Manfred Riederer

from Wikipedia, the free encyclopedia

Manfred Riederer (* 1946 in Hallein , Austria ) is a German-Austrian artist.

Life

Riederer grew up in Hallein and came to the Federal Republic of Germany in 1963 . He studied from 1967 to 1973 at the State Academy of Fine Arts in Karlsruhe . His teachers were Rainer Küchenmeister , Peter Herkenrath and Fritz Klemm . From 1972 to 1974 he studied art history at the University of Karlsruhe and from 1975 to 2009 he taught at the Hohenstaufen-Gymnasium Eberbach. Riederer lives in Eberbach am Neckar and is a member of the Rhein-Neckar Artists' Association and the Heidelberg Art Forum .

plant

Riederer's work is characterized by the representation of technical objects that he found in the 1980s and 1990s, especially in the field of flying. Wings, tail units, rotors were his favorite material. The objects are viewed and analyzed from their construction. Your movement is included. Aerodynamics and speed are made visible. Riederer's pictures, mostly executed on paper, are drawn up, but the layered build-up of color and line layers creates a great density and subtle painterly effects.

In the 1990s the experience of speed became more and more an experience of space. Architectures, half-timbered constructions, house facades and bridges appear as technical structures, as space-spanning and space-opening structures that are often characterized by an unstable equilibrium. Beams, girders and supports, rods and struts turn the space into a space.

Charcoal drawings have been created since around 2004. The black and white is used consistently. The things shown, which can only be roughly assigned and named, appear sharp, and yet they belong in the realm of shadows and schemes.

Photographic work has accompanied Riederer's work from the start. His recordings, often reworked with chalk and acrylic, rely on the camera's potential for alienation. She is characterized by extreme cut-outs, close-up views, isolation of the object and collage-like compositions.

literature

  • Manfred Riederer. Flying machines - apparatus - organisms. Works from 1973–1980. Obrigheim 1980.
  • Manfred Riederer. Drawings. With a contribution by Hans Gercke: Symbiosis of life and technology. Heidelberger Kunstverein, Heidelberg 1981.
  • Manfred Riederer. Apparatus. With a contribution by Herwarth Röttgen : Fantastic Apparatus. Exhibition in the study gallery of the University of Stuttgart. Stuttgart 1981.
  • Barbara Riederer-Grohs, The Nearness of Death . In: Das Münster, 1983, No. 2, pp. 135-138.
  • Detlef Bluemler , Flying Art Gallery. In: Condor, Fliegende Blätter, 1984, Heft 3, pp. 18f.
  • Sigrid Feeser, Manfred Riederer - Hans Karl Busch . In: The artwork, 1985, issue 4–5, pp. 188f.
  • Manfred Riederer. Wing. Pictures and drawings. With an essay by Barbara Riederer: About movement in flight. Catalog for the exhibition at the Kunstverein Heilbronn 1985.
  • R. Berg, The image of flight in the wing. In: Der Kunsthandel, 1993, issue 3, p. 22f.
  • Claudia Giani-Leber, The dream of flying as a theme in art. In: Everything that flies in nature, technology and art. Kleine Senckenberg series No. 23 / Palmengarten special issue No. 24. Frankfurt / M. 1996, pp. 124-133.
  • Riederer. Horizons. Works on paper. With an essay by Barbara Riederer. Eberbach 1997.
  • Barbara Riederer, The Landscape Garden or The Origin of Time from Space. With drawings by Manfred Riederer. Heidelberg 1998.
  • Kurt Möser, In the air stream. Manfred Riederer's aerial photographs. In: Artprofil 1999, Volume 5, Issue 4, pp. 8-11.
  • Barbara Riederer, the eye alone. A retrospective. With photographic notes by Manfred Riederer. Heidelberg 2000.
  • Barbara Riederer, in the middle of the garden. Essay with photos by Manfred Riederer. Heidelberg 2012.
  • Manfred Riederer, drawing, photography. With contributions by Thomas Hirsch, Hans Christian Hönes, Walter Kappacher and Barbara Riederer. Lindemanns Library Volume 273, Karlsruhe, Bretten 2016.

Web links