Jean Eustache

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Jean Eustache (born November 30, 1938 in Pessac , Aquitaine , France , † November 5, 1981 in Paris , France) was a French film director and film editor . Eustache made a total of twelve films from 1963 to 1980, including feature films and documentaries of various lengths. His best-known film is The Mama and the Whore (La Maman et la putain) from 1973 with Jean-Pierre Léaud .

Career

Almost ten years younger than most of the members of the Nouvelle Vague , Eustache began his career as a cineast in Paris in the late 1950s. Even if he never wrote for Les Cahiers Du Cinéma , the most important French film magazine at the time , he was often in its editorial offices and took part in the discussions there. He made his film debut in 1963 with the short film Les mauvaises fréquentations ( The bad company ). It took ten more years before, after several short and documentary films - Les photos d'Alix won the César for Best Short Film in 1972 - he made his first full-length feature film La Maman et la putain in 1972 . Its biographically inspired plot tells of a triangular relationship, the love of a man (played by Jean-Pierre Léaud ) for two women.

This film won several awards at the 1973 Cannes International Film Festival . The 220-minute film was a great success with the public and enabled Eustache to shoot another feature film shortly afterwards. In Mes petites amoureuses ( My Little Lovers ) the director worked for the first time on 35mm color film under professional conditions. This film tells the story of a pubescent boy (played by Martin Loeb ) who, after a happy life with his grandmother, returns to the sadness of the south of France, the small-town, lower-class existence of his mother. Because this film became a commercial failure, Eustache was unable to fund another feature film. His subsequent films were again made under financially precarious circumstances.

Today Jean Eustache deserves a place in French film history. He was the first important director to make his cinematographic debut after the auteur films of the Nouvelle Vague. Even before Maurice Pialat , Philippe Garrel or Jacques Doillon , he was part of a new generation of high-quality French films, the aesthetics of which still have a decisive influence on them today. Jim Jarmusch provided proof of this influence when he dedicated his film Broken Flowers to Jean Eustache in 2005 . Eustache died of suicide in November 1981 .

Filmography

As a director

  • 1963: Les mauvaises fréquentations also known as Du côté de Robinson (42 min.)
  • 1966: Le Père Noël a les yeux bleus (47 min.)
  • 1968: La Rosière de Pessac (55 min.) (Documentary)
  • 1970: Le cochon (50 min.) Together with Jean-Michel Barjol (documentary)
  • 1970: Aussi loin que mon enfance (25 min.) Together with Marilù Parolini
  • 1971: Numéro Zéro TV version as Odette Robert (107 min.) (Documentary)
  • 1973: Mama and the Whore (La Maman et la putain) (217 min.)
  • 1974: My little lovers (Mes petites amoureuses) (123 min.)
  • 1977: Une sale histoire (1977) (50 min.)
  • 1979: La Rosière de Pessac (67 min.) (Documentary)
  • 1980: Le jardin des délices de Jérôme Bosch (34 min.)
  • 1980: Offre d'emploi (19 min.) For the television film Contes modern: A propos du travail
  • 1980: Les photos d'Alix (18 min.)

As a film editor

As a performer

Web links

literature

  • Frieda Grafe: A Passionate Mirror - Jean Eustache - For the screening of some of his films in the Munich Film Museum . First published in: Süddeutsche Zeitung on December 2, 1998. In: Schriften, 3rd volume . Brinkmann & Bose Verlag, Berlin 2003. ISBN 3-922660-82-7 . Pp. 145-147.
  • Philippon, Alain, Jean Eustache, Paris: Cahiers Du Cinéma 2005
  • d'Estais, Jérôme, Jean Eustache ou la traversée des apparences, La Madeleine, LettMotif 2015