Atget began his career as an actor with moderate success . After taking photos as a hobby for some time, he made photography his profession. His subject was Paris, the city where he lived at 17 rue Campagne-Première and which he loved. His series Paris pittoresques and Le vieux Paris are noteworthy . At the turn of the century he documented old Paris with his bulky large format camera in order to systematically catalog the smallest details of the city. His photos show the parks, buildings, streets, shop windows, prostitutes, workers and even doorknobs of Paris. There was a need for these recordings not only from tourists and collectors, but also from painters and stage designers who used his photos as templates for their own work. He later also sold series to museums and libraries. Although he was able to earn his living in this way, he did not achieve lasting success artistically or financially.
Atget worked with an 18 × 24 cm camera, which was already considered obsolete in its day. The historically wrong anecdote is often rumored that Atget persistently refused to switch to a Rolleiflex offered by his friend Man Ray because it was "too fast" for him. Rolleiflex prototypes were only available from 1928, production of this camera began in 1929, but Atget died in 1927.
In 1920 Atget sold a large part of his collection to the École nationale supérieure des beaux-arts de Paris . Although this sale was not a commercial success, it saved his collection, which was already showing significant storage damage. Atget had met the young photographer Berenice Abbott through Man Ray , who after his death acquired the remaining collection from the estate, published it in books and finally sold it to the Museum of Modern Art in New York . Thanks to your work, Atget was not forgotten.
Eugène Atget died on August 4, 1927 in Paris at the age of 70.
The Atget crater on Mercury is named after him.
- Atget Paris . Hazan, Paris 1992, ISBN 2-85025-294-8
- 150 years of photography documenta 6 , Kassel, 1977
- Eugène Atget - Paris around 1900 , Fotomuseum Winterthur March - 25 May 2008, catalog Eugène Atget - retrospective , s. literature
- Eugène Atget - Paris, Musée Carnavalet in Paris, from April 25 to July 29, 2012
- Berenice Abbott: Eugène Atget . Prague 1963
- Yvan Christ: Le Paris d'Atget . Balland, Paris 1971
- Françoise Reynaud: Eugène Atget . Center National de la Photographie, Paris 1984
- Catalog for the 2008 exhibition in Winterthur: Ed. Bibliothèque Nationale de France and Berliner Festspiele, German edition published by Nicolai Verlag, Berlin
- Maria Morris Hambourg: Eugène Atget 1857-1927: The Structure of the Work , Columbia University, New York 1980.
- Rosalind Krauss: The discursive spaces of photography , in: dies .: the photographic. A theory of distances , Munich 1998.
- Literature by and about Eugène Atget in the catalog of the German National Library
- Works by Eugène Atget at Zeno.org .
- Eugène Atget at photography-now.com
- Masters of Photography: Eugène Atget (engl.)
- La collection Eugène Atget (French) ( Memento from August 29, 2007 in the Internet Archive )
- Documenta 6 catalog: Volume 2, page 112: Photography / Film / Video, 1977 ISBN 3-920453-00-X
|ALTERNATIVE NAMES||Atget, Jean Eugène Auguste (full name)|
|BRIEF DESCRIPTION||French photographer|
|DATE OF BIRTH||February 12, 1857|
|PLACE OF BIRTH||Libourne|
|DATE OF DEATH||4th August 1927|
|Place of death||Paris|