Franz Gustav Arndt

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Franz Gustav Arndt (born August 20, 1842 in Lobsens , Province of Posen , † March 13, 1905 in Blasewitz near Dresden ) was a German landscape and genre painter .

Life

Franz Gustav Arndt was born in Lobsens, today's Łobżenica, in 1842. He was a son of the district judge Gustav Wilhelm Arndt and his wife Henriette Charlotte, nee. Doenniges. His brother was the historian and paleographer Wilhelm Arndt (1838–1895).

Arndt was a student at the Grand Ducal Saxon Art School in Weimar under Alexander Michelis and Theodor Hagen . From 1876 he worked there as an associate professor for landscape painting and from 1879 to 1881 as the secretary of the art school. Arndt was a member of the Weimar Society for Etching Art . In 1872 and 1877 he made study trips to Italy. In 1884 he moved to Berlin and in 1887 to Blasewitz near Dresden. There is a picture by Arndt in the Liszt House in Weimar that refers to a musical work by Liszt.

Works (selection)

  • Summer morning in the Rhön. 1868
  • A north German church. 1872
  • Elegy. 1873, awarded in London
  • Fountain on Capri. 1874
  • Working class family. Motif from Capri, 1875
  • The four Seasons. Four oil paintings in community with Hieronymus Christian Krohn for the dining room of the Hamburg art lover Ed. F. Weber executed in 1877.
  • Messina coast. 1879
  • Adonisfest. 1884
  • Wallendorf valley near Weimar. 1886
  • Motif from Herrnskretschen - rock section. 1888
  • At the forest stream. Motif from Edmundsgrunde (Saxon Switzerland), 1888
  • Peach blossom in Loschwitz. 1888
  • Wet evening. 1888

literature

Web links

Commons : Franz Gustav Arndt  - Collection of Images

Individual evidence

  1. ^ Arndt, F. In: Berliner Adreßbuch , 1885, Part I, p. 19. “Profess., Maler, W Bülowstr. 35 IV. ". Retrieved August 30, 2015.
  2. Arndt, Frz. Gstv., Painter , Prof., Residenzstr. 4. In: Address book for Dresden and its suburbs. 1905, part VI (Blasewitz). Retrieved August 30, 2015.
  3. The painting is out of focus overall. The painting does not come from Liszt's original holdings, but was added in 1956. The subject of the picture goes back to the Consolations piano pieces from around 1849/50. The inspiration for the title probably came from the collection of poems of the same name by Charles-Augustin Sainte-Beuve from 1830. It bears the inv. [Stamp] 125/1956 . A detail in the left background of the picture could be understood as grotto-like and point to the legend that the Sphinx grotto in the park on the Ilm was Liszt's favorite place to stay. But that's not what is meant here!
  4. KW: Korrespondenz - Hamburg, June 1877. In: Kunstchronik , XII. Year (1877), No. 41, column 653-655. July 19, 1877. Retrieved March 14, 2016 .
  5. see also literature: Boetticher: Malerwerke… S. 38 and 771