Wayne Fitzgerald: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
No edit summary
 
(14 intermediate revisions by 10 users not shown)
Line 1: Line 1:
{{Short description|American film title designer (1930–2019)}}
{{refimprove|date=September 2019}}
{{more citations needed|date=September 2019}}
{{Infobox person
{{Infobox person
| name = Wayne Fitzgerald
| name = Wayne Fitzgerald
Line 14: Line 15:
| years_active = 1956–2003
| years_active = 1956–2003
}}
}}
'''Wayne Fitzgerald''' (March 19, 1930 – September 30, 2019)<ref>{{cite web|url=https://www.hollywoodreporter.com/news/wayne-fitzgerald-dead-main-title-designer-pillow-talk-godfather-part-ii-total-recall-was-89-1214053|title=Wayne Fitzgerald, Prolific Main Title Designer, Dies at 89|first=Mike|last=Barnes|date=September 30, 2019|accessdate=September 30, 2019|website=[[The Hollywood Reporter]]|publisher=The Hollywood Reporter, LLC}}</ref> was an American [[film title design]]er. Over a career that spanned 55 years, he designed close to a thousand motion picture and television main and end title sequences for top directors such as [[Francis Ford Coppola]], [[John Huston]], [[Mike Nichols]], [[Robert Redford]], [[Roman Polanski]], [[Arthur Penn]], [[Michael Cimino]], [[Warren Beatty]], [[Herbert Ross]], [[John Hughes (filmmaker)|John Hughes]], and [[Quentin Tarantino]].<ref>{{IMDb name|0280408}}</ref>
'''Wayne Fitzgerald''' (March 19, 1930 – September 30, 2019)<ref>{{cite web|url=https://www.hollywoodreporter.com/news/wayne-fitzgerald-dead-main-title-designer-pillow-talk-godfather-part-ii-total-recall-was-89-1214053|title=Wayne Fitzgerald, Prolific Main Title Designer, Dies at 89|first=Mike|last=Barnes|date=September 30, 2019|accessdate=September 30, 2019|website=[[The Hollywood Reporter]]|publisher=The Hollywood Reporter, LLC}}</ref> was an American [[film title design]]er. Over a career that spanned 55 years, he designed close to five hundred motion picture and television main and end title sequences for top directors such as [[Francis Ford Coppola]], [[John Huston]], [[Mike Nichols]], [[Robert Redford]], [[Roman Polanski]], [[Arthur Penn]], [[Michael Cimino]], [[Warren Beatty]], [[Herbert Ross]], [[John Hughes (filmmaker)|John Hughes]], and [[Quentin Tarantino]].<ref>{{IMDb name|0280408}}</ref>


