Peter Rochelsberg

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Peter Rochelsberg (born May 23, 1881 in Cologne ; † in the 20th century ) was a German painter , set designer and film architect for German silent films in the 1920s.

Life

Born in Cologne, he worked as a theater painter after attending primary school. In 1918 Rochelsberg joined the film industry in Munich and, often alongside his colleague Otto Voelcker , produced a plethora of films, especially in the 1920s, multiple secondary productions by directors Carl Boese , Géza von Bolváry , Jaap Speyer and Manfred Noa , but also Paul Wegener's lavish production of Living Buddhas . Other, ambitious large-scale projects by Rochelsberg include Noa's praised Nathan the Wise adaptation and, immediately afterwards, the two-part Helena film by the same director in a Bavaria production .

Since 1927 Peter Rochelsberg also worked at the workshops for theater art. Towards the end of the silent film era, in 1929/30, Peter Rochelsberg also designed the decorations for a number of Heimatfilms by Franz Seitz seniors and Hanns Beck-Gadens . Shortly before that, Rochelsberg had been responsible for setting the scene for Karl Valentin's first full-length feature film , Der Sonderling . Rochelsberg was hardly able to get any more commissions for sound films, only one short film work from 1936 is documented. After that, his track is lost.

Filmography

  • 1920: The creepy Chinese
  • 1922: Marcco, the wrestler of the Mikado
  • 1922: Nathan the Wise (equipment only)
  • 1923: Helena , two parts
  • 1924: Reluctant impostor
  • 1924: slaves of love
  • 1925: The Royal Grenadiers
  • 1925: women who are not allowed to love
  • 1925: The love of the Bajadere
  • 1926: Miss Mama
  • 1926: The Princess of the Riviera
  • 1926: The German mother's heart
  • 1927: hotel rats
  • 1927: The Queen of Varietés
  • 1929: The eccentric
  • 1929: Wildschütz Jennerwein
  • 1930: The master carver of Oberammergau
  • 1930: The hunter of the crack
  • 1930: his last edelweiss
  • 1936: Music for two (short film)

Web links

Individual evidence

  1. according to the film archive Kay Less