Janina Audick

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Janina Audick (* 1973 in Berlin ) is a German costume and set designer and set designer.

Life

Janina Audick studied fine arts , fashion and stage design in Kassel, Berlin and at the Hamburg University of Applied Sciences from 1992 to 1997 . Since 1998 (as of 2008) she has been working as a self-employed costume and set designer for theater and opera stages. Her work includes world wide web slums by René Pollesch , with whom she worked for several years from 2000, as well as a Jelinek adaptation from the collaboration with Christoph Schlingensief in Zurich Attabambi-Pornoland . She also worked with Schorsch Cameroon , Stefan Bachmann , Rimini Protokoll , Peter Mussbach and Dieter Giesing .

As the author of a portrait for the Goethe-Institut , Carl Hegemann mentions Audick's working method at the time:

“Janina Audick thinks a lot before she designs plays that have not yet been written. The theoretical discussion against the background of post-structuralist and feminist-inspired ideas, for example by the philosopher Hannah Ahrendt or the biologist Donna Haraway, makes simple conventional images impossible and also those that come unreflected "from the gut". "

- Carl Hegemann : "The set designer is the first author". Portrait Janina Audick

As of 2008, Hegemann described Audicks set designers as never mainstream and always precarious , which differentiates them from others. With unpredictability, a change of perspective and surprising breaks, she combats perceived unreasonable demands of power and social coercion .

Works (selection)

  • Janina Audick, Martina Bosse, Brigitte Cuvelier, Christine Groß: Tarzan rettet Berlin (stage / costume / staging), Hebbel am Ufer 2019.
  • andcompany & co: Café Casablanca "everybody comes to stay" (stage and costume), Schauspielhaus Düsseldorf 2017.
  • Emily Atef : 3 Days in Quiberon (costume design) 2017.
  • Meg Stuart: Violet (stage), Essen PACT Zollverein and Festival d'Avignon 2011.
  • Christoph Schlingensief: "Attabambi-Pornoland - The journey through the pig" (production and costume design), Zurich 2003.

Individual evidence

  1. ↑ above: Janina Audick. Website of the publisher Edition Patrick Frey, undated, accessed on February 17, 2020.
  2. ↑ above: Janina Audick. Website of the Düsseldorfer Schauspielhaus, accessed on February 3, 2020.
  3. ^ A b c d Carl Hegemann: "The set designer is the first author". Portrait Janina Audick. ( Memento from September 16, 2008 in the Internet Archive ), website of the Goethe-Institut, accessed on February 2, 2020.
  4. ↑ above: Audick / Bosse / Cuvelier / Groß. Tarzan saves Berlin. Website of the Hebbel am Ufer Theater, accessed on February 3, 2020.
  5. ↑ above: Café Casablanca: Everybody Comes To Stay! —Stories of love and exile — by andcompany & Co. — World premiere on April 24, 2017. Website of the Düsseldorfer Schauspielhaus, accessed on February 3, 2020.
  6. ↑ above: 3 days in Quiberon. Austrian Film Institute website, accessed on February 3, 2020.
  7. ↑ Sarah Heppekausen: In the sore landscape of the soul. Violet - Meg Stuart's choreography to a soundtrack by Brendan Dougherty developed a tremendous pull. Nachtkritik.de website, accessed on February 3, 2020.
personal data
SURNAME Audick, Janina
BRIEF DESCRIPTION German stage and costume designer
DATE OF BIRTH 1973
PLACE OF BIRTH Berlin