Peter Michael Lynen

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Peter Michael Lynen (born November 7, 1948 in Aachen ) is a German lawyer , lecturer at the Cologne University of Music and Dance and head of the Center for International Art Management (CIAM).

Life

Lynen studied law at the Universities of Mainz and Munich . In 1973 he passed the first and in 1976 the second state examination in law. At the University of Cologne he did his doctorate. iur. with a dissertation on "Broadcasting as a university task, legal questions of university broadcasting with special consideration of the legal situation in North Rhine-Westphalia" and later received an honorary doctorate as Dr. phil. at the Robert Schumann University of Applied Sciences in Düsseldorf .

From 1976 to 1982 Lynen worked at RWTH Aachen University , the University of Bonn and for the secretariat of the Conference of Ministers of Education in Bonn . He was then appointed Chancellor at the Düsseldorf Art Academy until 2008 , and from 1987 to 1990 he was also acting part-time as acting chancellor at the Robert Schumann University in Düsseldorf and in 1996 at the Folkwang University of the Arts in Essen. From 2005 Lynen received a part-time position as professor at the Cologne University of Music and Dance and from 2008 until his retirement in the summer semester 2014 a full-time position and took over the management of the Center for International Art Management located there.

Lynen has been a member of the North Rhine-Westphalian Academy of Sciences and the Arts and Secretary of the Arts Class and thus Vice President of the Academy since 2009 . Peter Lynen advises and works in various German and foreign institutions of science and art. His focus in research, teaching and further education is the law and management of art and science. Since June 2014 Lynen has been working as a lawyer specializing in art and science law at the Cologne law firm Dr. Mahmoudi & Partner Rechtsanwälte. In addition, he has held an honorary professorship in cultural management in Tianjin , China, since 2015 and in 2016 took over an interim chancellorship at the University of the Arts in Bremen .

Fonts

  • Art cannot be taught - or is it? . Mainz, 2012
  • Art Law 1: Basics of Art Law . Wiesbaden, 2013
  • Art Law 2: Main areas of art guarantee law . Wiesbaden, 2013
  • Art law 3: Focus on art business law . Wiesbaden 2013 (Art and Culture Management series at VS-Verlag)
  • Developments in university organization law and legal peculiarities of the "other" universities . In: “University Law - A Handbook for Practice”, (Ed. Hartmer / Detmer) 2nd edition, Heidelberg 2010
  • The law of art schools . In: Hailbronner / Geis (Ed.) Commentary on the University Framework Act, 18th delivery, August 1997

Lynen is (co-) editor of the series of publications by Nomos-Verlag on art and culture law, co-organizer of the Heidelberg Art Law Days, co-editor of the “Moyländer Discourses on Art and Science” and editor of the CIAM volumes. In addition, Lynen has published a number of lectures and essays:

