Charles Prince

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Charles Prince in Moritz in Distress  (1911)

Charles Prince (born April 27, 1872 in Maisons-Laffitte as Charles Petitdemange , † July 18, 1933 in Paris ) was a French actor, comedian , director and screenwriter .

Career

Prince was born Charles Petitdemange on April 27, 1872 in Maisons-Laffitte in what was then the Seine-et-Oise department . His father, a major industrialist, was President of the Chamber of Commerce. He wanted to turn Charles into a merchant, but he was more drawn to the theater. In 1892, to the horror of his parents, he appeared for the first time as a salon humorist. He attended drama school and got under the pseudonym "Seigneur" smaller engagements at "La Bobinière" and "Tabarin". In 1896 he received an award for his performance in Molière's conceited sick , whereupon he was engaged under the stage name "Prince" at the "Odeon". From 1898 he turned to the vaudeville.

He had already gained quite a reputation when Pathé brought him to film in 1908. There Charles Prince became known as a comedian through the character "Rigadin". In this role he appeared in numerous silent slapstick comedies, for which he mostly wrote the scripts himself. In Germany the figure was called "Moritz", in England and America "Whiffles" and in Italy "Tartufini". In Russia it was known as "Prenz" (Пренц). His character was that of the shy lover, the clumsy youth, the unlucky one. His director on this series was Georges Monca.

In the years leading up to World War I, Prince was the second largest film star in France after Max Linder ; his “Rigadin” was laid out similarly to Linder's character “Max”: both were dandies from the “better circles” who constantly messed with the representatives of the authorities and got into love deals.

In some films, Prince highlighted issues of his time: In Moritz als Neger ( Rigadin nègre , 1910) a couple of a colored and a white person changes their skin colors and then also their prejudices. In Moritz as a modernist ( Rigadin Peintre Cubiste , 1912) he mocked modern art by appearing and the actors dressed in cubist cube-shaped cardboard costumes. In Moritz, working as a cinema operator in the Balkans ( Rigadin aux Balkans , 1912), he played a war photographer who prefers to falsify photos in safe Paris than to travel to the Balkans, where the war is taking place.

An example of how theater and film could be intertwined was the war revue Nouvelle Revue , which was played for the first time on October 6, 1915 in the Théâtre Antoine . In it, Prince alias Rigadin embodies both himself and a lawyer of the same name, who is offended by the fact that his name is being misused on movie posters; he goes to a performance and sees himself on screen. Maître Rigadin tries to get into conversation with the film character when she suddenly turns around on the screen and answers him. Maître Rigadin wants to respond to them and suddenly becomes part of the film himself.

As "Rigadin" Prince made over 200 short films between 1909 and 1920, but also appeared in other feature films and under other directors. He co-directed four films alongside Georges Monca, one of which he was both director and leading actor. In the aftermath of World War I, however, his popularity began to wane and he only got supporting roles in a few films during the 1920s and early 1930s. His last film was already a sound film: Der Regimentsgockel ( Le Coq du régiment , 1933), Maurice Cammages after André Mouëzy-Éon, Alfred Vercourt and Jean Bever filmed vaudeville militaire in three acts.

Prince died in Paris on July 18, 1933 at the age of 61 .

French director Cris Uberman is Prince's great-grandson.

Filmography (selection)

