Christiane Wiesenfeldt

Christiane Wiesenfeldt, 2018

Christiane Wiesenfeldt (* 1972 in Schönberg (Holstein) ) is a German musicologist and professor of musicology at the Department of Musicology at Heidelberg University .

Live and act

Growing up in Lübeck , Wiesenfeldt studied musicology, education and psychology at the Christian-Albrechts-Universität zu Kiel (2005 doctorate with Friedhelm Krummacher with a thesis on the cello sonata in the 19th century), was a research assistant at the Brahms Institute at the from 2003 to 2009 Lübeck University of Music and from 2009 to 2011 as a research assistant ("own position" of the German Research Foundation ) at the Musicological Institute of the Westphalian Wilhelms University in Münster . In 2011 he completed his habilitation in Münster (Jürgen Heidrich) with a thesis on the Marienmesse in the 16th century. After a substitute professorship ( Oliver Huck ) at the University of Hamburg (2011 to 2012), she held the chair for historical musicology from October 2012 to March 2020 - as the successor to Detlef Altenburg  - at the joint institute for musicology Weimar-Jena. Since April 2020 she has been a professor at the Musicology Seminar at Heidelberg University (Ordinaria of the seminar).

Her publications and current research projects span the 15th to 20th centuries, with a focus on early modern music and the 19th century. Christiane Wiesenfeldt is the founder and editor of the musicological magazine Die Tonkunst , full member of the Saxon Academy of Sciences and Senate member of the Academy of Non-Profit Sciences in Erfurt , member of the board of directors of the International Musicological Society , member of the DFG graduate college GK 2041 "Model Romanticism" in Jena, member of the board of trustees of the Max Reger Institute as well as a member of the editorial and scientific advisory board of MGG online Die Musik in Geschichte und Gegenwart .

Books (selection)

• Between Beethoven and Brahms . The violoncello sonata in the 19th century (= Kieler Schriften zur Musikwissenschaft. Volume 51). Bärenreiter, Kassel 2006, ISBN 978-3-7618-1862-6 .
• Majestas Mariae. Studies on Marian choral ordinaries of the 16th century (= archive for musicology . Supplement 70). Steiner, Stuttgart 2012, ISBN 978-3-515-10149-3 .
• Music and music research. Johannes Brahms in dialogue with history . Bärenreiter, Kassel 2007, ed. together with Wolfgang Sandberger, ISBN 978-376-18210-1-5 .
• Late phase (s)? Johannes Brahms' works from the 1880s and 1890s, International Musicological Symposium Meiningen 2008 . Henle, Munich, 2008, ed. together with Maren Goltz and Wolfgang Sandberger, ISBN 978-3-87328-125-7 .
• Max Reger - between all chairs. Ten approximations . Studiopunktverlag, Sinzig, 2011, ISBN 978-3-89564-148-0 .
• Faust in Transition: Faust settings from the 19th to the 21st century . Tectum, Marburg, 2014, ed. together with Panja Mücke, ISBN 978-3-8288-3452-1 .
• The composer Friedrich Ludwig Aemilius Kunzen (1761–1817): genres, works, contexts . Böhlau, Weimar, 2015, ed. together with Melanie Wald-Fuhrmann , ISBN 978-3-412-22275-8 .
• Liszt and musical historicism , Merseburger, Kassel, 2015. ISBN 978-3-87537-353-0 .
• Liszt and the vocal music , Merseburger, Kassel, 2017. ISBN 978-3-87537-354-7 .
• Maria inter confessiones: The Magnificat in the early modern period , ed. together with Sabine Feinen, Turnhout, Brepols, 2017. ISBN 978-2-503-57776-0 .
• Liszt -Quellen , Merseburger, Kassel, 2019. ISBN 978-3-87537-355-4 .
• Home globally. Models, practices and media of home construction , ed. together with Edoardo Costadura and Klaus Ries, Bielefeld, Transcript, 2019. ISBN 978-3-8376-4588-0 .
• Music and Reformation . Politicization - Medialization - Missioning , ed. together with Stefan Menzel, Paderborn, Schöningh, 2019. ISBN 978-3-506-70259-3 .
• Mendelssohn Handbook , Bärenreiter and Metzler, Kassel and Stuttgart, 2020. ISBN 978-3-476-05630-6 .

Web links

• Literature by and about Christiane Wiesenfeldt in the catalog of the German National Library
• Christiane Wiesenfeldt on the website of the musicological seminar at Heidelberg University
• Saxon Academy of Sciences, members

Individual evidence

1. ^ Editing Die Tonkunst
2. ^ Presidium and Senate of the Academy of Charitable Sciences in Erfurt
3. ^ Board of Directors of the IMS
4. ↑ GK 2041 Romanticism model
5. ^ Board of Trustees of the Max Reger Institute
6. ↑ MGG online - Editionsbeirat Advisory boards of MGG online