Andrea Langer

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Andrea Langer (2019)

Andrea Langer (born September 8, 1962 in Mainz ) is a German art historian and cultural manager.

Life

Andrea Langer studied Latin , German and history from 1982 to 1985 at Johannes Gutenberg University in Mainz . From 1985 to 1997 he studied art history , history and German at the University of Mainz and the Julius-Maximilians-University of Würzburg up to a doctorate on Protestant church building in Silesia in the 18th century. In 1995 Andrea Langer worked as a research assistant at the Research Center for the History and Culture of East Central Europe in Berlin. She then worked until 2008 as a research assistant at the humanities center for the history and culture of East Central Europe at the University of Leipzig . Between 2004 and 2007, Andrea Langer completed the part-time master’s degree in cultural management and marketing at the Harz University of Applied Sciences / Merseburg University. Since 2008 she has been head of the Knowledge Management and Marketing department at the Germanisches Nationalmuseum in Nuremberg.

Andrea Langer has been a lecturer at the Friedrich-Alexander University Erlangen-Nuremberg since 2011 for the field of "Science Management and Marketing at the Museum". Her professional focus is on the one hand the cultural history of East Central Europe in the early modern period and on the other hand strategy developments in the field of marketing for museums .

Committees and memberships

  • Advisory board in the Nuremberg Tourist Office
  • Member of the Nuremberg City Marketing Working Group
  • Member of the advisory board of the Art and Culture Pedagogical Center of the Museums in Nuremberg

Publications (selection)

  • The art of Silesia from Romanesque to Wroclaw Modernism. In: Joachim Bahlcke (Ed.): Schlesien und die Schlesier. Munich 1996, pp. 297-319.
  • The visual representation of the queen. For early modern portraits of Jagiellonian rulers. In: Jan Hirschbiegel / Werner Paravicini (eds.): Das Frauenzimmer. The woman at court in the late Middle Ages and early modern times. Stuttgart 2000, pp. 133-150.
  • Residence function - change of residence: Cracow and Ujazdów / Warsaw at the time of Bona Sforza and Anna Jagiellonka. In: Marina Dmitrieva / Karen Lambrecht (eds.): Krakow, Prague and Vienna: Functions of Metropolises in the Early Modern State. Stuttgart 2000, pp. 59-75.
  • Kobiety - sztuka - transfer kulturowy. Project badawczy dotyczący kobiet dynastii jagiellońskiej w XV i XVI wieku. In: Polska Akademia Umiętności. Wydział historyczno-filozoficzny. Prace Komisji Środkowoeuropejskiej VIII. Pod red. Leszka Belzyta and Jana Pirożyńskiego. Kraków 2000, pp. 79-95.
  • with Georg Michels (Hrsg.): Metropolis und Kulturtransfer im 15./16. Century. Prague – Krakow – Gdansk – Vienna. Stuttgart 2001.
  • With Georg Michels (ed.): Ex longa stirpe Imperatorum. On the influence of Elisabeth von Habsburg (1436 / 37–1505) on the traditions of art and representation at the Jagiellonian court. In: Metropolises and cultural transfer in the 15./16. Century. Prague – Krakow – Gdansk – Vienna. Stuttgart 2001, pp. 121-140.
  • with Dietmar Popp (ed.): Baroque sacral architecture in Wilna: Decay and renewal. Photographs by Kęstutis Stoškus. Exhibition catalog. Marburg 2002.
  • (Ed.): The grace church "To the cross of Christ" in Hirschberg. On the Protestant church building in Silesia in the 18th century. Diss. Mainz 1997. Stuttgart 2003.
  • Dealing with the cultural heritage in Germany and Poland in the 20th century. Warsaw 2004.
  • with Dietmar Popp (ed.): Wileńska architektura sakralna doby baroku. Dewastacja i restauracja. Photography - Kęstutis Stoškus. Catalog wystawy. Marburg / Warszawa 2005.
  • The visualization of the Lutheran denomination in the art of the Silesian territories (16th - 18th centuries). In: Klaus Garber (ed.): Cultural history of Silesia in the early modern times. Part 1–2. Tübingen 2005, T. 2, pp. 819-865.
  • Jiří Fajt (ed.), With the collaboration of Markus Hörsch / Andrea Langer: Karl IV., Emperor by God's grace. Art and Representation of the House of Luxembourg 1347–1437. Munich / Berlin 2006.
  • with Jiří Fajt (ed.): Art as an instrument of power. Bohemia and the Holy Roman Empire among the Luxembourgers in a European context. Munich / Berlin 2008.
  • (unpubl. Master thesis): From the noble foundation to the museum GmbH: The influence of a changing museum (self) understanding on the competence-oriented higher education of art historians. Leipzig 2008.

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