Operatic Pop

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Operatic Pop  or Popera  are English-language terms for a sub-genre of  pop music that is characterized by operatic performance. It falls under the broader term  classic crossover .

history

According to music historians, operatic pop songs spread with the rise of  Tin Pan Alley in the early 20th century . This was influenced by the arrival of masses of Italian emigrants in the USA, which made  Enrico Caruso  popular and new songs in Italian dialects were created. These songs often resorted to operatic repertoire for satire or timing reasons. The songs spread through American  vaudevilles , musical comedies, jazz and operettas, such as Irving Berlin's That Opera Rag , Billy Murray's My Cousin Caruso  and Louis Armstrong's riffs on  Rigoletto  and Pagliacci . After the 1920s, the subgenre lost its importance, but experienced a revival in rock music , for example with  The Who  ( Tommy ) or  Queen  ( A Night at The Opera ) .

In 1986 the tenor  Luciano Pavarotti had a hit with  Lucio Dalla with the song  Caruso , which revived operatic pop. The song was also recorded by  Andrea Bocelli , Josh Groban  and Katherine Jenkins  . Bocelli soon became the flagship of the subgenre. In the new millennium, specialized singers and groups built on this success, including  Il Divo  and Amici Forever . By approaching pop music for opera singers, the three tenors were able to achieve above-average success.

Known representatives (selection)

supporting documents

  1. Larry Hamberlin: Tin Pan Opera: Operatic Novelty Songs in the Ragtime Era . Oxford University Press, Oxford 2013, ISBN 978-0-19-533892-8 , pp. 3 .
  2. a b c Melisanda Massei Autunnali: Caruso: Lucio Dalla e Sorrento, il rock ei tenori . Donzelli, Rome 2011, ISBN 88-6036-563-5 , p. 4-5, 137 .
  3. a b Caroline Baum: The king of popera. In: The Sydney Morning Herald. August 28, 2004, accessed March 29, 2018 .
  4. Marcel Danesi: The history of the kiss !: the birth of popular culture . Palgrave Macmillan, Basingstoke 2013, ISBN 1-137-37685-6 , pp. 111 .
  5. Helen M. Greenwald (Ed.): The Oxford Handbook of Opera . Oxford University Press, Oxford 2014, ISBN 978-0-19-533553-8 , pp. 674-675 .
  6. ^ Gary Graff: Bachstreet Boy: Classical singer carves niche for operatic pop . In: Reading Eagle . March 17, 2004, p. A10 ( google.com [accessed March 29, 2018]).
  7. John Shepherd (ed.): Continuum Encyclopedia of Popular Music of the World . Continuum, London 2005, ISBN 0-8264-7436-5 , pp. 233 .
  8. ^ Phil Gallo: Romeo's Escape: Vittorio Grigolo balances opera roles with blues, jazz and other new directions . In: Billboard . November 12, 2011, p. 59 ( google.com [accessed March 29, 2018]).
  9. James C. McKinley Jr .: Artsbeat: Il Divo Is Coming to Broadway. In: ArtsBeat: New York Times Blog. September 4, 2013, accessed March 29, 2018 .
  10. Sophie Inge: Italian popera trio among Euro Vision favorites. In: The Local. May 19, 2015. Retrieved March 29, 2018 .