The dawn

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Movie
German title The dawn
Original title Arbor
Country of production France , Hungary , Israel
original language French
Publishing year 1985
length 90 minutes
Rod
Director Miklós Jancsó
script Miklós Jancsó
music Simon Zoltan
camera Armadn Marco
cut Jean-Paul Vauban
occupation

Dawn ( L'Aube ) is a French feature film by the Hungarian director Miklós Jancsó from 1985. It is a free film adaptation of the novel of the same name (1960) by Elie Wiesel . The production was shown at the 1986 Berlin Film Festival , where it competed for the Golden Bear.

action

Elischa is a young Jew who escaped from Buchenwald camp, where his family was murdered. He fought against the British Army in Palestine before Israel was founded. When the British set about executing a captured Jewish fighter, the Jewish associations want to retaliate for this death and execute a captured British officer. Elisha is ordered to carry out the murder at dawn. The task ahead tears Elisha inwardly because he takes the religious commandments, including that not to kill, seriously. His conscience torments him all night.

Reviews

Outside of the Berlinale, the film was only shown in French cinemas. Positif said that the tension and density of this work stemmed from the contrast between the material, which is characterized by the unity of the place, and the tireless choreography of the camera. For the Cahiers du cinéma , this film confirmed the break between theme and form, which Jancsó had long noticed. "Numerous humanly great sentences, which are taken directly from Wiesel's book, take on an unbearable boisterous streak on the screen." The skepticism, supported by a staging that takes up different perspectives, rather emphasizes the inability to communicate something. Because it wants to put forward everything, the for, the against, the in-between, the film does not lead any discourse.

Web links

Individual evidence

  1. ^ François Thomas: Berlin 1986. La compétition officielle . In: Positif , May 1986, p. 52
  2. ^ Joël Magny: L'aube . In: Cahiers du cinéma , No. 391, January 1987, p. 54