Pat Pattison (musician)

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Pat Pattison (* around 1900; † unknown) was an American jazz musician ( double bass , tuba ).

Live and act

Pattison played as tuba player in 1928 with Danny Altier and His Orchestra, the u. a. also Muggsy Spanier belonged; ("I'm sorry, Sally", Vocalion ). In 1931/32 he briefly replaced bassist Elmer Krebs in the Coon-Sanders Original Nighthawks Orchestra . In 1935 he was the bassist of Paul Mares ' Friars Society Orchestra, with whom he recorded for Merritt and Okeh Records (" Nagasaki ", " Maple Leaf Rag "). From the late 1930s he played with Muggsy Spanier and His Ragtime Band ("Someday Sweetheart", Bluebird ). Pattison's last recordings were made in Chicago in 1944/45 when he played with Bud Jacobson & His Hot Club Orchestra. In the field of jazz he was involved in seven recording sessions between 1928 and 1945. With Gideon Honoré , Jack Gorss and Tut Soper Pattison performed in 1945 at a memorial concert for Jimmie Noone in the Mandel Hall . He wrote the pop song There'll Come Another Day for Vera Lynn .

In contrast to the frequently used percussive playing of the double bass in the era of Chicago jazz , which George Brunies had imported from New Orleans in 1924 and which was used by Wellman Braud , Arnold Loyacano , Ed Garland and Chink Martin , bassists such as Jim Lanigan , Pat Pattison and Earl Murphy use string bass instead.

Web links

Individual evidence

  1. Also Johnny Carsella (tb), Maurice Bercov (cl), Danny Altier (as), Phil Robinson (ts), Jess Stacy (p), Ray Biondi (git), George Wettling (dr) and Frank Sylvano (vcl).
  2. a b Tom Lord : The Jazz Discography (online, accessed January 7, 2016)
  3. Wilbur "Eddie" Edwards replaced him in early 1932. See Fred W. Edmiston, The Coon-Sanders Nighthawks: "The Band That Made Radio Famous . " 2003, p. 323-
  4. With Muggsy Spanier (cnt), George Brunies (tb, vcl), Rod Cless (cl), Ray McKinstry (ts), George Zack (p), Bob Casey (git), Marty Greenberg (dr)
  5. ^ Peter Vacher: Swingin 'on Central Avenue: African American Jazz in Los Angeles . 2015, p. 41.
  6. Nat Hentoff , Albert J. McCarthy : Jazz; New Perspectives on the History of Jazz by Twelve of World's Foremost Jazz Critics and Scholars . 1974, page 160.