Ea from Allesch

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Ea von Allesch , b. Täubele , divorced Rudolph (born May 11, 1875 in Vienna ; † July 30, 1953 there ), was an Austrian journalist and muse .

Life

Emma Elisabeth von Allesch zu Allfest, born as "Emma Elisabeth Täubele", was a long-time fashion journalist, muse of many Austrian poets and long-term lover of Hermann Broch . She was the "uncrowned queen of Café Central " and a model for the figure of "Alpha" in Robert Musil's farce "Vincent and the girlfriend of important men" (1924). E (mm) a von Allesch was “an artist of the moment” in which she lived and loved, but was not perceived as an independent person. In spite of her literary work, she was largely ignored from historiography.

“That Ea von Allesch exercised a wide variety of professions corresponding to the productions of Viennese Modernism during her almost eighty years , that she worked as a columnist for German-language newspapers and magazines in Vienna, Berlin and Prague, and that she discovered graphology in the twenties - which was only to be scientifically recognized by Ludwig Klages at the end of the decade - and was committed to the individual psychology founded by Alfred Adler and experiencing its heyday in Red Vienna , one learns only very casually, if at all. Only painstaking research reveals the versatility and productivity of this woman that remains hidden behind the one-sided tradition as a muse of male art. "

literature

  • Elisabeth Albertsen: Ea or the girlfriend of important men. Portrait of a Viennese coffeehouse muse. In: Musil Forum. 5.1. Pp. 135-153 and 5.2 (1979) pp. 135-154. (1979)
  • Briefi from Kindi. Hermann Broch and Ea von Allesch. In: Dietmar Grieser : Love in Vienna. An amorous portrait gallery. Pp. 128-136. (1989).
  • Paul Michael Lützeler : Ea von Allesch: From the femme fatale to the femme emancipée . In: Hermann Broch : The Teesdorfer diary for Ea von Allesch. Pp. 190-222 (1995).
  • Frauke Severit: Ea von Allesch. You cannot be a reflection of the world. In: Frauke Severit [Ed.] I was all of that. Politicians, artists, eccentrics of Viennese modernism. Pp. 249-285 (1998).
  • Frauke Severit: Ea von Allesch. When women become people. A biography. German university publishing house 1999.
  • Love and cultural criticism. Ea from Allesch. In: Paul Michael Lützeler. The entropy of humans: studies on the work of Hermann Broch. Pp. 133-166 (2000).
  • Hertha Kratzer: The improper daughters. Portraits of Women in Viennese Modernism (2003).
  • Saletta, Ester: Hermann Broch and Ea von Allesch. A relationship between imagination and reality. In: Hermann Broch. A Committed Between Literature and Politics (2004).

Web links

Individual evidence

  1. Lisa Fischer: About the terrifying modernity of the anti-modern of Viennese modernism or about the cult of dead things. In: Lisa Fischer and Emil Brix: Die Frauen der Wiener Moderne , pp. 208-217, p. 210 (1997).
  2. Frauke Severit: Ea von Allesch. You cannot be a reflection of the world. In: Frauke Severit [ed.]: I was all of that. Politicians, artists, eccentrics of Viennese modernism , pp.249-285 (1998).