Anke Bosse

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Anke Bosse (* 1961 in Hanover ) is a German literary scholar .

Live and act

After graduating from high school, she studied German , comparative literature and Romance languages at the universities of Göttingen , Avignon and Munich . In 1987 she became a research assistant in the field of edition philology at the Institute for Comparative Studies at the University of Munich. In 1992 she moved to the University of Geneva in Switzerland as a research assistant . In 1996 she submitted a thèse d'état summa cum laude on the estate of Goethe's West-Eastern Divan and received the Venia legendi for modern German-language literature.

In 1997 she accepted a professorship for German and comparative literature at the University of Namur in Belgium . From 1998 to 2010 she was director of the Institute for German Language and German Literature at the University of Namur, from 2010 to 2015 President of the Curia of Professors, and from 2012 to 2105 she was a member of the General Assembly of the University of Namur. As a member of the board of the Belgian Association of Germanists and German Teachers (BGDV), she was editor-in-chief of the magazine for German language, literature and culture, Germanistische Mitteilungen, at the Winter University Press, from 2000 to 2015 . In 2015 she accepted the professorship for modern German-language literature at the University of Klagenfurt , which is linked to the management of the Robert Musil Institute for Literary Research and the Carinthian Literature Archive in the Musil House. In November 2015 and March 2016, she presented her plans to the public.

In 2012 she opted the Swiss National Science Foundation in the AcademiaNet . She is a reviewer for the Belgian National Fund FRS-FNRS, the Flemish National Fund FWO, the Swiss National Fund SNSF, the Austrian Science Fund (FWF), the Austrian Academy of Sciences (ÖAW), the Canadian National Fund for the Humanities CRSH and for the Germanistic journals Duitse Kroniek and Etudes germaniques .

Her main research interests are German-language literature from the 18th to the 21st century (especially the Goethe era), archives and editions, Critique génétique and writing research, intertextuality and interculturality, orientalism, (inter) media issues, digital humanities . In 1998 she organized the first international colloquium on the Austrian writer Marlen Haushofer in Namur . She also curated exhibitions in Namur about Thomas Bernhard , Peter Handke , Marlen Haushofer and Friederike Mayröcker . In 1999, together with the Goethe-Institut Brussels, she organized the large international colloquium on Goethe's reception in Europe .

Fonts (selection)