==Film title work==
==Film title work==


A native of [[Los Angeles]], Fitzgerald graduated from [[Art Center College of Design]] in 1951, and went to work at [[Pacific Title and Art|Pacific Title & Art Studio]]. His first major motion picture title design was for MGM's ''[[Raintree County (film)|Raintree County]]'' (1957). He worked on a great many titles during his 17-year tenure at Pacific Title, becoming head of the art and design department. During that time, Pacific Title did all the motion picture title work for [[Warner Bros.]], [[MGM]], and [[20th Century Fox]], as well as some for [[Paramount Pictures]] and [[Columbia Pictures]], plus independents. Neither Pacific Title nor its employees received title design credit. As a result, Fitzgerald did not receive credit for many of his early designs, such as ''[[The Three Faces of Eve]]'' (1957), ''[[Imitation of Life (1959 film)|Imitation of Life]]'' (1959), ''[[Pillow Talk (film)|Pillow Talk]]'' (also 1959), ''[[The Music Man (1962 film)|The Music Man]]'' (1962), ''[[My Fair Lady (film)|My Fair Lady]]'' (1964); or for early television shows such as ''[[Maverick (TV series)|Maverick]]'' (1957), ''[[Mister Ed]]'' (1961), ''[[The Beverly Hillbillies]]'' (1962), and ''Alfred Hitchcock's Suspicion''.
A native of [[Los Angeles]], Fitzgerald graduated from [[Art Center College of Design]] in 1951, and went to work at [[Pacific Title and Art|Pacific Title & Art Studio]]. His first major motion picture title design was for MGM's ''[[Raintree County (film)|Raintree County]]'' (1957). He worked on a great many titles during his 17-year tenure at Pacific Title, becoming head of the art and design department. During that time, Pacific Title did all the motion picture title work for [[Warner Bros.]], [[MGM]], and [[20th Century Fox]], as well as some for [[Paramount Pictures]] and [[Columbia Pictures]], plus independents. Neither Pacific Title nor its employees received title design credit. As a result, Fitzgerald did not receive credit for many of his early designs, such as ''[[The Three Faces of Eve]]'' (1957), ''[[Imitation of Life (1959 film)|Imitation of Life]]'' (1959), ''[[Pillow Talk (film)|Pillow Talk]]'' (also 1959), ''[[The Music Man (1962 film)|The Music Man]]'' (1962), ''[[My Fair Lady (film)|My Fair Lady]]'' (1964); or for early television shows such as ''[[Maverick (TV series)|Maverick]]'' (1957), ''[[Mister Ed]]'' (1961), and ''[[The Beverly Hillbillies]]'' (1962).


In addition to providing an entertaining background for the credits, Fitzgerald's titles often set the mood. For ''The Music Man'' he directed a group of 35 technicians who built sets and painted and animated the musical instruments and marching band. He then shot and edited the sequence.<ref name=autogenerated1>{{cite web|url=http://www.pnwlocalnews.com/sanjuans/jsj/entertainment/18887169.html|title=Title designer for ‘Music Man’ lives on San Juan - Journal of the San Juans<!-- Bot generated title -->}}</ref> In the film ''[[Max Dugan Returns]]'' (1983), the title character does not appear for half an hour. Fitzgerald's titles with [[Bob Kurtz (animator)|Bob Kurtz]] animation provided a background for the character.<ref>[http://mmbase.submarinechannel.com/titlesequences/video.jsp?video=30212 Forget the film, watch the titles<!-- Bot generated title -->]</ref>
In addition to providing an entertaining background for the credits, Fitzgerald's titles often set the mood. For ''The Music Man'' he directed a group of 35 technicians who built sets and painted and animated the musical instruments and marching band. He then shot and edited the sequence.<ref name=autogenerated1>{{cite web|url=http://www.pnwlocalnews.com/sanjuans/jsj/entertainment/18887169.html|title=Title designer for 'Music Man' lives on San Juan|website=Journal of the San Juans|accessdate=December 25, 2022}}</ref>

For ''[[Bonnie and Clyde (film)|Bonnie and Clyde]]'' (1967), Fitzgerald used old snapshots and a quick-cut style driven by sound that melded seamlessly with film editor [[Dede Allen]]'s editorial style. The photos established the mood and look of the 1930s, and referenced the fact that Bonnie and Clyde were known for taking snapshots of themselves, which they sent to the press. Until the music starts to fade in, the only sound is the click of a Brownie camera.<ref>[http://www.thefreelibrary.com/The+importance+of+a+singular,+guiding+vision:+an+interview+with...-a015143438 The importance of a singular, guiding vision: an interview with Arthur Penn. - Free Online Library<!-- Bot generated title -->]</ref>
In the film ''[[Max Dugan Returns]]'' (1983), the title character does not appear for half an hour. Fitzgerald's titles with [[Bob Kurtz (animator)|Bob Kurtz]] animation provided a background for the character.<ref>[http://mmbase.submarinechannel.com/titlesequences/video.jsp?video=30212 Forget the film, watch the titles], submarinechannel.com. Accessed December 25, 2022.</ref> For ''[[Bonnie and Clyde (film)|Bonnie and Clyde]]'' (1967), Fitzgerald used old snapshots and a quick-cut style driven by sound that melded seamlessly with film editor [[Dede Allen]]'s editorial style. The photos established the mood and look of the 1930s, and referenced the fact that Bonnie and Clyde were known for taking snapshots of themselves, which they sent to the press. Until the music starts to fade in, the only sound is the click of a Brownie camera.<ref>[http://www.thefreelibrary.com/The+importance+of+a+singular,+guiding+vision:+an+interview+with...-a015143438 The importance of a singular, guiding vision: an interview with Arthur Penn], Free Online Library. Accessed December 25, 2022.</ref>


