Michael Iber

Michael Iber (2017)

Michael Iber (born January 29, 1965 in Mannheim , Germany ) is a German musician, radio writer , scientist and university lecturer.

Life

Michael Iber is a musician, scientist and author, director, producer of radio features and radio plays. After studying piano at the Royal Academy of Music in London , he initially pursued a concert career in the field of classical and contemporary music. Since the turn of the millennium, he has been moving increasingly at the interface between music, sound and media art with his own projects. As part of his doctorate at the Jacobs University in Bremen , he researched the data sonification of production processes until 2013. Since 2014 he has been a lecturer for audio design and researcher at the Institute for Creative Media Technologies IC \ M / T at the St. Pölten University of Applied Sciences .

Artistic projects (selection)

2001: INTEGER (INTERNET GEnerated Radio) concert installation in which a live radio broadcast is manipulated over the Internet. Experimental studio of the Südwestrundfunk, SWR2
2003: Psychogeographie IV Musik im Kopf (with Christian von Borries ) for piano, singer, violin, orchestra and live electronics.
2004: Zugzwang - purposeless exercises in the repetition room, for a dancer (Canan Erek) and an intelligent computer system. Commissioned by the 6-day opera in Düsseldorf in the Tanzhaus NRW.
2008: Z Phrase 24-channel sound installation in collaboration with Angela Bulloch for her exhibition “The Space That Time Forgot” from February 15th to May 18th. in the artificial structure of the Lenbachhaus in Munich
2008: Z Phrase 12 audiovisual sound installation (with Angela Bulloch ), X-Apartments , Berlin Hebbel-am-Ufer-Theaters (HAU)
2008: soundalike :: music collection 8-channel sound installation, exhibition Anna Kournikova Deleted by Memeright Trusted System - Art in the Age of Intellectual Property, Hartware MedienKunstVerein , Dortmund from July 19 - October 19
2011: soundalike: music collection II, 1st for ensemble ( Ensemble Modern ), 2nd as sound installation for 5.1 sound wall and 3rd as radio audio piece (soundalike on air. Hessischer Rundfunk ), commissioned by Frankfurter stellen 2011
2012: soundalike: sbd for 2 violins, viola and double bass. Project of the Coburg State Theater for the Coburg Design Days , members of the Philharmonic Orchestra of the Landestheater Coburg, rehearsal: Roland Kluttig , staging: Geraldine Helene Schramm

Radio features and radio plays (selection)

New music is never beautiful from the start 1 & 2 (HR 2008)
Virtual Machines (WDR 2008)
Let us sing, dance and jump - new music in the folk tone (HR 2009)
Music to stop your ears (BR 2009)
Gravesano - a synonym for electroacoustic space research (HR 2009)
It's all about the gesture (SWR 2010)
It's all about Cage: the pianist-composers David Tudor, Mario Bertoncini, Hans Otte (SWR 2010)
David or Goliath (HR 2010)
As if radiation-contaminated survivors had tried to sing (BR 2010)
soundalike on air (HR 2011)
Dream of space (SWR 2011)
Blackout (BR 2011)
From vinyl to download: The Wergo label turns 50 (HR 2012)
John Cages Radio Cages (HR 2012)
100 years and loneliness: the composer Conlon Nancarrow (SWR 2012)
Eimert, Stockhausen, Zimmermann: The ear witness Helmut Kirchmeyer (3-part portrait, HR 2013)
Listening post (HR 2014)
Searching for traces: criminological methodology in music history (SWR 2015)
The orchestra speaks (SWR 2015)
With silk gloves (SWR 2015)

Scientific publications (selection)