  • The seven basic problems of public funding of art and culture, in: CIAM V, Culture as a State Task, Düsseldorf, 2016, pages 21–53.
  • Art, the concept of art and fuzziness - old questions and new tendencies , in: Plenum 5, NRW Academy of Sciences and Arts, Interdisciplinary Plenum fuzziness, Düsseldorf, 2016, pages 7-27.
  • Art market, law and compliance - design principles and limits , Hausmann (Ed.) Handbuch des Kunstmarkts, 2014
  • Art universities and the art market - functions and interactions , Hausmann (Ed.) Handbook of the Art Market, 2014
  • Review of Karoline Sophia Bülow, violations of personality rights through artistic works , DVBl 2014, p. 505 f.
  • The Düsseldorf Art Academy as a state institution and artist community - The history of the Düsseldorf Art Academy , 1st edition, Berlin 2014; Pp. 37-64.
  • Hans Peter Thurn as a member of the Düsseldorf Art Academy - The History of the Düsseldorf Art Academy , 1st edition, Berlin 2014; P. 98.
  • Foreword and introduction, in Forum 3 NRW Academy of Sciences and Arts, Strategies of Disinformation, Paderborn 2013, pp. 7-14.
  • Art cannot be taught - or is it? Reflections on a paradox / speech at the semester opening at the Kunsthochschule Mainz on April 16, 2012, Ingelheim 2012.
  • Three fundamental shortcomings of the book "The culture infarction: Of everything too much and the same everywhere"  at http://kupoge.wordpress.com.
  • Art law as a discipline - status, content, methods, developments , Geimer, Reinhold; Sagittarius. Rolf A. (Ed.): Law without Borders, Festschrift for Athanassios Kaissis on his 65th birthday, Munich, 2012. P. 587 ff.
  • The fee contract as an instrument in the human resources management of public and private cultural establishments - magic formula or wrong track? , Hausmann, A / Murzik, L. (Ed.): Success factor employees ?! Effective personnel management for cultural companies. Wiesbaden 2012.
  • Legal framework for rituals of art , Moyländer discourses on art and science, Volume 3, Rituals of Art, Oberhausen 2011.
  • From report to report. Sense and nonsense of reporting at art and music colleges , science management magazine for innovation, issue 3, 2011, pp. 16-19.
  • Typification of universities: teacher training colleges, art and music colleges, church universities, private universities , Hartmer, Michael; Detmer, Hubert: University Law. A handbook for practice, 2nd edition, Heidelberg 2011, pp. 74–112.
  • The award of the Dr. art. and Dr. mus. - A disservice to art and science , research and teaching 3/11 pp. 218–221.
  • Time for a new cultural policy? North Rhine-Westphalian Academy of Sciences and Arts, Lectures K 1, Paderborn 2010 and CIAM - III, 2008/09, Düsseldorf 2010 pp. 20–48.
  • Reduction of disputes through legislation using the example of the Art Academy Act NRW, Art in the Market - Art in Law, proceedings of the Third Heidelberg Art Law Day, Baden-Baden 2010.
  • Collecting right? Findings and examples , Paust, Bettina; Thurn, Hans Peter: Collection types.
  • Aspects of appropriation in art and culture. Moyländer Discourses on Art and Science , Volume 2, Oberhausen 2009, pp. 211–219.
  • Report on the Colloquium Appreciation in the Arts - Standards, Power to Define, Developments, Research in Cultural Management, Yearbook for Cultural Management 2009, Bielefeld 2009.
  • The new art college law NRW and its effects on art college management , Wissenschaftsrecht 2/2008, pp. 124–145 and in: CIAM - the second year 2006/2007, pp. 66–88.
  • The new art college law in North Rhine-Westphalia and its effects on art teacher training and the school constitution , Impulse - Art Didactics 3/2008, pp. 3–10.
  • The financing of the art academies , Berthold, Scholz, Seidler, Tag (Ed.) Handbook of Practice in Science Financing , loose-leaf collection, D 1.2 January 2008.
  • Art freedom and criticism of religion - a case study , Weller, Matthias: u. a. (Ed.): The artist's rights - the art of law, writings on art and cultural law, Volume 2, Baden-Baden 2008, p. 31 ff.
  • Free art à la Bolognese, The suitability of the Bachelor-Master system for courses in fine arts , politics and culture, magazine of the German Cultural Council, No. 01/07, pp. 16, 17.
  • The artist's ambivalent relationship to law. Using the example of Joseph Beuys , Paus, Bettina; Bilstein, Johannes; Lynen, Peter, M .; Thurn, Hans Peter: Building - Destroying, Phenomena and Processes of Art, Moyländer Discourses on Art and Science Volume 01, Oberhausen 2007, pp. 43–56.