While working together on ''Bonnie and Clyde'', [[Warren Beatty]] convinced Fitzgerald to strike out on his own. He left his job as head of the art department at Pacific Title and formed Wayne Fitzgerald FilmDesign. ''[[Chinatown (1974 film)|Chinatown]]'' (1974), ''[[9 to 5 (film)|Nine to Five]]'' (1980), ''[[Footloose (1984 film)|Footloose]]'' (1984), ''[[Total Recall (1990 film)|Total Recall]]'' (1990), to name a few, followed. In addition to opening titles, Fitzgerald shot second unit and edited montage sequences for ''[[Rocky III]]'' and ''[[Tootsie]]'' (both 1982).
While working together on ''Bonnie and Clyde'', [[Warren Beatty]] convinced Fitzgerald to strike out on his own. He left his job as head of the art department at Pacific Title and formed Wayne Fitzgerald FilmDesign. ''[[Chinatown (1974 film)|Chinatown]]'' (1974), ''[[9 to 5 (film)|Nine to Five]]'' (1980), ''[[Footloose (1984 film)|Footloose]]'' (1984), ''[[Total Recall (1990 film)|Total Recall]]'' (1990), to name a few, followed. In addition to opening titles, Fitzgerald shot second unit and edited montage sequences for ''[[Rocky III]]'' and ''[[Tootsie]]'' (both 1982).


Fitzgerald also continued to design titles for [[prime time]] television shows ''[[Night Gallery]]'' (1971), ''[[McMillan & Wife]]'' (1971), ''[[Dallas (1978 TV series)|Dallas]]'' (1978), ''[[Matlock (TV series)|Matlock]]'' (1986), and ''[[Columbo]]'' (1971–75). He won an [[Emmy Award]] in 1987 for ''[[The Bronx Zoo (TV series)|The Bronx Zoo]]''. He also designed for the daytime soap operas ''[[The Bold and the Beautiful]]'' ([[CBS]]) 1987 (EMMY 1987), ''[[One Life to Live]]'' ([[American Broadcasting Company|ABC]]) 1984, and ''[[The Guiding Light]]'' ([[CBS]]) 1991 (EMMY 1992), and again in 2002 with his son Eric Fitzgerald, also a title designer.
Fitzgerald also continued to design titles for [[prime time]] television shows ''[[Night Gallery]]'' (1971), ''[[McMillan & Wife]]'' (1971), ''[[Dallas (1978 TV series)|Dallas]]'' (1978 - 1988), ''[[Matlock (TV series)|Matlock]]'' (1986), and ''[[Columbo]]'' (1971–75). He won an [[Emmy Award]] in 1987 for ''[[The Bronx Zoo (TV series)|The Bronx Zoo]]''.
He also designed for the daytime soap operas ''[[The Bold and the Beautiful]]'' ([[CBS]]) 1987 (EMMY 1987), ''[[One Life to Live]]'' ([[American Broadcasting Company|ABC]]) 1984, and ''[[The Guiding Light]]'' ([[CBS]]) 1991 (EMMY 1992), and again in 2002 with his son Eric, Fitzgerald, also a title designer.


