Paolo Ferrarese
Paolo Ferrarese (also known as Don Paul Ferrariensis , Don Paul Ferraris , Don Paolo Ferrarese , Paolo da Ferrara and Paolo detto da Ferrara cited) was a in Ferrara -born Italian composer and poet , who in the second half of the 16th century in Venice worked . Don Paolo Ferrarese devoted himself to the art of polyphonic music and participated in one of the most typical forms of expression of the Italian Renaissance .
Life
Don Paolo is best known for having composed a number of polyphonic chants for Holy Week . This collection, published in 1565, represents one of the most complete collections of the Catholic liturgy of Holy Week . The reason for the publication of such a broad work is said to be the fact that with the conclusion of the Council of Trent , which took place in the years 1545–1563 , a new liturgy and new musical forms were introduced. Don Paolo's work represents one of the first implementations of this reform. The Council of Trent has had a major impact on music, especially Gregorian chant . Most of the sequences have been abolished; and any trace of secular music was also removed.
The 1565 publication includes 93 chants, including various passions , lamentations , responsoria , miserere, as well as other liturgical chants .
This work by Paolo Ferrarese was published on the special order of Don Benedetto Venetiano (or “Vinitiano”), procurator of the Benedictine congregation of the so-called Cassinesi monks of the monastery of San Giorgio in Venice . The work was printed in four volumes by Girolamo Scotto (Hieronymus Schotus) in Venice. Shortly after its publication, the work of Paolo Ferrarese could be found at the Frankfurt fair , which was sold by the largest Augsburg bookstore Georg Willer (1514–1593).
Other liturgical works were subsequently ascribed to Don Paolo. They are: Psalmi omnes qui ad vesperas , published in 1578; Responsoria hebdomadae sanctae (1592); Letanie della Madonna (1607).
Work and catalogs
- Passiones, lamentationes, Responsoria, Benedictus, Miserere, multaque alia devotissima cantica ad Offitium hebdomadae sanctae pertinentia , d. Pauli Ferrariensis, monachi divi Benedicti, Congregationis Cassinensis, Venetijs, apud Hieronymum Scotum, MCXV
- Responsoria hebdomadae sanctae D. Pauli Ferraris Monaci S. Benedicti. - D. Hieronimo Zino Bonon.s Congregationis S. Georgii alga Veneti canonico scribente 1592
- Mottetti, madrigali e canzoni a tre, quattro, cinque e sei voci di Costanzo Festa, Marchetto, Tromboncino, Paolo da Ferrara monaco di S. Benedetto; di Josquin, Jo. Mouton, Jachet, P. Molu, Sebast. Gallus, Claudin, Verdelot. - Ms. del secolo XVI in 8 ° obl. Il solo tenore.
Locations of the works
- Museo Internazionale e Biblioteca della Musica, Bologna, 310. [1]
- British Library, London, D. 83. [2]
Contents of the collection from 1565
- Voces Christi & Judeorum ad passionem Domini secundum Matthaeum
- Improperium expectavit cor meum
- Adoramus te Jesu Christe
- Father si non potest hic calix
- Turba in passione Domini secundum Marcum
- Et cum iam sero
- Adoramus te Jesu Christe
- Turba in passione Domini secundum Lucam
- Et ecce vir nomine Joseph
- Adoramus te Jesu Christe
- Incipit lamentatio Hieremiae Prophetae
- In monte Oliveti
- Hey Facti sunt hostes eius
- Tristis est anima mea
- Teth. Sondes eius impedibus eius
- Ecce vidimus eum non habentem speciem
- Amicus meus osculi
- Judas mercator pessimus
- Unus ex discipulis
- Eram quasi agnus innocens
- Una hora non potuistis
- Seniores populi consilium
- Benedictus Dominus Deus Israel
- Miserere mei Deus secundum
- Christ factus est pro nobis
- Dextera Domini fecit virtutem
