Karin Kremer

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Karin Kremer, b. Brinkmann (* 1939 in Celle ; † 2019 in Hameln ) was a German artist .

biography

Karin Kremer studied from 1961 to 1967 at the École nationale supérieure des beaux-arts de Paris and then worked freelance in Paris until 1970 . Mixing technology was the focus of her work until 1969 . Then she turned to working on anodized aluminum until 1975. As part of art in architecture, she worked in France with commissions for, among others, Printemps-Parly II, Drugstore Caen and SCIC Paris.

In 1970 she moved to Saarland and married the composer Clemens Kremer . From then on she worked in Saarbrücken and Paris. In addition to her artistic work she had teaching assignments at the Catholic University of Applied Social Sciences , at the Art School of the Saarland and the Institute for Social Ecology at the Humboldt University in Berlin .

Her husband died in 2000 and she moved to Lower Saxony. Here she concentrated on the artistic use of electronic media.

Kremer left behind an extensive life's work that was created over a period of more than 50 years: works in mixed media (until 1969), aluchromes (from 1970), actions, calligraphy collages and paper objects (from 1988), video and computer-generated design (from 1992) as well as internet projects.

From 1966 to 1999 she exhibited regularly in solo exhibitions as well as participating in group exhibitions at home and abroad. Her works are in private and public ownership.

Solo exhibitions

  • 1966: Fontaine Gallery, Paris
  • 1971: Marthe Nochy Gallery, Paris
  • 1971: Goethe Institute, Cairo
  • 1972: Davidson Gallery, Tours
  • 1973: Goethe-Institut, Beirut
  • 1974: Galerie Boisseree, Cologne
  • 1975: Gallery of the Saarbrücker Zeitung, Saarbrücken
  • 1975: German Culture Institute, Casablanca
  • 1982: Propositiones , Atelier 4, Sens (K)
  • 1983: Von der Heydt Museum , Wuppertal (K)
  • 1991: HMT Ricercare un Pentagono , Saarbrücken (Clemens Kremer)
  • 1993: Augen , Galerie Monika Beck, Homburg-Schwarzenacker
  • 1993: VSU work from the years , Saarbrücken
  • 1995: Birth of Mary , computer-generated images of Mary, Homburg-Schwarzenacker
  • 1996: SEAT Multi Media Congress computer generated graphics
  • 1997: PARADOXON computer-generated graphics, Galerie Monika Beck, Horn

More art actions

  • 1978: Saarland Museum inner courtyard, Saarbrücken
  • 1979: art? , DB international artist congress, Stuttgart
  • 1979: Breadless Art , St. Joh. Markt, Saarbrücken
  • 1981: Cloth and thread , Ny Carlsberg Glyptothek, Copenhagen
  • 1981: Mother Earth , Festival d'Art provisoire, Le Mans
  • 1981: Silent counter- action, Art Allemagne Aujourdhui MAM Paris
  • 1981: Cutting the cord , photo campaigns in galleries, Paris
  • 1982: Focus , Von der Heydt Museum, Wuppertal
  • 1982: Propositiones , Sens
  • 1983: Silent Action , Von der Heydt Museum, Wuppertal
  • 1987: Frauenzimmer , Saarland Summer
  • 1987: "Saarabande" ship campaign, Dillingen-Bonn
  • 1989: Night watch , action with colors, Kirchentag, Berlin
  • 1989: The Bundle , Silent Action on Fascism, July 20, Munich
  • 1991: Silent action for Gerda Lepke , Kunsthof Bonn

literature

  • Ulrika Evers: German women artists of the 20th century. Ludwig Schultheis Verlag, Hamburg 1983, ISBN 3-920855-01-9 , p. 184.
  • Christine Wolf-Hamel: Our visual artists and artisans in Saarland. 1979, DNB 800947819 , p. 80.

Web links

personal data
SURNAME Kremer, Karin
BRIEF DESCRIPTION German artist
DATE OF BIRTH 1939
PLACE OF BIRTH Celle
DATE OF DEATH 2019
Place of death Hamelin