In 1993 Fitzgerald briefly joined the digital graphic design firm, Pittard-Sullivan. It became Pittard-Sullivan-Fitzgerald. Fitzgerald's last work with the company was in 1995, after which he reformed his company, Wayne Fitzgerald FilmDesign, Inc.<ref>Whitney, Daisy ''A Legacy of Innovation: Pittard Sullivan Was Once Synonymous With Broadcast Design'' ''Television Week'' 20 June 2005</ref>
In 1993, he briefly joined the digital graphic design firm, Pittard-Sullivan. It became Pittard-Sullivan-Fitzgerald. Fitzgerald's last work with the company was in 1995, after which he reformed his company, Wayne Fitzgerald FilmDesign, Inc.<ref>Whitney, Daisy ''A Legacy of Innovation: Pittard Sullivan Was Once Synonymous With Broadcast Design'' ''Television Week'', June 20, 2005.</ref>


In 1995, Fitzgerald designed the [[logo]] for the [[Motion Picture Editors Guild]].<ref>{{cite web|url=http://www.editorsguild.com/v2/magazine/Newsletter/NovDec97/unity.html|title=What 60 Years Of Unity Can Accomplish<!-- Bot generated title -->}}</ref>
In 1995, Fitzgerald designed the [[logo]] for the [[Motion Picture Editors Guild]].<ref>{{cite web|url=http://www.editorsguild.com/v2/magazine/Newsletter/NovDec97/unity.html|title=What 60 Years Of Unity Can Accomplish|website=editors guild.com|accessdate=December 25, 2022}}</ref>


==Personal life==
==Personal life==
{{Unsourced|section|date=December 2022}}
Fitzgerald was a member of the [[Directors Guild of America]]. He was a two-term governor in the [[Academy of Television Arts and Sciences]], representing title designers, and a member of [[the Academy of Motion Picture Arts and Sciences]]. He lectured at [[UCLA]] and [[American Film Institute|AFI]], and participated in panel discussions in Los Angeles and New York. He also taught at [[Art Center College of Design]].
Fitzgerald was a member of the [[Directors Guild of America]]. He was a two-term governor in the [[Academy of Television Arts and Sciences]], representing title designers, and a member of [[the Academy of Motion Picture Arts and Sciences]]. He lectured at [[UCLA]] and [[American Film Institute|AFI]], and participated in panel discussions in Los Angeles and New York. He also taught at [[Art Center College of Design]].


Fitzgerald died September 30, 2019.
Fitzgerald died September 30, 2019, aged 89.


==Filmography==
==Filmography==
Line 50: Line 55:
* ''[[My Fair Lady (film)|My Fair Lady]]'' (1964)
* ''[[My Fair Lady (film)|My Fair Lady]]'' (1964)
* ''[[Cat Ballou]]'' (1965)
* ''[[Cat Ballou]]'' (1965)
* ''[[Battle of the Bulge (film)|Battle of the Bulge]]'' (1965)
* ''[[Battle of the Bulge (1965 film)|Battle of the Bulge]]'' (1965)
* ''[[Inside Daisy Clover]]'' (1965)
* ''[[Inside Daisy Clover]]'' (1965)
* ''[[The Silencers (film)|The Silencers]]'' (1966)
* ''[[The Silencers (film)|The Silencers]]'' (1966)
Line 83: Line 88:
* ''[[The Godfather: Part II]]'' (1974)
* ''[[The Godfather: Part II]]'' (1974)
* ''[[Funny Lady]]'' (1975)
* ''[[Funny Lady]]'' (1975)
* ''[[Mitchell (film)|Mitchell]]'' (1975)
* ''[[One Flew Over the Cuckoo's Nest (film)|One Flew Over the Cuckoo's Nest]]'' (1975)
* ''[[One Flew Over the Cuckoo's Nest (film)|One Flew Over the Cuckoo's Nest]]'' (1975)
* ''[[The Missouri Breaks]]'' (1976)
* ''[[The Missouri Breaks]]'' (1976)
Line 139: Line 145:
* ''[[The Rainmaker (1997 film)|The Rainmaker]]'' (1997)
* ''[[The Rainmaker (1997 film)|The Rainmaker]]'' (1997)
* ''[[Beverly Hills Ninja]]'' (1997)
* ''[[Beverly Hills Ninja]]'' (1997)
* ''[[RocketMan]]'' (1997)
* ''[[RocketMan (1997 film)|RocketMan]]'' (1997)
{{Col-2}}
{{Col-2}}
* ''[[Kingpin (1996 film)|Kingpin]]'' (1996)
* ''[[Kingpin (1996 film)|Kingpin]]'' (1996)
Line 160: Line 166:
* "Great Panes" an article on Pacific Title http://www.signonsandiego.com/news/features/20030504-9999_1a4glass.html
* "Great Panes" an article on Pacific Title http://www.signonsandiego.com/news/features/20030504-9999_1a4glass.html
* ''[[Total Recall (1990 film)|Total Recall]]'' (1990) title sequence at The Art of the Title Sequence http://www.artofthetitle.com/2008/04/01/total-recall/
* ''[[Total Recall (1990 film)|Total Recall]]'' (1990) title sequence at The Art of the Title Sequence http://www.artofthetitle.com/2008/04/01/total-recall/