  • 1908: The Myopic Lover (Un monsieur qui suit les dames)
  • 1909: Amanda's kidnapping (L'enlèvement de Mademoiselle Biffin)
  • 1909: The two burglars (Les deux cambrioleurs)
  • 1909: The two approved suitors (Deux fiancés à l'épreuve)
  • 1909: The Escaped Bride (La mariée récalcitrante) - also directed
  • 1909: The husband has to go to a concert (Le concert de Théodore)
  • 1909: The occasional maid (Femme de chambre improvisée) - also script
  • 1909: I eat in the city (Le dîner du 9)
  • 1909: In the degreasing sanatorium (Sanatorium pour maigrir) - Director: Charles Esquier
  • 1909: The Hungry One (Le petit qui a faim) - Director: Yves Mirande
  • 1909: The pavement plant (Fleur de pavé) - directed by Albert Capellani and Michel Carré
  • 1909: The hairdresser's revenge (La vengeance du coiffeur)
  • 1909: colds and no handkerchief (La course au mouchoir)
  • 1909: What women want must become (Ce que femme veut)
  • 1910: The Clown and the Pasha (Le clown et le pacha)
  • 1910: A debut in the Variété (Rigadin débute au music-hall)
  • 1910: The doctor on duty
  • 1910: size and decline
  • 1910: The wedding night in the village
  • 1910: In love with the neighbor (Les timidités de Rigadin)
  • 1910: The burdock (Une femme tenace)
  • 1910: The Painter's Suitcase (La malle du peintre) - Director: Henri Germain
  • 1910: Chauffeur mishap
  • 1910: Moritz as a negro (Rigadin nègre)
  • 1910: Moritz as a witness (Rigadin est fier d'être témoin)
  • 1910: Moritz fishing (Rigadin pêche à la ligne)
  • 1910: Moritz decides to work (Rigadin se décide à travailler)
  • 1910: Moritz in company
  • 1910: Moritz is in love (Rigadin amoureux d'une étoile)
  • 1910: Moritz with the magic look
  • 1910: Moritz wants to sleep peacefully (Rigadin veut dormir tranquille)
  • 1910: Moritz is looking for a job
  • 1910: Moritz and his doppelganger
  • 1910: Moritz and his sons (Rigadin et ses fils)
  • 1910: Moritz wants to be younger (Rigadin veut rajeunir)
  • 1910: Moritz wants to take the five o'clock train (Rigadin prend le train de 5h55)
  • 1910: Moritz's first duel (La premier duel de Rigadin)
  • 1910: No smoking
  • 1910: Shy Moritz (Les timidités de Rigadin)
  • 1910: a strange legacy
  • 1910: The grandfather clock
  • 1910: Unexpected result of an honest deed
  • 1910: The neighbour's petticoat
  • 1910: The failed inheritance
  • 1910: The lost sleeve
  • 1910: abandoned by the woman
  • 1911: Moritz pharmacist (Rigadin pharmacien)
  • 1911: The Doctor (Rigadin et la doctoresse)
  • 1911: Fatal mix-up
  • 1911: The good king Dagobert (Le bon roi Dagobert)
  • 1911: The hat pins
  • 1911: Moritz as a wet nurse
  • 1911: Moritz as a farmer catcher
  • 1911: Moritz as the post director's cousin
  • 1911: Moritz as a detective (Rigadin détective)
  • 1911: Moritz as a poet (Rigadin poète)
  • 1911: Moritz as a thief (Rigadin est un voleur)
  • 1911: Moritz as a servant
  • 1911: Moritz as Erbonkel (L'héritage de l'oncle Rigadin)
  • 1911: Moritz as a cavalier
  • 1911: Moritz as a smuggler
  • 1911: Moritz as a gypsy
  • 1911: Moritz doesn't go out (Rigadin ne sortira pas)
  • 1911: Moritz has lost his monocle (Rigadin a perdu son monocle)
  • 1911: Moritz marries (Rigadin se marie)
  • 1911: Moritz in distress (Les terreurs de Rigadin)
  • 1911: Moritz is superstitious
  • 1911: Moritz is a rascal
  • 1911: Moritz is soulful (Rigadin a l'âme sensible)
  • 1911: Moritz loves family life (Rigadin aime la vie de famille)
  • 1911: Moritz and the veal schnitzel (Rigadin et l'escalope de veau)
  • 1911: Moritz and the heir aunt (Rigadin et la tante à l'héritage)
  • 1911: Moritz and the stubborn tenant (Rigadin et la locataire récalcitrante)
  • 1911: Moritz and his nose (Le nez de Rigadin)
  • 1911: Moritz wants to be arrested
  • 1911: Moritz wants to die (Rigadin veut mourir)
  • 1911: Moritz's best friend (Le meilleur ami de Rigadin)
  • 1911: Moritz's clumsiness
  • 1911: The cobbler and the banker
  • 1911: the parasol
  • 1911: The suggestion of the kiss (Rigadin trahi par un baiser)
  • 1911: The unfaithful wife
  • 1912: A cheap meal (Rigadin mange à bon compte)
  • 1912: The gallant detective
  • 1912: Mr. Moritz and Mrs. (La femme de Rigadin)
  • 1912: Moritz as a bank clerk (Rigadin, garçon de banque)
  • 1912: Moritz as a fencer (Rigadin est un fameux escrimeur)
  • 1912: Moritz as an explorer (Rigadin explorateur)
  • 1912: Moritz as a hotel guest (Rigadin rat d'hôtel)
  • 1912: Moritz as a cinema actor (Rigadin veut faire du cinéma)
  • 1912: Moritz as a cook (Rigadin cuisinier malgré lui)
  • 1912: Moritz as a modernist (Rigadin peintre cubiste)
  • 1912: Moritz as a negro
  • 1912: Moritz as foster father
  • 1912: Moritz as a rose girl (Rigadin et la rosière)