- Adoramus te Christe
- Ave verum corpus
- Dominus Jesus postquam cenavit
- Pangue lingua gloriosi corporis
- Pangue lingua
- Sacris solemniis
- Cum autem venissem
- Ecce vidimus eum non habentem speciem
- Cum vero venissem
- Sepulto Domino
- Sepulto Domino
- Sepulto Domino
- Ubi caritas et amor
- Sequitur in lamentatione Hieremiae
- Omnes amici mei
- Hey Factus es Dominus
- Velum templi scissum
- Teth. Defixae sunt in terram
- Vinea mea electa
- Tamquam ad latronem
- Tenebrae factae sunt
- Animam meam dilectam
- Tradiderunt me in manus impiorum
- Jesus tradidit impius
- Caligaverunt oculi mei
- Benedictus Dominus Deus Israel
- Miserere mei Deus secundum
- Benedictus Dominus Deus Israel. 4. Toni
- Miserere mei Deus secundum
- Voces Christi et Judeorum in passione Domini secundum Joannem
- Stabat iuxta crucem
- Pange lingua gloriosi praelium
- Stabat mater
- Plangent eum
- Cum autem venissem
- Cum autem venissem
- Ave verum corpus
- Ave Domine Jesu Christe
- Ave Domine Jesu Christe
- Sequitur in lamentatione Hieremiae
- Sicut ovis ad occisionem
- Heth. Denigrata est super carbones
- Hierusalem luge & exue te
- Incipit oratio Hieremiae prophetae
- Incipit oratio Hieremiae prophetae
- Plan virtually virgo
- Recessit pastor noster
- O vos omnes qui transitis
- Ecce quomodo moritur
- Astiterunt reges terrae
- Estimatus sum cum descendentibus
- Sepulto Domino signatum est monumentum
- Benedictus Dominus Deus Israel
- Miserere mei Deus secundum
- Benedictus Dominus Deus Israel
- Miserere mei Deus secundum
- Incipit lamentatio Hieremiae prophetae
- Hey Facti sunt hosts
- Lamech. O vos omnes qui transitis
- Sequitur in lamentatione Hieremiae
- Hey Factus est Dominus
- Teth. Defixae sunt in terra portae eius
- Sequitur in lamentatione Hieremiae
- Zai. Candidores Nazarei
- Incipit oratio Hieremiae prophetae
- Christ natus est nobis. 6. Toni
- Christ natus est nobis. 4. Toni
See also
literature
- Richard J. Agee: The Privilege and Venetian Music Printing in the Sixteenth Century . Ph. D. diss., Princeton University, 1982.
- Richard J. Agee: The Venetian Privilege and Music-Printing in the Sixteenth Century. In: Early Music History , Volume 3, 1983, pp. 1-42.
- Jane A. Bernstein: Music Printing in Renaissance Venice: The Scotto Press (1539-1572) . Oxford University Press, 1998.
- Jane A. Bernstein: Print Culture and Music in Sixteenth-Century Venice . Oxford University Press, 2001.
- John Bettley: La Compositione lacrimosa: Musical Style and Text Selection in North-Italian Lamentations Settings in the Second Half of the Sixteenth Century. In: Journal of the Royal Musical Association , Vol. CXVIII, No. 2 (1993), pp. 167-202.
- David Kidger, Adrian Willaert, A Guide to Research , ed.Routledge, 2005.
- The New Groove Dictionary of Music and Musicians , Macmillan Publishers Limited, 2nd edition, 2001, Volume 8, pp. 711-712.
- Internationales Quellenlexikon der Musik / Répertoire international des sources musicales ; Manuscrits de musique polyphonique XVème-XVIème siècles - Italie [RISM], G. Henle Verlag, Munich, 1991, p. 74. [3]
Web links
- Richard J. Agee: Ferrarese, Paolo. In: Grove Music Online (English; subscription required).
Footnotes and Notes
- ^ Gaspari, Catalogo della Biblioteca del Liceo Musicale di Bologna: II, pp. 286-287
- ^ RISM A / I: P-0868
- ^ Gaspari, Catalogo della Biblioteca del Liceo Musicale di Bologna: II, p. 286.
- ^ Gaspari, Catalogo della Biblioteca del Liceo Musicale di Bologna: II, p. 342.
personal data | |
---|---|
SURNAME | Ferrarese, Paolo |
BRIEF DESCRIPTION | Italian composer |
DATE OF BIRTH | 16th Century |
PLACE OF BIRTH | Ferrara |
DATE OF DEATH | 17th century |