* https://www.latimes.com/obituaries/story/2019-09-30/wayne-fitzgerald-hollywood-movie-titles-dead
* https://www.nytimes.com/2019/10/03/movies/wayne-fitzgerald-dead.html?searchResultPosition=1
* https://www.theguardian.com/film/2019/oct/02/pillow-talk-to-bonnie-and-clyde-the-greatest-wayne-fitzgerald-main-titles
* https://www.hollywoodreporter.com/news/wayne-fitzgerald-dead-main-title-designer-pillow-talk-godfather-part-ii-total-recall-was-89-1214053


{{DEFAULTSORT:Fitzgerald, Wayne}}
{{DEFAULTSORT:Fitzgerald, Wayne}}
Line 166: Line 178:
[[Category:2019 deaths]]
[[Category:2019 deaths]]
[[Category:Film directors from Los Angeles]]
[[Category:Film directors from Los Angeles]]
[[Category:Art Center College of Design alumni]]
[[Category:ArtCenter College of Design alumni]]

Latest revision as of 08:03, 6 January 2024

Wayne Fitzgerald
Fitzgerald in 1987
Born(1930-03-19)March 19, 1930
DiedSeptember 30, 2019(2019-09-30) (aged 89)
Occupation(s)Television and motion picture title designer
Years active1956–2003

Wayne Fitzgerald (March 19, 1930 – September 30, 2019)[1] was an American film title designer. Over a career that spanned 55 years, he designed close to five hundred motion picture and television main and end title sequences for top directors such as Francis Ford Coppola, John Huston, Mike Nichols, Robert Redford, Roman Polanski, Arthur Penn, Michael Cimino, Warren Beatty, Herbert Ross, John Hughes, and Quentin Tarantino.[2]

Film title work[edit]

A native of Los Angeles, Fitzgerald graduated from Art Center College of Design in 1951, and went to work at Pacific Title & Art Studio. His first major motion picture title design was for MGM's Raintree County (1957). He worked on a great many titles during his 17-year tenure at Pacific Title, becoming head of the art and design department. During that time, Pacific Title did all the motion picture title work for Warner Bros., MGM, and 20th Century Fox, as well as some for Paramount Pictures and Columbia Pictures, plus independents. Neither Pacific Title nor its employees received title design credit. As a result, Fitzgerald did not receive credit for many of his early designs, such as The Three Faces of Eve (1957), Imitation of Life (1959), Pillow Talk (also 1959), The Music Man (1962), My Fair Lady (1964); or for early television shows such as Maverick (1957), Mister Ed (1961), and The Beverly Hillbillies (1962).