  • 1912: Moritz as a policeman (Brigadin sergent de ville)
  • 1912: Moritz as tenor (Rigadin ténor)
  • 1912: Moritz as defender of virtue (Rigadin défenseur de la vertu)
  • 1912: Moritz on the bridal show
  • 1912: Moritz has a good report card
  • 1912: Moritz in fear
  • 1912: Moritz embarrassed
  • 1912: Moritz is an animal lover
  • 1912: Moritz on alcoholism (Conférence sur l'alcoholisme par Rigadin) - also screenplay
  • 1912: Moritz and the love powder
  • 1912: Moritz and the anonymous letter (Rigadin et la lettre anonyme)
  • 1912: Moritz and the baroness's dog (Rigadin et le chien de la baronne)
  • 1912: Moritz and the photographer (Rigadin veut se faire photographier)
  • 1912: Moritz and the magic wand (Rigadin et la baguette magique)
  • 1912: Moritz and the divorced woman
  • 1912: Moritz and little Emma (Rigadin et la petite Moulinet)
  • 1912: Moritz and the ocarina (Rigadin avale son ocarina)
  • 1912: Moritz and his picture
  • 1912: Moritz and his brother (Rigadin a assassiné son frère)
  • 1912: Moritz between two flames (Rigadin mange à bon compte)
  • 1912: Moritz's errands
  • 1912: Moritz's conquests
  • 1912: Moritz's childhood love
  • 1912: Moritz's hermitage
  • 1912: Moritz's latest coup (Un nouvel exploit de Rigadin)
  • 1912: Order of Moritz
  • 1912: Moritz's wigs (Les perruques de Rigadin)
  • 1912: The rich and the poor Moritz (Rigadin riche, Rigadin pauvre)
  • 1912: The sleeping car controller (Le contrôleur des wagon-lits)
  • 1912: The devil is loose
  • 1913: On Moritze's balcony (Sur le balcon de Rigadin)
  • 1913: Ferdinand, the walk- through (Ferdinand le noceur)
  • 1913: The flighty husband
  • 1913: The flighty Moritz
  • 1913: The good-natured Moritz
  • 1913: The director (Monsieur le directeur)
  • 1913: Mr. and Mrs. Moritz love to flirt (Rigadin flirte et sa femme fait la même chose)
  • 1913: The man with the three women (Trois femmes pour un mari)
  • 1913: Moritz as a cinema operator in the Balkans (Rigadin aux Balkans)
  • 1913: Moritz as a chestnut dealer (Rigadin marchand de marrons)
  • 1913: Moritz as President of the Republic (Rigadin président de la République)
  • 1913: Moritz on the phone (Rigadin au téléphone)
  • 1913: Moritz Aschenbrödel (Les cendres de Rigadin)
  • 1913: Moritz, the baby of the family
  • 1913: Moritz kidnaps Venus
  • 1913: Moritz against his mother-in-law
  • 1913: Moritz falls into his own trap
  • 1913: Moritz resembles the minister (Rigadin ressemble au ministre)
  • 1913: Moritz is sick (Rigadin est malade)
  • 1913: Moritz does it differently
  • 1913: Moritz with the braid
  • 1913: Moritz sits down in an anthill
  • 1913: Moritz is looking for a job
  • 1913: Moritz and the Negro King (Le roi Koko)
  • 1913: Moritz and the tie pin
  • 1913: Moritz and the merry widow
  • 1913: Moritz and the newlyweds
  • 1913: Moritz and his friend
  • 1913: Moritz's earthly remains
  • 1913: Like the ancients sang
  • 1913: How Moritz makes a rich marriage (Rigadin a fait un riche marriage)
  • 1913: Moritz as a wine merchant (Rigadin dégustateur de vins)
  • 1914: The Millionaire (Les millions de Rigadin)
  • 1914: Moritz as M. d. R.
  • 1914: Moritz, the masked shooter (Rigadin shooter masqué)
  • 1914: Moritz goes to the ball
  • 1914: Moritz has a toothache
  • 1914: Moritz in the workshop
  • 1914: Moritz loves variety
  • 1914: Moritz and the jealous baron
  • 1914: Moritz and the Rumpelmeier family
  • 1914: Moritz and the cashier
  • 1914: Moritz and Napoleon (Rigadin face à Napoléon)
  • 1914: Moritz and his uncle
  • 1914: Moritz's flirtation
  • 1914: How Moritz fell in love
  • 1914: Moritz wins over Sherlock Holmes (Sherlock Holmes roulé par Rigadin)
  • 1914: The much sought-after Moritz
  • 1915: Les Fiancés héroïques
  • 1916: Moritz and the two Tippfräuleins (Rigadin et les deux dactylos) - also screenplay
  • 1916: La Mariée recalcitrante
  • 1917: Une nuit tragique de Rigadin
  • 1917: Le périscope de Rigadin
  • 1919: Rigadin et le code de l'honneur
  • 1919: Madame et son filleul
  • 1919: Rigadin dans les Alpes
  • 1920: Chouquette et son as
  • 1920: Rigadin and Prince see each other alike (Prince embêté par Rigadin)
  • 1920: Si jamais je te pince - also director
  • 1920: Les femmes collantes - also director
  • 1921: Le meurtrier de Théodore
  • 1928: Embrassez-moi - Director: Robert Péguy
  • 1930: Le tampon du Capiston - Directed by Joe Francis and Jean Toulot
  • 1931: Her Majesty Love (Son altesse l'amour) - directed by Robert Péguy and Erich Schmidt
  • 1931: Partir - Director: Maurice Tourneur
  • 1932: Sa meilleure cliente - directed by Pierre Colombier
  • 1932: L'âne de Buridan - Director: Alexandre Ryder
  • 1933: The Regimentsgockel (Le coq du régiment) - Director: Maurice Cammage

