Stefan Ripplinger

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Stefan Ripplinger (born 1962 in St. Ingbert , Saarland ) is a German journalist and film critic .

Life

Stefan Ripplinger studied comparative literature and linguistics in West Berlin . He worked for the daily newspaper Junge Welt and was a co-founder of the weekly newspaper Jungle World . From 2000 to 2007 he worked for Uwe Nettelbeck . He writes regularly for the magazine concrete , the daily newspaper Neues Deutschland , the Saarbrücker Hefte and the copybook .

Fonts (selection)

  • Mallarmé's crowd. Berlin: Matthes & Seitz, 2019, ISBN 978-3-95757-631-6
  • Communist art and other contributions to aesthetics. Hamburg: concrete texts, 2019, ISBN 978-3-930786-86-2
  • Art in vain . Berlin: Matthes & Seitz, 2016
  • Jacques Decour : Philistine Castle. Translated from French and with a foreword by Stefan Ripplinger. Berlin: The Other Library, 2014, ISBN 978-3-8477-3005-7 .
  • Mary Pickford's Locks: An Study on Attachment . Berlin: Verbrecher-Verl., 2014
  • Image doubt . Hamburg: Textem-Verlag, 2011
  • with Henrik Ghanaat: Bibliography Uwe Nettelbeck . Maransin: Verl. Die Republik, 2008
  • I can see now: blindness in the cinema . Berlin: Verbrecher-Verl., 2008
  • Also: essays on literature . Basel, Weil: Engeler, 2006

Notes and individual evidence

  1. https://www.neues-deutschland.de/artikel/1140145.gehoer-fuer-gemeinheit.html
  2. According to author information on Communist Art and other contributions to aesthetics (2019).

Web links