The king of masks
Movie | |
---|---|
German title | The king of masks |
Original title | Bian Lian |
Country of production |
China Hong Kong |
original language | Standard Chinese |
Publishing year | 1996 |
length | 95 minutes |
Age rating | FSK 6 |
Rod | |
Director | Wu Tianming |
script |
Wei Minglun based on a story by Chen Wengui |
production | Wu Tianming for Shaw Brothers |
music | Zhao Jiping |
camera | Mu Da-Yuan |
occupation | |
|
The King of the Masks ( Chinese 變臉 / 变脸 , Pinyin Biàn Liǎn ) is a Chinese drama by Wu Tianming from 1996.
content
The old street artist Wang is a loner. Wang has mastered the art of changing masks, a famous element of Sichuan opera , in a unique way, but his knowledge and skills will die out with him. The secret of tearing off the masks quickly may only be passed on to male descendants and Wang's only son died in childhood. Master Liang, who is considered the best female actor in the opera, convinces Wang to look for a grandson who can learn his art. Wang buys a barely seven-year-old boy in a slum area, whom he calls “little dog” and who calls himself “grandfather”. Both live with the little monkey “General” on Wang's houseboat. However, Wang soon realizes that the supposed boy is a girl and turns away from her bitterly about his fate. He allows her to work for him as a kind of servant and she has to call him “master” - he keeps the art of changing masks to himself.
In the following months he teaches her artistic tricks with which she accompanies him in his mask changing performances. One day when little dog tries to discover the secret of changing masks, a mask is lit on a candle. As a result, in addition to the masks, almost the entire houseboat burns down. Wang and puppy now live in dire poverty, even if Wang is too proud to beg. Puppy is caught stealing, kidnapped by a man and locked in a house. Here she finds a little boy who was kidnapped just like her. Together they flee and Puppy brings the boy unrecognized to Wang's houseboat. A priestess foretold that he would soon have a grandson, and so he accepts the boy. A short time later he was arrested as a child kidnapper, as the boy was already wanted by the police by his rich family. The soldiers extorted Wang's confession that he was a kidnapper. In desperation, Puppy first turns to Master Liang, whose hands are tied as an actor, and then throws himself from a roof in desperation in front of a high-ranking military man - he had refused to help her with the matter. Shaken by the girl's deed and since his favorite actor Liang also knows his friend Wang is innocent, the military succeeds in securing Wang's release. Wang recognizes Puppy's deep love for him and accepts her as his granddaughter. She is allowed to call him "Grandfather" again and learns the art of changing masks from him.
criticism
Cinema.de rated the film as a “touching little masterpiece that tells an eternal dream of mankind: to find a home in front of exotic images of large landscapes and old cities”. The king of masks is "simple and beautiful". The lexicon of international films described King of the Masks as a " film that is impressive in terms of form and content", which would promote "a tolerant humanity and trust in one's own feelings".
Awards (selection)
- Best director: Wu Tianming
- Best Actor: Zhu Xu
- Lucas Film Festival Frankfurt 1996
- Lucas for the best children's film
- Cannes Junior 1997
- Best movie
- Best film, Grand Prix Award, Cine Award
- Crystal Simorgh for the best actor: Zhu Xu
- Moscow International Film Festival for Children and Young People
- Best movie
- Best director
Web links
- The King of Masks in theInternet Movie Database(English)
Individual evidence
- ↑ Peter Lau: The king of masks . Cinema review.
- ↑ The King of Masks in the Lexicon of International Films ; film service 17/1998