literature

  • Richard Abel: Encyclopedia of Early Cinema. Taylor & Francis Publisher, 2005. ISBN 9780415234405 .
  • Richard Abel: The Ciné Goes to Town: French Cinema, 1896-1914. University of California Press, 1998. ISBN 9780520912915 . Pp. 35, 49, 53, 180, 216, 236, 245, 388, 407, 453, 528
  • François Albera: L'Avant-garde au cinéma. Armand Colin cinema. Armand Colin, 2005. ISBN 9782200260057 .
  • Heinrich Fraenkel: Immortal Film. The great chronicle. From the magic lantern to the sound film. Part of the picture by Wilhelm Winckel. Kindler, Munich 1956, p. 262
  • Ulrich Gregor, Enno Patalas: Geschichte des Films, Volume 1. Verlag Rowohlt, 1976. ISBN 9783499161933 , pp. 16, 244, 249
  • Irene Rima Makaryk, Virlana Tkacz (eds.): Modernism in Kiev: Kyiv / Kyïv / Kiev / Kijów - Jubilant Experimentation. Illustrated edition. University of Toronto Press, 2010. ISBN 9781442640986 .
  • Dayna Oscherwitz u. Mary Ellen Higgins: Historical Dictionary of French Cinema. Scarecrow Press, 2007. ISBN 978-0810854918 .
  • Bernice Rose: [Pablo] Picasso, [Georges] Braque and early film in cubism; illustrated edition. Publisher: PaceWildenstein, 2007. ISBN 9781930743731 . Pp. 110, 112, 160
  • Eric le Roy: Max Linder, the man in the silk hat. In: Mask and Kothurn. Volume 54, Issue 1–2, Pages 52–59, ISSN (Online) 2305-0667, ISSN (Print) 0025-4606, doi : 10.7767 / muk.2008.54.12.52 , June 2008
  • Henri Schoenmakers (Ed.): Theater and Media: Fundamentals, Analyzes, Perspectives: An inventory of culture and media theory. Contributors: Society for Theater Studies. Congress, Institute for Theater and Media Studies (Erlangen, Germany). Publisher: transcript Verlag, 2008. ISBN 9783837610642 . Pp. 495-496 et al. Note 5 and 6th
  • John Wakeman: World Film Directors, Volume 1: 1890-1945. Illustrated edition. The HW Wilson Company, 1987. ISBN 9780824207571 .
  • Friedrich von Zglinicki: The way of the film. History of cinematography and its predecessors. Rembrandt Verlag, Berlin 1956. pp. 473, 477

