friends of West Norwood Cemetery|archive-url=https://web.archive.org/web/20070927225102/http://www.fownc.org/newsletters/no49.shtml|archive-date=27 September 2007}}</ref>


He died in [[London]] and is buried in [[West Norwood Cemetery]], [[South London]].<ref name=autogenerated1 /><ref>[http://www.fownc.org/newsletters/no45.shtml Friends of West Norwood Cemetery<!-- bot-generated title -->] at www.fownc.org</ref>
He died in London and is buried in [[West Norwood Cemetery]], [[South London]].<ref name=fownc1 /><ref>{{cite magazine|url=http://www.fownc.org/newsletters/no45.shtml|url-status=dead|magazine=FOWNC Newsletter|date=September 2002|number=45|title=Burials in Reused Graves|publisher=Friends of West Norwood Cemetery|archive-url=https://web.archive.org/web/20070927225224/http://www.fownc.org/newsletters/no45.shtml|archive-date=27 September 2007}}</ref>


==References==
==References==
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==External links==
==External links==
* {{IMSLP|author=Cummings, William Hayman|cname=William Hayman Cummings|descr=Works}}
* [http://www.hymntime.com/tch/bio/c/u/cummings_wh.htm Biography] at the Cyber Hymnal
* [http://www.hymntime.com/tch/bio/c/u/cummings_wh.htm Biography] at the Cyber Hymnal
* [[s:The Times/1915/Obituary/William Hayman Cummings|Obituary, The Times, 7 June 1915]]
* [[s:The Times/1915/Obituary/William Hayman Cummings|Obituary, ''The Times'', 7 June 1915]]
* {{Gutenberg author | id=Cummings,+William+Hayman }}
* {{Gutenberg author | id=42074}}
* {{Internet Archive author |sname=William Hayman Cummings}}
* {{Internet Archive author |sname=William Hayman Cummings}}


{{Portal bar|Biography|Classical music}}
{{Authority control}}
{{Authority control|state=collapsed}}


{{DEFAULTSORT:Cummings, William Hayman}}
{{DEFAULTSORT:Cummings, William Hayman}}
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[[Category:Academics of the Royal Academy of Music]]
[[Category:Academics of the Royal Academy of Music]]
[[Category:Burials at West Norwood Cemetery]]
[[Category:Burials at West Norwood Cemetery]]
[[Category:People from East Devon (district)]]
[[Category:People from East Devon District]]
[[Category:People associated with the Royal National College for the Blind]]
[[Category:People associated with the Royal National College for the Blind]]
[[Category:People educated at the City of London School]]
[[Category:People educated at the City of London School]]
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[[Category:Pupils of Alberto Randegger]]
[[Category:Pupils of Alberto Randegger]]
[[Category:19th-century English musicians]]
[[Category:19th-century English musicians]]
[[Category:19th-century British male musicians]]
[[Category:19th-century classical musicians]]
[[Category:English male classical organists]]

Latest revision as of 02:03, 6 April 2024

William Hayman Cummings (22 August 1831 – 5 June 1915) was an English musician, tenor and organist at Waltham Abbey Church.

Cummings was born in Sidbury (near Sidmouth) in Devon. He was educated at St Paul's Cathedral Choir School and the City of London School, becoming a pupil of Dr E. J. Hopkins, J. W. Hobbs and Alberto Randegger, and was for many years a chorister in St Paul's Cathedral and the Temple Church.

In 1847, as a teenager, he was one of the choristers when Felix Mendelssohn conducted the first London performance of his Elijah at Exeter Hall. Cummings also sang at numerous festivals and concerts throughout Great Britain and twice toured in the United States. His performance at the Triennial Festival of the Handel and Haydn Society in Boston was noticed as follows by the Chicago Tribune of 15 May 1871:

The tenor is also a new-comer, brought from England for this occasion, Mr. Wm. H. Cummings. He is a slightly-built gentleman, about five feet ten inches high, has light hair, a receding forehead, a light gentlemanly-looking (but not distingue) mustache, and stands quietly while singing. His voice is a tenor of good volume, and admirable quality—like a silver trumpet. The intonation is to be relied on, and his delivery of the tone pleasant. The words are delivered as well as possible, both in recitative and the airs. I doubt whether Mr. Cummings be a great singer, yet he is a better oratorio tenor than I have heard. He is entirely innocent of tremolo and absurd affectation.[This quote needs a citation]

He is credited in 1855 with linking music adapted from Mendelssohn's Festgesang to Charles Wesley's words "Hark! The Herald Angels Sing", which are now universally inextricably linked. At the Birmingham Festival he was the last-minute tenor soloist at the premiere of The Masque at Kenilworth (1866) by Arthur Sullivan, taking Giovanni Matteo Mario's place (with only half-an-hour's notice to prepare). He was also the tenor soloist there for the premiere of the sacred cantata The Woman of Samaria by William Sterndale Bennett in 1867.

Cummings founded the Purcell Society in 1876. He served as singing professor at the Royal Academy of Music for 15 years beginning in 1879. He held strong views on singing and delivered the occasional stern tirade attacking the "pernicious vibrato". As late as 1907 he gave an address on "The Culture of the Voice" in which he praised the messa di voce (which was obsolete by then) and, according to the Derby Daily Telegraph of 4 January 1907, administered:

a crushing rebuke to those who indulge in what is known as the 'tremolo'. It is, as the Doctor said, a reprehensible habit. Apart from the fact that it mars the beauty of many fine voices, it is, I agree, "a most distressing fault to the auditors, who frequently listen in doubt as to the precise pitch of the note the singer is endeavouring to produce".[This quote needs a citation]

He later became a professor and later the principal of the Guildhall School of Music. One of his notable pupils at the school was conductor Bruce Carey. He received an honorary doctorate in music from the University of Dublin in 1900 and was made a gentleman of the Chapel Royal. In 1902, he published a book on the origins of "God Save the King".[1] Cummings' other appointments included:

Cummings married Clara Anne Hobbs, a daughter of his teacher, the well-known singer John William Hobbs (1799–1877).[2]

He died in London and is buried in West Norwood Cemetery, South London.[2][3]

References[edit]

  1. ^ Cummings, William H. (1902). God Save the King: The Origin and History of the Music and Words of the National Anthem. London: Novello.
  2. ^ a b Janet Hobbs Johnson (January 2004). "John William Hobbs (1799–1877)". FOWNC Newsletter. No. 49. Friends of West Norwood Cemetery. Archived from the original on 27 September 2007.
  3. ^ "Burials in Reused Graves". FOWNC Newsletter. No. 45. Friends of West Norwood Cemetery. September 2002. Archived from the original on 27 September 2007.

External links[edit]