  • The artist and the right to an example , inaugural lecture at the Cologne University of Music, November 9th. 2005, in a slightly modified version as Der Künstler und das Recht - for example Joseph Beuys, in: Markus Lüpertz (Ed.) Frau und Hund, Zeitschrift für kursives Denk, Issue 9, pp. 1310-1335, Düsseldorf 2006, and in: Moyländer Discourses on Art and Science, Volume 1, Building - Destroying, Phenomena and Processes of Art, Oberhausen 2007, pp. 43–56.
  • Art and labor law, The shell of law is the core of jurisprudence , CIAM - the second year 2006/2007, pp. 89-105.
  • Art Education (not only) in Germany Art Studies between Method and Fancy , Vilnius Academy of Fine Arts, Vilnius 2006.
  • Sponsorship in art , Morlok, Martin; Alemann, Ulrich von; Streif, Thilo (ed.): Sponsoring - a new ideal way of party financing ?, Baden-Baden 2006, pp. 31–39.
  • The art of making art possible , Center for International Art Management founded, Journal, University of Music Cologne, WS 2005/06, pp. 20–23.
  • Review of Dieter Leuze: Copyrights of employees in the public service and in universities , "Wissenschaftsrecht", 32nd vol., 1999, pp. 384–387 and the 2nd edition in WissR, 38th vol., 2005, p. 280, 281.
  • Broadcasting for everyone - participatory media participation through community radio, campus radio and open channel , Prütting (ed.): Problems of access to the media and telecommunication facilities as well as questions of access security, lecture event on May 9, 2003, series of publications by the Institute for Broadcasting Law at the University of Cologne, Volume 88, Munich 2004, pp. 49-74.
  • Cultural competence as a legal term? On cultural competence and cultural management, a presentation and a proposal on art management as a university discipline, contribution for the volume: K. Bering / J.Bilstein / HPThurn (eds.): Kultur-Kompetenz, Aspects of Theory - Problems of Practice, p. 190 –223, Oberhausen 2003.
  • Panel discussion at the 51st University Association Day 2001: How does the new come into the world? , March 2001, on the topic of Creativity and Innovation - Possibilities and Limits of State Control. On this topic also a contribution in the Festschrift for Dieter Leuze on his 70th birthday, Service at the University, ed. Klaus Anderbrügge, Volker Epping, Wolfgang Löwer, Berlin 2003, pp. 385–399.
  • Aptitude tests at art universities - a role model for scientific universities? Research & Teaching, 2002, No. 6, pp. 296–298.
  • Public administration in the postmodern era, with special consideration of university administration , scientific law in transition, memorial for Hartmut Krüger, edited by Peter Hanau, Dieter Leuze, Wolfgang Löwer, Hartmut Schiedermair, Berlin 2001, pp. 251-274. In digital form: Postmodern Public Administration, www.humboldt-forumrecht.de., University in Transition - From Bureaucratic Model to New Public Management, Feruni- Hagen.
  • Formation of an artistic personality , courses in fine arts, art and music colleges in Germany, published by the DAAD and the HRK, Bonn, 2001, pp. 156–163 (with English translation).
  • What legal status does the art college need? , Yearbook 3 of the Braunschweig University of Fine Arts, 1999, pp. 94–114.
  • Panel discussion on university access in Germany - Status Quo and Perspektiven , Symposium des CHE, Gütersloh 1996, pp. 109–111.
  • From artists and fire-eaters, right defines art - an absurdity? , Jahreshefte der Kunstakademie Düsseldorf, Vol. 4, Düsseldorf, 1992/94, pp. 301–316.
  • From 'Meisterschülern' and 'Diplom-Künstler' , annual books of the Düsseldorf Art Academy, vol. 3, Düsseldorf 1990/91, pp. 297–340.
  • The new basic order of the Düsseldorf Art Academy , annual books of the Düsseldorf Art Academy, Vol. 2, Düsseldorf 1989, pp. 295–307.
  • Stability and change, On the constitutional history of the Düsseldorf Art Academy , annual books of the Düsseldorf Art Academy, Vol. 1, Düsseldorf 1988, pp. 257–353.
  • Decision on costs for the allocation of university places in an express procedure , Wissenschaftsrecht, Vol. 11, 1978, pp. 51–62.

Web links

Individual evidence

  1. ↑ Newsletter 5/2014 of the Cologne University of Music ( Memento of the original from September 29, 2016 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. @1@ 2Template: Webachiv / IABot / www.hfmt-koeln.de
  2. ^ Center for International Art Management
  3. ↑ NRW Academy of Science and the Arts
  4. ↑ AWK: Lynen, Peter M. Retrieved September 17, 2017 .
  5. ^ Publications - Mahmoudi Lawyers. Retrieved September 17, 2017 (German).
personal data
SURNAME Lynen, Peter Michael
BRIEF DESCRIPTION German lawyer and university professor at the Cologne University of Music and Dance
DATE OF BIRTH November 7, 1948
PLACE OF BIRTH Aachen