B minor: Difference between revisions

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== Well-known classical compositions in this key==
== Well-known classical compositions in this key==

Revision as of 05:17, 22 July 2007

B minor
Relative keyD major
Parallel keyB major
Component pitches
B, C#, D, E, F#, G, A
Also see: B major, or B-flat minor.

B minor is a minor scale based on B, consisting of the pitches B, C-sharp, D, E, F-sharp, G, A and B. (natural minor scale - the harmonic minor scale contains a A# instead of a A). Its key signature has two sharps linked Scales/keys below (see below: Scales and keys). In Germany, Scandinavia, Serbia, Croatia and Poland it is referred to as "h-moll".

Its relative major is D major, and its parallel major is B major.

Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary.

B minor is the relative minor of D major. B is an open string on standard tuning guitars, and on 5 string bass guitars.

In baroque times, B minor was regarded as the key of passive suffering.[1] The theorist christian Daniel Schubart regarded B minor as a key expressing a quiet acceptance of fate and very gentle complaint, something commentators find to be in line with Bach's use of the key in the St. John's Passion.[2] By Beethoven's time, however, the perception of B minor had changed considerably: Francesco Galeazzi wrote that B minor was not suitable for music in good taste, and Beethoven labelled a B minor melodic idea in one of his sketchbooks as a "black key".[3]

It is a common key used in rock, folk, country and other guitaristic styles because the standard tuning of a guitar causes all the open strings to be scale degrees of B minor. According to Spinal Tap guitarist Nigel Tufnel, B Minor is, "the saddest of keys."

Well-known popular music in this key

Well-known classical compositions in this key

References

  1. ^ Xinh's JS Bach B-Minor Mass Balance. Retrieved January 20, 2007.
  2. ^ Michael C. Tusa, "Beethoven's "C-Minor Mood": Some Thoughts on the Structural Implications of Key Choice" in Beethoven Forum 2, Christoph Reynolds, ed. Lincoln: University of Nebraska Press (1993): 2 - 3, n. 5
  3. ^ Ibid, 2, n. 3