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Glitter and Be Gay

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This is an old revision of this page, as edited by Ecaldel (talk | contribs) at 19:15, 9 January 2008 (deleted never performed again... Barbara performed at her Carnegie Hall debut for Leonard Bernstein himself. Stated by Barbara Cook herself at concert with NY Phil.). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Glitter and Be Gay is an aria from the operetta Candide, sung by the character of Cunegonde. It was written by Leonard Bernstein and Richard Wilbur. The tune of the up-tempo section ("Ha ha, ha ha ha ha") is well-known from its prominence in the show's overture, as well as from its use for years as the theme music of Dick Cavett's talk show.

This aria poses considerable difficulties. Technically, it is among the most fiendishly challenging coloratura soprano arias. If sung as written throughout (alternative phrases are provided at several points in the score), there are three high E-flats (above high C), two staccato and one sustained; there are also numerous uses of high C and D-flat. Some of the florid passages are very intricate, calling for marksmanship of the highest order. Theatrically, it demands an elaborate comic staging (in which Cunegonde adorns herself with jewelry while singing and dancing around the stage), and has a satirical quality that is a challenge to perform.

"Glitter and Be Gay" was introduced by Barbara Cook. She discussed the most difficult part of this aria - the "Ha ha hahahaha" section-- with Renee Fleming for Opera News in December of 2001:

Barbara Cook: It was terrible how nervous I was. I'd been singing stuff like "I'll be loving you always," and here I was singing Cunegonde. You know what else is hard with that thing? Lenny insisted on the "Ha-ha-ha"s really being "Hha-hha-hha"s. No "Ah-ee-ah-ee-ah"s but "Ha-ha-ha-HA-ha-ha"s. And I was never, never able to do it the way he really, really wanted it done. He wanted the ...
Renee Fleming: You mean the aspiration?
Barbara Cook: Oh, that. I did do that. But what he wanted was the syncopation. So it would have to be [speaks, beating time], "Ha-ha-hahahaha. HAhahahaHAhahaha." You try that on for size. That's hard, because you are losing all that air.

Apart from Cook, most other singers of this aria generally simplify this section by eliminating the aspirated "H's" and sing staccatti instead.

Subsequent performers of the role of Cunegonde have included:

This aria has been performed in concert by many musical theatre and opera stars, including (in addition to those listed above): Diana Damrau, Natalie Dessay, Renée Fleming, Edita Gruberová, Sumi Jo, Roberta Peters, and Dawn Upshaw.

Video