Sue Evans

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Susan "Sue" Evans (born July 7, 1951 in New York City ) is an American jazz drummer and percussionist.

Live and act

Evans, whose father was a music teacher, took piano lessons as a child before turning to drumming at the age of eleven . She studied with Warren Smith at the Third Street Drum School and then (until 1969) at the High School of Music and Art . From 1969 to 1973 she worked in Judy Collins ' band , then in Steve Kuhn's quartet . She is a regular member of the New York Pops Orchestra . She also works with other symphony orchestras such as B. the New York Philharmonic , the Brooklyn Philharmonic and New Jersey Symphony Orchestra .

She has also recorded with the Jazz Composer's Orchestra and with James Brown , Roswell Rudd , Billy Cobham , Suzanne Vega , Blood, Sweat & Tears , George Benson and Tony Bennett . From the late 1960s she was drawn to Gil Evans (to whom she is not related) and played with him numerous albums as a drummer (such as Svengali 1973, The Gil Evans Orchestra Plays the Music of Jimi Hendrix 1974 or There Comes a Time 1975) or Percussionist a. She has also worked with jazz musicians such as Art Farmer , Bobby Jones , Sadao Watanabe , Hubert Laws , Randy Brecker , David Sanborn and Terence Blanchard . She can also be heard on recordings by Morgana King , Suzanne Vega and Philip Glass .

Awards

Evans received the National Academy of Recording Arts and Sciences Most Valuable Award for mallets and timpani in 1984 . She won the same prize for Latin percussion and congas in 1987 and 1989.

literature

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