Hermann Angermeyer

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Hermann Angermeyer (born February 14, 1876 in Bremen ; † 1955 , probably in Fischerhude ) was a German genre , portrait and landscape painter and graphic artist from the Düsseldorf School , who turned to Impressionism in a later phase of his artistic work .

Life

Angermeyer studied from 1890 to 1892 at the Hamburg School of Applied Arts . He then attended the Düsseldorf Art Academy from 1892 to 1904 . There were Heinrich Lauenstein , Hugo Crola , Arthur fight , Peter Janssen d. Ä. and Adolf Schill his most important teachers. Angermeyer, who had his studio in Düsseldorf-Oberkassel as a freelance painter , was a member of the Allgemeine Deutsche Kunstgenossenschaft , the artist group Laetitia and, from 1908 to 1938, of the artist association Malkasten . After only two years of marriage, his wife Elisabeth died in 1916. After his daughter Ursula died too, he finally moved to Fischerhude in 1938 , which he had visited several times in the summer since 1908, and became a permanent member of the local artists' colony . Since 1900 Hermann Angermeyer took part regularly in larger exhibitions - 1900: Düsseldorf Whitsun Exhibition; 1904: Great Berlin art exhibition ; 1904: International Art Exhibition Düsseldorf; 1909: Munich; 1910: Vienna; 1937: House of Art , Munich. His picture The Work of a Sewer was part of the contribution of the German Reich to the Biennale di Venezia in 1914 .

Works (selection)

  • In the studio , around 1904
  • Self-portrait , around 1910
  • In the garden (woman reading, portrait of his wife Elisabeth) , around 1910
  • Gold light in winter , 1910
  • The work of a seamstress , 1914
  • Portrait of the Hamburg businessman and senator Gustav Rudolph Gossler , 1914
  • Tulips with a figure , 1915
  • Portrait of the daughter Ursula Angermeyer , around 1920
  • Flooded Wümm meadows , around 1920
  • Flooded Wümmewiesen , around 1930
  • Early spring , around 1930
  • Wümmewiesen , around 1935
  • Flooded meadows , around 1935
  • At the Wümme , around 1940
  • Foggy morning , around 1940
  • Winter in the village , around 1940
  • Houses in the Snow , around 1940
  • Evening mood , around 1940
  • In the evening at the Wümme , around 1940
  • Winter morning , around 1940
  • Spring in Fischerhude , around 1940
  • Wilken's barn , around 1940
  • Fischerhude landscape , around 1940
  • Morning mood on the Wümme , 1943
  • Horse-drawn sleigh ride , around 1950

literature

Web links

Individual evidence

  1. See art and auction house Eva Aldag: Hermann Angermeyer (1876–1955) - oil on wood, “Portrait of the Hamburg merchant and senator Gustav Rudolph Gossler (1866–1948)” , (Exposé, PDF  ( page no longer available , search in web archivesInfo: The link was automatically marked as defective. Please check the link according to the instructions and then remove this note. ), accessed on June 9, 2016; according to other information in Kirchdorf auf Georgswerder , today Hamburg-Wilhelmsburg , cf. Hans-Dieter Mahlstedt: Kunstverein shows works by Hermann Angermeyer: The gold light painter in Fischerhude . Article from May 15, 2011 in the weser-kurier.de portal , accessed on June 9, 2016@1@ 2Template: Toter Link / www.auktionshaus-aldag.de  
  2. Granddaughter bequeathed the estate of the painter Hermann Angermeyer to the Kunstverein Fischerhude: "Light poured onto canvas" . Article from December 2, 2009 in the portal Kreiszeitung.de , accessed on June 9, 2016.
  3. Ursula Zeller, Katia Reich: The German Contributions to the Venice Biennale 1895–2007 . DuMont, Cologne 2007, ISBN 978-3-83219-016-3 , pp. 186, 321.