Ferenc Jádi

from Wikipedia, the free encyclopedia

Ferenc Jádi [ ˈferenʦ ˈjaːdi ] (* 1952 in Töröcske ) is a Hungarian physician, art theorist, university professor and artist.

biography

Jádi studied fine arts, medicine and philosophy in Budapest and Pécs between 1970 and 1976. In 1976 he received his doctorate. After training as a specialist in psychiatry and psychoanalysis , he was a research assistant at the University of Pécs (Hungary), the Ruprecht-Karls University of Heidelberg , and at the Albert-Einstein College of Medicine at Yeshiva University in New York .

In 1982 he was a founding member of the International Conference on Literature and Psychology. Between 1992 and 1998 he was visiting professor for art therapy at the Berlin University of the Arts in Berlin. In 2000, he was appointed university professor to the chair for art education and art therapy at the Technical University of Dortmund . He had numerous teaching positions and visiting professorships a. a. at the Academy of Fine Arts in Munich , the Alanus University of Art and Society in Alfter near Bonn, the University of Fine Arts in Dresden and the University of Pécs .

Ferenc Jádi was a member of the Hungarian Academy of Sciences. His works have been shown in numerous solo exhibitions and some are in public collections.

He has been married to the doctor and curator Inge Jádi since 1984 .

Scientific work

In his scientific work he takes a hermeneutical - phenomenological perspective. Jádi's special focus is on the theory and practice of artistic drawing , the art of the mentally ill and art brut , the theory and philosophy of the image , as well as fundamental artistic-aesthetic questions, especially the theory of artistic expression in architecture and art. As part of this, he published articles and books on Gustav Courbet, Albrecht Dürer, the Diluvio drawings by Leonardo da Vinci, but also in the peripheral areas of art history such as the artists of the Prinzhorn Collection , as well as generally on aesthetics and the theory of images and drawings. He has also published texts on psychoanalytic and psychopathological topics. With the help of categories of artistic production aesthetics, gestalt psychology and phenomenology, Jádi developed his approach to a phenomenologically oriented image hermeneutics in numerous publications.

Publications

Standalone publications
  • Iris and Pupilla On the artistic work of Emil Siemeister in the context of a general creatology. Königsdorf 2019, ISBN 978-3-200-05773-9 .
  • From the drawing. University f. Graphics and Buchkunst, Leipzig 1998, ISBN 3-932865-04-9 .
  • Rákszemek. Kijárat, Budapest 1996, ISBN 963-9136-10-7 .
  • Alulírottak földje. Kaposvár, 1996, ISBN 963-650-343-5 .
  • Köztetek lettem én bolond: sors és vers József Attila utolsó éveiben. [Fate and Poetry in the Final Years of Attila József], Magvető, Budapest 1982.
As editor
  • Muzika: compositions, music-related works by the mentally ill, graphic notations and visual works from the Prinzhorn collection. Wunderhorn, Heidelberg 1989.
Articles and catalog contributions (selection)
  • Iris and pupilla. Image theoretical u. Production-aesthetic considerations on the artistic work of Emil Siemeister. In: Emil Siemeister: From calling to semiotic trapping. Museum Folkwang, Göttingen, Steidl 2016, pp. 15–25.
  • The musical and the psychotic listening room. In: Barbara Eisner (ed.): Creations in the field dynamics of art. Medicine, Therapy, Spirituality and Society. Südwestdeutscher Verlag für Hochschulschriften 2010, pp. 81–86.
  • Identity and expression. In: W. Beudels, R. Hammer (Ed.): Movement in the life span - Festschrift for Gerd Hölter. Lemgo 2008, pp. 23-62.
  • Build on the unpredictability of the idea. In: Built Visions - 100 Years of the German Committee for Reinforced Concrete 1907–2007. Beuth, Berlin / Vienna / Zurich 2007, pp. 20–26.
  • The devil, the girl and other secret details: Friedrich Leonhardt's Fents magic lantern. In: Thomas Röske, Bettina Brand-Claussen (Ed.): AIR LOOM - The air loom and other dangerous influencing devices. Heidelberg 2006, pp. 182-195.
  • The rigors of a thinking machine. Tausk's psychoanalytic hypothesis on the metapsychology of schizophrenia. In: Thomas Röske, Bettina Brand-Claussen (Ed.): AIR LOOM - The air loom and other dangerous influencing devices. Heidelberg 2006, pp. 76-89.
  • Sursum Corda: Freud és a zsidó identitás ( Eng . Sursum Corda: Freud and the Jewish identity), in: Magyar Lettre. No. 62, 2006, pp. 17-20.
  • To build identity, corporeality and stubbornness. Image-theoretical and creative considerations. In: Federal Office for Building and Regional Planning in cooperation with the UdK Berlin (ed.): Kulturforum Berlin. Berlin 2004, ISBN 3-89462-112-5 , pp. 57-66.
  • In two cases. (Imagery and shamanism). In: Katharina Corsepius (Ed.): Opus Tesselatum. Modes and boundaries in art history. Festschrift for Peter Cornelius Claussen. Olms, Hildesheim 2004, pp. 95-104.
  • Travel pictures / picture experience. In: Exhibition cat. Bettina van Haaren, Corner with Foundlings, Albert Struwe Prize for Drawing, Ennigerloh 2003, pp. 5–12.
  • Intersubjectivity, Imagery and the World of Schizophrenics. An unexpectedly strange picture story. In: T. Fuchs, I. Jádi, B. Brand-Claussen, Chr. Mundt (eds.): Wahn Welt Bild. Springer Verlag, Berlin / Heidelberg 2002, pp. 133–168.
  • Is there a basic science in art therapies? In: P. Petersen (Ed.): Research methods of artistic therapies. Basics - projects - suggestions. Stuttgart / Berlin 2002, pp. 148-177.
  • Noblesse Oblige - the invisible and the unspeakable in Natterer's life and work. In: Bettina Brandt-Claussen (Ed.): August Natterer: The evidential value of the picture. Wunderhorn, Heidelberg 2001, pp. 215–322.
  • Two cases: Concept and interpretation by Otto Stuss and Carl Lange. In: Ingried Brugger (Ed.): Art & Wahn. DuMont, Cologne 1997, pp. 207-217.
  • The doctor's dream. (Freud and Dürer). In: Texts from the Colloquium Psychoanalysis. Volume 1, Issue 1, Berlin 1997, pp. 5-31.
  • Aki van, kíván: Jacques Lacan és Courbet - A világ eredete című festménye ( Eng . Lacan and the "origin of the world" by Courbet) In: Thalassa. (7), 1, 1996, pp. 119-134.
  • Halálnak halaláal wood. Leonardo diluvio rajzai ( Eng . About the Diluvio drawings by Leonardo da Vinci), In: Thalassa. 5, 1994, pp. 247-260.
  • Improvisation and ontology - questions about treatment through music-making. In: German Professional Association of Music Therapists eV / German Music Therapy Society (Hrsg.): Insights. (5), 1994: "Resonanz" booklet, pp. 34-53.

Individual evidence

  1. ↑ kunsttherapieausbildung.de Institute for Art Therapy Berlin-Brandenburg
  2. ^ Ferenc Jádi. ( Memento from February 11, 2016 in the Internet Archive ) at Galerie Mönch Berlin, accessed on April 1, 2017.
  3. ↑ Found something for your life , accessed April 1, 2017.

Web links

personal data
SURNAME Jádi, Ferenc
BRIEF DESCRIPTION Hungarian physician, art theorist and university professor
DATE OF BIRTH 1952
PLACE OF BIRTH Töröcske , Hungary