Iber, M. (2020). Auditory display in workspace environments. In M. Filimowicz (Ed.), Foundations in Sound Design for Embedded Media: A Multidisciplinary Approach (pp. 131–154). Routledge
Iber, M., Lechner, P., Jandl, C., Mader, M., & Reichmann, M. (2020). Auditory augmented process monitoring for cyber physical production systems. Personal and Ubiquitous Computing. https://link.springer.com/article/10.1007%2Fs00779-020-01394-3
B. Horsak, R. Dlapka, M. Iber, A.-M. Gorgas, A. Kiselka, C. Gradl, T. Siragy, J. Doppler: SONIGait: A Wireless Instrumented Insole Device for Real-Time Sonification of Gait. In: Journal on Multimodal User Interfaces. 2016, doi: 10.1007 / s12193-016-0216-9 .
T. Felberbauer, T. Moser, M. Iber, F. Fidler: DataViSon: A step towards decentralized production control. In: Industry 4.0 Management. Volume 32, No. 6, Berlin 2016, ISSN 2364-9208 .
M. Iber: Auditory Logistic Analysis. Jacobs University Bremen. 2014, https://opus.jacobs-university.de/frontdoor/index/index/docId/389
M. Iber, K. Windt: Order Related Acoustic Characterization of Production Data. In: Logistics Research. Vol. 5, 2012, doi: 10.1007 / s12159-012-0084-y .
M. Iber, J. Klein, K. Windt: Grooving Factory. Logistic analysis from the sound laboratory. In: A. Vollmar, A. Schoon ,. (Ed.): The trained ear: A cultural history of sonification. Transcipt-Verlag, Bielefeld 2012, pp. 147-162.
M. Iber: Learning to Hear Data - With the Auditory Display in the sea of data. In: New magazine for music. Issue 5, Mainz 2012.
K. Windt, M. Iber, J. Klein: Bottleneck Control In: Production Logistics Through Auditory Display - Revealing Work Content Overloads. The 16th Annual Conference On Auditory Display (ICAD 2010), Washington DC, USA, June 9-15, 2010. pp. 115-120.
M. Iber: Change frame - frame change. From loudspeakers to wave field synthesis. In: Positions, Contributions to New Music. Vol. 78, February 2009, Berlin, pp. 27-29.
M. Iber: soundalike. In: Positions, Contributions to New Music. Vol. 72, Berlin August 2007, pp. 18-19.
M. Iber: soundalike - sounds like sounds we like. In: New magazine for music. Issue 6, Mainz 2006

literature

I. Arns: Anna Kournikova Deleted by Memeright Trusted System - Art in the Age of Intellectual Property. Kettler, Bönen / Westphalia 2008.
J. Dunaway: The MP3 Phenomena and Innovative Music. http://on1.zkm.de/zkm/Institute/Musik/texte/MP3, Institute for New Music and Music Education, Darmstadt 2001.
S. Elgeti: Why we don't want to hear anymore without pictures. Video concerts in discourse. DVD. Berlin Society for New Music, 2008.
G. Föllmer: Lines of net music. In: New magazine for music. No. 5, Mainz 2005.
F. Hartling: The digital author. Authorship in the Internet Age. Bielefeld 2009.
F. Hartling, N. Fröde, H. Gerlach, D. Vetter-Zewdie: Network art. Inventory 2005. DVD. Institute for Media and Communication Studies, Martin Luther University Halle-Wittenberg
G. Joseph-Hunter: Transmission Arts. Artists and Airwaves. New York 2011.
JH Kim: Embodiment in interactive music and media performances. Osnabrück 2012.
M. Mühling: Z Phrase. In: A. Bulloch: The Space That Time Forgot. Cologne, 2008.
G. Nauck: Without John we would look old. To the current music scene today. In: Bayerischer Rundfunk Musica Viva (Ed.): Because Saturn came here. Munich 2006.
D. Tanzi: Musical Experience and Online Communication. In: Crossings -Electronic Journal of Art and Technology. Vol. 3, No. 1, Dublin 2003.
D. Tanzi: Observations about Music and Decentralized Environments. In: Leonardo. Vol. 34, No. 5, New York 2001, pp. 431-436.

swell

personal data
SURNAME	Iber, Michael
BRIEF DESCRIPTION	German musician, radio writer, media scientist
DATE OF BIRTH	January 29, 1965
PLACE OF BIRTH	Mannheim