Web links

items

Film samples

Illustrations

Individual evidence

  1. choupanenette: Prince-Rigadin. In: Le blog du passé. July 16, 2010, accessed on July 16, 2014 (French): “Issu du théâtre (le cinéma n'existait pas encore), il joue tout le répertoire et se taille une belle réputation sur les scènes du Palais-Royal et des Variétés sous le pseudonyms de Prince. "
  2. ^ John Wakeman: World Film Directors, Volume 1, p. 676
  3. cf. Richard Abel: Encyclopedia of Early Cinema, p. 203
  4. cf. Friederike Steurenthaler (2012): Film star Asta Nielsen in Freiburg cinemas (1911-1914). Local analysis of a media upheaval : “Asta Nielsen is being advertised as a brand - compared to the main actress, the changing titles of her films take a back seat. The competing cinema companies respond by listing the names of authors (like Leo Tolstoy or Charles Decroix), of fictional characters like the detective Nick Winter or comedians like 'Max' (Max Linder) or 'Moritz' (Charles Prince) ... ”
  5. cf. Makary and Tkacz S. 149, there is a list of the way past Kiev 1910-1914 Rigadin / Prenz- shorts
  6. ^ Paul Dubé, Jacques Marchioro: Prince. In: Du Temps des cerises aux Feuilles mortes. May 13, 2013, accessed on July 16, 2014 (French): "Rigadin, c'est le malchanceux, le maladroit, celui qui arrive quand on ne l'attend plus ou qui arrive trop tard."
  7. Gregor / Patalas even see him as a kind of forerunner of Fernandel . (P. 16)
  8. Georges Monca, director, born in France in 1888, died there on January 15, 1940.
  9. cf. Eric le Roy 2008: “Rigadin was indeed a serious rival of Max Linder .... Calino became Piefke, Bébé became Fritzchen, Rigadin became Moritz”
  10. although Prince's character was more of a conventional clown and appeared less sophisticated than Linder's, cf. Snorre Mathiesen at IMDb / bio [1]  : "Swedish film historian Rune Walderkrantz pointed out that Prince used less refined methods than Linder, being more of a clown in the traditional manner." Dayna Oscherwitz & Mary Ellen Higgins compare his comedy more with that of Romeo Bossetti and André Deed , cf. “Il est très populaire et ses niaiseries lourdes ont l'art d'amuser un public d'inconditionnel. Il joue les balourds, les jocrisses ou les ahuris avec un art consommé de l'outrance, faisant des yeux en bille de loto. "
  11. ^ Moritz as a negro (1910). In: The German Early Cinema Database. Retrieved July 16, 2014 .
  12. cf. Rose 2007: “... as a Pathe film of 1912, Rigadin, Le Peintre Cubiste, records, there is a reciprocal acknowledgment of Cubism in film culture. The actors in the short film are all dressed in cubic cardboard costumes based on a broad and literal reading of Cubist painting ... ” (p. 110) and Albera (p. 56)
  13. cf. Schoenmakers p. 496 and note 5
  14. “The series of Rigadin films directed by Georges Monca consists of a total of over 500 films that were immensely successful between 1908 and 1920, both in France and far beyond. In contrast to Max Linder, who has been rediscovered as a comedian of early cinema in recent years, Charles Prince alias Rigadin has so far hardly been properly appreciated ”, says Schoenmakers p. 496 in note 6
  15. urbanora: Slapstick, European-style - part 1. In: The Bioscope. September 7, 2007, accessed on July 16, 2014 (English): "He ended his film career playing small roles throughout the 1920s and 30s."
  16. Cris Ubermann Biography. In: International Movie Database. Retrieved on July 16, 2014 (English): "His great grandfather is a legendary French film actor Charles Prince."