Alfred German-German

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Alfred Deutsch-German (born September 27, 1870 in Vienna , Austria-Hungary ; † autumn 1943 , Auschwitz concentration camp ) was an Austrian journalist , writer , screenwriter and film director .

Life

Alfred Deutsch-German began his career as a writer and journalist, as which he worked for the Kleine Volkszeitung among others . Around 1906 he wrote Volume 17: Wiener Mädel for Hans Ostwald's book series Großstadt-Documents . Shortly before the First World War , he came to the Vienna art film industry as a screenwriter . In 1915 he wrote the screenplay for The War Sponsor Child for the Robert Müller film , one of Austria's first propaganda films . In addition to his work as a screenwriter, Deutsch-German wrote comedies - among others, together with Armin Friedmann, the local farce Frau Breier from Gaya, a revue with three film interludes and a judicial aftermath .

He made his directorial debut in 1922 with The World in Danger . He mainly directed old Austrian and operetta films - often with a biographical, musical and historical background. He did not make any films from 1929 to 1932. After this break, he only directed his first and only sound film at the same time: The Musician of Eisenstadt . He then continued to work as a functionary in the Austrian film industry until 1938 . After the so-called annexation of Austria to Germany, he went into exile in Nice to avoid persecution by the National Socialists as a Jew . There he was interned in the Drancy assembly camp and deported to Auschwitz on October 28, 1943 , where he was gassed a little later.

Filmography

as screenwriter, unless otherwise stated:

Web links

Individual evidence

  1. a b c Kay Less : The large personal dictionary of the film . The actors, directors, cameramen, producers, composers, screenwriters, film architects, outfitters, costume designers, editors, sound engineers, make-up artists and special effects designers of the 20th century. Schwarzkopf & Schwarzkopf, Berlin 2001, ISBN 3-89602-340-3 .
  2. Werner Hanak: Leopoldstädter Ortmetamorphosen. A theater-analytical journey to the locations of the dramas at the Rolandbühne in the years 1919 to 1926 as well as to the “spoken places” of the “Leopoldstadt Jewish local antics” . Diploma thesis, Faculty of Basic and Integrative Science, University of Vienna, December 1994. pp. 80–81.
  3. ^ Entry in the Central Database of the Names of Holocaust Victims at the Yad Vashem Memorial