Pierre-Charles Canot
Pierre-Charles Canot (* 1710 in Paris ; † 1777 in London ) was a French draftsman and engraver of the Rococo , which from 1740 in England worked and was known for its maritime representations, genre scenes and landscapes.
Life
Pierre-Charles Canot was born in Paris in 1710, according to another source near Paris in 1712. He was the older brother of the draftsman and decorator Philippe Canot . Pierre-Charles Canot completed an apprenticeship as a copper engraver in Paris and moved to London in 1740 , where he ran a workshop at 115 Fleet Street in the Strand. In 1770 he became a member of the Royal Academy of Arts . In 1777 he died in Kentish Town , now part of London.
Pierre-Charles Canot works after 17th century Dutch masters and contemporary artists. The painting Pyramus and Thisbe by Leonaert Bramer is only preserved in the illustration Canots. Pierre-Charles Canot is considered one of the outstanding engravers in England in the 18th century. According to Charles Blanc , Canots' legacy includes more than 175 engravings. Christopher Norton (1738–1799) was Canot's pupil from 1755.
Works
- A light breeze , according to Ludolf Bakhuizen .
- A fresh breeze , according to Willem van de Velde the Younger .
- Rest , after Willem van de Velde.
- Sturm , after Willem van de Velde.
- Return from the market , after Pieter van Laer .
- The drinker in love , after David Teniers the younger .
- The Dutch smokers , according to Teniers.
- Noon , according to Jean-Baptiste Pillement .
- Autumn , according to Pillement.
- The winter , according to Pillement.
- A village festival , according to Adriaen van Ostade .
- Pyramus and Thisbe , after a lost painting by Leonaert Bramer
- The storm , after Simon de Vlieger .
- Italian landscape , after Gaspard Poussin .
- Landscape , after Claude Lorrain .
- Sunrise over a harbor , according to Claude Lorrain.
- Two landscapes , after Philipp Peter Roos .
- Views of Westminster Bridge and London Bridge , after Samuel Scott.
- Seven Views of the Fox Hunt , after John Wootton.
- The Battle of Cesme , four sheets, 1770
- The Views of the Shipyards of the King of England , six sheets
literature
- Pierre-Charles Canot. In: Michael Huber: Handbook for art lovers and collectors about the most distinguished engravers and their works , Volume 9, Zurich, Orell, Geßner, Füßli, 1808, p. 162.
- Pierre-Charles Canot. In: Andreas Andresen: Handbuch für Kupferstichsammler or Lexicon der Kupferstecher, Maler-Radirer and Formschneider of all countries and schools according to their most valued sheets and works , Volume 1, Weigel, 1870, p. 226.
- David Joël: Charles Brooking 1723–1759: and the 18th century British marine painters , Antique Collectors' Club, 200, p. 68
Web links
Individual evidence
- ^ David Joël: Charles Brooking 1723-1759: and the 18th century British marine painters, Antique Collectors' Club, 2000, p. 68.
- ^ Artibus Et Historiae, Volume 25, Issue 49, IRSA, 2004, p. 85.
- ↑ Pierre-Charles Canot. In: Michael Huber: Handbook for art lovers and collectors about the most distinguished engravers and their works , Volume 9, Zurich, Orell, Geßner, Füßli, 1808, p. 162.
- ↑ Franz Schmitt-von Mühlenfels: Pyramus and Thisbe: Types of reception of an Ovid material in literature, art and music, Winter, 1972, p. 102.
personal data | |
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SURNAME | Canot, Pierre-Charles |
ALTERNATIVE NAMES | Canot, Pierre Charles; Canot, Peter Charles |
BRIEF DESCRIPTION | French draftsman and engraver |
DATE OF BIRTH | 1710 |
PLACE OF BIRTH | Paris |
DATE OF DEATH | 1777 |
Place of death | London |