In addition to providing an entertaining background for the credits, Fitzgerald's titles often set the mood. For The Music Man he directed a group of 35 technicians who built sets and painted and animated the musical instruments and marching band. He then shot and edited the sequence.[3]

In the film Max Dugan Returns (1983), the title character does not appear for half an hour. Fitzgerald's titles with Bob Kurtz animation provided a background for the character.[4] For Bonnie and Clyde (1967), Fitzgerald used old snapshots and a quick-cut style driven by sound that melded seamlessly with film editor Dede Allen's editorial style. The photos established the mood and look of the 1930s, and referenced the fact that Bonnie and Clyde were known for taking snapshots of themselves, which they sent to the press. Until the music starts to fade in, the only sound is the click of a Brownie camera.[5]

While working together on Bonnie and Clyde, Warren Beatty convinced Fitzgerald to strike out on his own. He left his job as head of the art department at Pacific Title and formed Wayne Fitzgerald FilmDesign. Chinatown (1974), Nine to Five (1980), Footloose (1984), Total Recall (1990), to name a few, followed. In addition to opening titles, Fitzgerald shot second unit and edited montage sequences for Rocky III and Tootsie (both 1982).

Fitzgerald also continued to design titles for prime time television shows Night Gallery (1971), McMillan & Wife (1971), Dallas (1978 - 1988), Matlock (1986), and Columbo (1971–75). He won an Emmy Award in 1987 for The Bronx Zoo.

He also designed for the daytime soap operas The Bold and the Beautiful (CBS) 1987 (EMMY 1987), One Life to Live (ABC) 1984, and The Guiding Light (CBS) 1991 (EMMY 1992), and again in 2002 with his son Eric, Fitzgerald, also a title designer.

In 1993, he briefly joined the digital graphic design firm, Pittard-Sullivan. It became Pittard-Sullivan-Fitzgerald. Fitzgerald's last work with the company was in 1995, after which he reformed his company, Wayne Fitzgerald FilmDesign, Inc.[6]

In 1995, Fitzgerald designed the logo for the Motion Picture Editors Guild.[7]

Personal life[edit]

Fitzgerald was a member of the Directors Guild of America. He was a two-term governor in the Academy of Television Arts and Sciences, representing title designers, and a member of the Academy of Motion Picture Arts and Sciences. He lectured at UCLA and AFI, and participated in panel discussions in Los Angeles and New York. He also taught at Art Center College of Design.

Fitzgerald died September 30, 2019, aged 89.

Filmography[edit]

Select Pacific Title (1956–1968) titles[edit]

Wayne Fitzgerald/FilmDesign (1968–1993)[edit]

Pittard/Sullivan/Fitzgerald (1993–1995)[edit]

Wayne Fitzgerald/Filmdesign (1995–2003)[edit]

Awards[edit]

Fitzgerald won a Primetime Emmy with David Oliver Pfeil for outstanding main title design on The Bronx Zoo in 1987. He won Daytime Emmys for The Bold and the Beautiful in 1987, and The Guiding Light in 1992. He was nominated for Daytime Emmys in 1994 with Judy Korin for Days of Our Lives, and with Eric Fitzgerald in 2003 for The 50th Anniversary Season of The Guiding Light.[8]

References[edit]

  1. ^ Barnes, Mike (September 30, 2019). "Wayne Fitzgerald, Prolific Main Title Designer, Dies at 89". The Hollywood Reporter. The Hollywood Reporter, LLC. Retrieved September 30, 2019.
  2. ^ Wayne Fitzgerald at IMDb
  3. ^ "Title designer for 'Music Man' lives on San Juan". Journal of the San Juans. Retrieved December 25, 2022.
  4. ^ Forget the film, watch the titles, submarinechannel.com. Accessed December 25, 2022.
  5. ^ The importance of a singular, guiding vision: an interview with Arthur Penn, Free Online Library. Accessed December 25, 2022.
  6. ^ Whitney, Daisy A Legacy of Innovation: Pittard Sullivan Was Once Synonymous With Broadcast Design Television Week, June 20, 2005.
  7. ^ "What 60 Years Of Unity Can Accomplish". editors guild.com. Retrieved December 25, 2022.
  8. ^ Awards for Wayne Fitzgerald at IMDb

External links[edit]