  • “My treasury fills up every day”. The legacy pieces on Goethe's 'West-Eastern Divan' (documentation and commentary); 2 volumes, Wallstein Verlag, Göttingen 1999.
  • "Unravel a secret world from this fragmented work ...". Marlen Haushofer's work in context (Ed. With Clemens Ruthner), Francke Verlag, Tübingen-Basel 2000.
  • Traces, signatures, reflections. On Goethe's reception in Europe (Ed. With Bernhard Beutler), Böhlau Verlag, Cologne-Weimar-Vienna 2000.
  • "Old furniture and young nervousness are modern". Maeterlinck and Hofmannsthal revisited. In: Alice Bolterauer u. a. (Ed.): Art boundaries. Functional spaces of aesthetics in modern and postmodern. Vienna 2001, pp. 97–114.
  • “Perles poétiques” issues d'un “matériau prodigieux”. Lecture et écriture dans la genèse du 'Divan occidental-oriental' by Johann Wolfgang von Goethe. In: Genesis. Revue internationale de critique génétique 17/2001. Paris, pp. 11-43.
  • Peripheral identities. On German-language literature after 1945 (with Clemens Ruthner), Germanistische Mitteilungen (55/2002), BGDV, Brussels 2002.
  • Writing - "in the most unsteady and disciplined way". Representing and conveying the genesis of literary texts: the mottos of Friederike Mayröcker's 'Die Abschiede'. In: Der Deutschunterricht 2003. H. 3, pp. 14–37.
  • 'The Making of' - a look into the author's 'workshop'. For teaching literary working methods. In: editio. Internationale Zeitschrift für Editionwissenschaft 17/2003, pp. 31–49.
  • Another world behind the mountains. Austrian Literature of the 20th Century (Ed. With Leopold Decloedt), Rodopi Verlag, Amsterdam-New York 2004.
  • The power of theatricality in Thomas Bernhard's prose. In: Sonja Malzner u. a. (Ed.): UnterOrdierungen - Herrschaft, (without) power and anarchy with Thomas Bernhard . Brussels, 2005, pp. 89-103.
  • 'Orientalomania'? On Friedrich Schlegel's conceptualizations of 'religion' and 'orient'. In: Alexander von Bormann (ed.): Romantic religiosity . Würzburg 2005, pp. 225-242.
  • Intersection of cultural studies (with Torsten Leuschner), German reports (65/2007), BGDV, Brussels 2007.
  • “God's is the Orient! God's is the Occident! ”- and swan songs? Intertextuality - interculturality. In: Anne Bohnenkamp u. a. (Ed.): "Intellectual trade". Comparative aspects of Goethe's time. For Hendrik Birus on April 16, 2008 . Göttingen 2008, pp. 99-127.
  • The Viennese group. Publication possibilities of the avant-garde. In: Authors and editors as editors. Supplement to editio 29/2008. Edited by Jochen Golz and Manfred Koltes, pp. 441–455.
  • Counter-movement to globalization? For regionalization in the more recent German-language literature. Berlin: Konrad Adenauer Foundation 2008.
  • Retheatricalization in modern theater and drama - play within play. In: Thomas Anz u. a. (Ed.): Literature as a game. Evolutionary, aesthetic and educational aspects. Berlin, New York: Walter de Gruyter 2009, pp. 417-430.
  • Paratextual, media-specific reading control and conjecture. In: Anne Bohnenkamp u. a. (Ed.): Conjecture and crux. On the methodology of philology. Göttingen 2010, pp. 233-251.
  • Letter and card - material, booty, vehicle of Friederike Mayröcker's writing. In: Anne Bohnenkamp u. a. (Ed.): The letter - event and object. Frankfurt / M. 2010, pp. 216-231.
  • 'Clash of civilizations' - clash of literatures? Reading and responsibility. In: Manfred Schmeling u. a. (Ed.): From Ritual to Romance. Würzburg 2011, pp. 269-278.
  • Identity constructions in and about German-language literature. Berlin: Konrad Adenauer Foundation 2011.
  • Interculturality - From 'Transfer' to 'Networking'. In: Lüsebrink, Hans-Jürgen u. a. (Ed.): Between transfer and comparison. Stuttgart 2013, pp. 65-78.
  • MUSIL ONLINE, Internet portal on Musil's work and estate (curated with Artur R. Boelderl and Walter Fanta), 2016.
  • The Power of Retheatricalization and Depersonalization. Maurice Maeterlinck and Hugo von Hofmannsthal. in: Mitterbauer, Helga u. a. (Ed.): Vienna: 1900: Brussels.
  • Architectural and medial transposition as an agent of text revision - Werner Kofler's 'Tanzcafé Treblinka'. in: Hofmeister, Andrea / Hofmeister, Gerhard: Text revisions (de Gruyter 2017).

Web links

Individual evidence

  1. ↑ Michael Cerha: New impulses for Carinthia's "strong literary heart". In: derstandard.at. November 18, 2015, accessed March 28, 2017 .
  2. ↑ Anke Bosse takes over the Musilinstitut. In: kaernten.orf.at. November 17, 2015, accessed March 28, 2017 .
  3. ↑ Erwin Hirtenfelder: Anke Bosse becomes head of the Musil Institute. In: kleinezeitung.at. August 18, 2015, accessed March 28, 2017 .
  4. ↑ Uschi Loigge: Klagenfurt: Anke Bosse has big plans for the Musil Institute. In: kleinezeitung.at. November 19, 2015, accessed March 28, 2017 .
  5. ↑ Marianne Fischer: Interview: Anke Bosse: “The treasures must shine”. In: kleinezeitung.at. March 17, 2016, accessed March 28, 2017 .
  6. ↑ Prof. Dr. Anke Bosse - AcademiaNet. In: academia-net.de. September 4, 2012, accessed March 28, 2017 .
  7. ^ Exhibition Marlen Haushofer. Namur, October 20 to November 16, 1998. In: unamur.be. Retrieved March 28, 2017 .
  8. ^ Colloquia and exhibitions. In: unamur.be. Retrieved March 28, 2017 .
  9. ^ Anke Bosse, International Colloquium on Goethe Reception in Europe. In: unamur.be. Retrieved March 28, 2017 .
personal data
SURNAME Bosses, Anke
BRIEF DESCRIPTION German literary scholar
DATE OF BIRTH 1961
PLACE OF BIRTH Hanover