Troubled daughters

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Movie
Original title Troubled daughters
Country of production Germany
Switzerland
original language German
Publishing year 1968
length 78, 89 minutes
Age rating FSK 18
Rod
Director Hansjörg Amon
script Wolfgang Steinhardt
production Erwin C. Dietrich
music Walter Baumgartner
camera Peter Baumgartner
cut Erika Patrick
occupation

Restless Daughters is an erotic and sexploitation film made in 1967 . The film was based on a magazine novel by Ilse Collignon .

action

Susanne, known as "Sue", is a student who is about to graduate from high school and appears as perky as it is sexually challenging. With her brisk coupé and tight clothing, the 18-year-old, well-funded by her parents, drives up to school every morning, prances into the classroom and wears a button with the provocative words "J'aimes des hommes" on her top. Your helpless teacher is shocked by this all too aggressive "invitation to dance" and asks Sue to remove the button immediately. Especially now, thinks the girl, and continues to provoke the teacher by putting on a lolita-like expression of innocence and claiming that this statement is quite normal for a young girl of her generation. Most of Sue's classmates admire Sue for her boldness, other classmates are irritated. In contrast to the helpless colleague, Sue's Latin teacher doesn't let himself be challenged, stays cool and engages in topics that really interest the young people, such as explaining the meaning and purpose of the birth control pill. Because of this attitude, the school principal considers his colleague to be too soft and too liberal and sees the morale of his students as endangered. Sue, on the other hand, has her own method of influencing things in her own way. She offers her Latin drummer to drive him home with her speedster after class. He goes into it without knowing what he is going to get into.

For Sue, her drummer is only a means to an end and, by the way, a completely normal man who would be worth seducing, and so Sue does everything to break the resistance of the married man with her sensual charms. She wants him to be her new part-time lover, and the Latin teacher is only too happy to be dazzled by the affluent bourgeois daughter's environment. While his wife is waiting at home, Sue lets him behind the wheel of her motorboat and roams with him through the nightly Bern before she puts him on the floor with him in a hip dance hall to beat rhythms. Sue's teacher soon becomes a slave to her and has had enough of his boring petty bourgeois existence. He falls in love with his student and plans a future together. But Sue is a cold bitch; her timpani only served to satisfy her longing for games. After a while she only gives the teacher the cold shoulder, he has had its day as a conquest and is no longer of interest. Instead, she goes to bed with a young photographer who has taken nude photos of her. Sue hopes to gain access to a director through him and thus into the film business. This director, a man of advanced age, has a great interest in very young women, and so Sue lets her charms play out again. But even it shouldn't be more than a stopover on their career path to the top. Her real goal is: Hollywood.

Production notes

Restless Daughters premiered on January 18, 1968.

Reviews

The following can be read in Films 1965–70: “Cynical colportage, which should be understood as a state of the art of modern youth. Untruthful from long stretches. - We advise against it. "

In the lexicon of the international film it says: "With cool visual artistic ambition and the usual accusatory tone (" model-free modern youth ") staged colportage based on a magazine novel which unabashedly portrays success and enjoyment as the only thing worth striving for."

The Protestant film observer comes to a similar assessment: “95 minutes of primary puberty in pleasant colors and prepared in the manner of a magazine. The dichotomy between the paper-based morality of the dialogue and the fairly generously presented immorality of the main characters directs the film more strongly than the sometimes primitive representation. Superfluous."

Individual evidence

  1. ^ Films 1965/70. Handbook VIII of the Catholic film criticism. Volume 1. Cologne 1971, p. 323
  2. ↑ Troubled Daughters. In: Lexicon of International Films . Film service , accessed December 31, 2015 .Template: LdiF / Maintenance / Access used 
  3. ↑ Evangelischer Presseverband München, Review No. 76/1968

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