Keith Roberts

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Keith John Kingston Roberts (born September 20, 1935 in Kettering , Northamptonshire , † October 5, 2000 in Salisbury , Wiltshire ) was a British science fiction writer and illustrator. He also published under the pseudonyms Alistair Bevan, John Kingston and David Stringer.

Life

Keith Roberts studied art and graduated in design in 1956 , then attended Leicester College of Arts . He worked for a long time as a graphic designer in the advertising industry, an area to which he remained loyal even later. In the 1960s he was involved in the production of animated films and appeared as a cover artist in British SF magazines. Roberts' first two short stories he published in 1964 in the British SF magazine Science Fantasy , where he became editor in 1966 (it was called Impulse at the time ). Further stories by Roberts also appeared in the New Worlds magazine .

The first novel The Furies (1966, German The Neptune Test , Goldmann) was followed two years later by his most important novel: Pavane , initially marketed in German as The Serious Assassination of Her Majesty Queen Elizabeth I , later editions under the original title.

In Pavane it comes to an alternate world in which Queen Elizabeth I was assassinated and the Spanish Armada was victorious. As a result, England was shaped by the rule of the Catholic Church in the 20th century.

In 1990 he was diagnosed with multiple sclerosis , ten years later he succumbed to the consequences of the disease.

Awards

  • 1983: BSFA Award for the short story Kitemaster
  • 1984: Interzone Readers Poll for the short story Kitemaster
  • 1987: BSFA Award for the illustrations for The Clocktower Girl in Kaeti & Company and for the short story Kaeti and the Hangman

bibliography

Kaeti (short stories)
  • Kaeti's Apocalypse (1986, short story)
  • Kaeti & Company (1986, collection)
  • Kaeti on Tour (1992, collection)
Single novels
  • The Furies (1966)
    • German: The Neptune Test . Translated by Hans-Ulrich Nichau. Goldmann, Munich 1967.
  • Pavane (1968, fix-up)
  • The boat of fate (1971)
    • English: The boat of fate . Translated by Christa Schlang. Marion von Schröder Verlag, Düsseldorf 1980, ISBN 3-547-77803-4 . Paperback edition: Moewig, Rastatt 1987, ISBN 3-8118-2445-7 .
  • Anita (1970, fix-up)
    • English: The witch Anita . Translated by Gerhard Beckmann. dtv, Munich 1996, ISBN 3-423-12127-0 .
  • The Inner Wheel (1970)
    • German: Homo Gestalt . Translated by Hans Maeter. Bastei-Lübbe, Bergisch Gladbach 1980, ISBN 3-404-22025-0 .
  • The Boat of Fate (1971)
  • Molly Zero (1980)
  • Kiteworld (1985)
    • German: Drachenpiloten . Translated by Horst Pukallus. Heyne, Munich 1991, ISBN 3-453-05406-7 .
  • Gráinne (1987)
  • The Road to Paradise (1988)
  • The Event (1989)
Collections
  • Machines and Men (1973)
    • German: machines and people . Translated by Tony Westermayr. Goldmann, Munich 1980, ISBN 3-442-23343-7 .
  • The Chalk Giants (1974)
    • German: The chalk giants . Translated by Maike Blinde. Bastei-Lübbe, Bergisch Gladbach 1981, ISBN 3-404-22038-2 .
  • The Grain Kings (1976)
    • German: The new gods . Translated by Tony Westermayr. Goldmann, Munich 1979, ISBN 3-442-23327-5 .
  • The Passing of the Dragons (1977)
  • Ladies from Hell (1979)
    • English: The revolution of the windmills . Translated by Tony Westermayr. Goldmann, Munich 1981, ISBN 3-442-23378-X .
  • The Lordly Ones (1986)
  • A Heron Caught in Weeds (1987)
  • Winterwood: And Other Hauntings (1989)
Non-fiction
  • Irish Encounters (1988)
  • The Natural History of the PH (1988)
  • Lemady: Episodes of a Writer's Life (1997)

criticism

  • Karsten Kruschel on kite pilots : “The literary quality of Keith Roberts is based less on original SF ideas, sophisticated gimmicks or action-oriented tension. He is a confident draftsman of three-dimensional landscapes and a romantic narrator of gripping stories that usually only round off and complete in the mind of the reader; here you can feel the artist, who is also known in England for his unconventional cover art. "" A strange, interesting, at the same time repulsive and fascinatingly poetic world is opened up by Roberts and exposed to an inevitable doom - in the hope that the reader would become their own Demons, if not less annoying, then perhaps understandable. "()

literature

Web links

Individual evidence

  1. Karsten Kruschel: Die Poesie der Papierdrachen , in: Wolfgang Jeschke (Ed.): The Science Fiction Year 1993 , Wilhelm Heyne Verlag , Munich, ISBN 3-453-06202-7 , pp. 714–715.