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{{Infobox film
{{Infobox film
| name = Starting Out in the Evening
| name = Starting Out in the Evening
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| caption = Original poster
| caption = Original poster
| director = [[Andrew Wagner]]
| director = [[Andrew Wagner]]
| producer = Jake Abraham<br>Nancy Israel<br>Fred Parnes<br>Andrew Wagner<br>Gary Winick
| producer = Jake Abraham<br>Nancy Israel<br>Fred Parnes<br>Andrew Wagner<br>[[Gary Winick]]
| writer = Fred Parnes<br>Andrew Wagner<br>[[Brian Morton (American author)|Brian Morton]] (novel)
| writer = Fred Parnes<br>Andrew Wagner<br>[[Brian Morton (American author)|Brian Morton]] (novel)
| starring = [[Frank Langella]]<br>[[Lauren Ambrose]]<br>[[Lili Taylor]]<br>[[Adrian Lester]]
| starring = [[Frank Langella]]<br>[[Lauren Ambrose]]<br>[[Lili Taylor]]<br>[[Adrian Lester]]
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}}
}}


'''''Starting Out in the Evening''''' is a 2007 American [[drama film]] directed by [[Andrew Wagner]]. The screenplay by Wagner and Fred Parnes is based on the novel of the same name by [[Brian Morton (American author)|Brian Morton]].
'''''Starting Out in the Evening''''' is a 2007 American [[Drama (film and television)|drama film]] directed by [[Andrew Wagner]]. The screenplay by Wagner and Fred Parnes is based on the novel of the same name by [[Brian Morton (American author)|Brian Morton]].


==Plot==
==Plot==
Now aging and ailing, the one-time celebrated author Leonard Schiller has been forgotten by his readers, literary colleagues, and critics during the decade he has struggled to complete what he knows will be his final novel. When the brash, ambitious [[Brown University]] graduate student Heather Wolfe approaches him with a request for access to his thoughts and recollections for the [[Dissertation|Master's thesis]] she hopes will reintroduce the public to his work, he initially refuses to cooperate. But the young woman is relentless, and he finally agrees to weekly meetings in which he slowly begins to open up to her as he reluctantly recalls his past.
Now aging and ailing, the one-time celebrated author Leonard Schiller has been forgotten by his readers, literary colleagues, and critics during the decade he has struggled to complete what he knows will be his final novel. When the brash, ambitious [[Brown University]] graduate student Heather Wolfe approaches him with a request for access to his thoughts and recollections for the [[Dissertation|Master's thesis]] she hopes will reintroduce the public to his work, he initially refuses to cooperate. But the young woman is relentless, and he finally agrees to weekly meetings in which he slowly begins to open up to her as he reluctantly recalls his past.


Slightly suspicious of Heather's motives is Leonard's daughter Ariel, a former professional dancer who supports herself by teaching [[yoga]] and [[Pilates]]. Rapidly approaching forty, Ariel has stopped using birth control with her boyfriend Victor without telling him about her determination to have a baby. When he learns about her plan, she ends their relationship, coincidentally at the same time Ariel's former lover Casey Davis returns to [[New York City]] after a five-year absence. He and Ariel had reached an impasse in their relationship because of his refusal to have a child, and as they begin to see each other again, he is quick to let her know his position hasn't changed.
Slightly suspicious of Heather's motives is Leonard's daughter Ariel, a former professional dancer who supports herself by teaching [[yoga]] and [[Pilates]]. Rapidly approaching forty, Ariel has stopped using birth control with her boyfriend Victor without telling him about her determination to have a baby. When he learns about her plan, she ends their relationship; at the same time, Ariel's former lover Casey Davis returns to [[New York City]] after a five-year absence. He and Ariel had reached an impasse in their relationship because of his refusal to have a child, and as they begin to see each other again, he is quick to let her know his position hasn't changed.


The film focuses on these four individuals and their evolution as they are thrust out of their [[comfort zone]]s and into arenas that force them to examine their lives and decide how much they are willing to compromise and sacrifice their own desires in order to accommodate the demands of others.
The film focuses on these four individuals and their evolution as they are thrust out of their [[comfort zone]]s and into arenas that force them to examine their lives and decide how much they are willing to compromise and sacrifice their own desires in order to accommodate the demands of others.
Line 38: Line 39:


==Production==
==Production==
''Starting Out in the Evening'' was shot on location on the [[Upper West Side]] of [[Manhattan]] in eighteen days.<ref name=Variety>[http://www.variety.com/index.asp?layout=festivals&jump=review&id=2471&reviewid=VE1117932548&cs=1&p=0 ''Variety'' review]</ref>
''Starting Out in the Evening'' was shot on location on the [[Upper West Side]] of [[Manhattan]] in eighteen days.<ref name=":0">{{Cite web|last=Foundas|first=Scott|date=2007-01-24|title=Starting Out in the Evening|url=https://variety.com/2007/film/markets-festivals/starting-out-in-the-evening-2-1200510916/|archive-url=|archive-date=|access-date=2020-07-05|website=Variety|language=en}}</ref>


It premiered at the [[Sundance Film Festival]] and was shown at the [[Toronto International Film Festival]], the [[Edmonton International Film Festival]], the [[Mill Valley Film Festival]], the [[Austin Film Festival]], the [[Hamptons International Film Festival]], the [[Virginia Film Festival]], and the [[Denver Film Festival]] before opening on seven screens in the US on November 23, 2007. It grossed $76,214 on its opening weekend and eventually earned $898,786 in the U.S.<ref>{{cite web|url=http://www.boxofficemojo.com/movies/?id=startingoutintheevening.htm|title=Starting Out in the Evening (2007) – Box Office Mojo|website=www.boxofficemojo.com}}</ref>
It premiered at the [[Sundance Film Festival]] and was shown at the [[Toronto International Film Festival]], the [[Edmonton International Film Festival]], the [[Mill Valley Film Festival]], the [[Austin Film Festival]], the [[Hamptons International Film Festival]], the [[Virginia Film Festival]], and the [[Denver Film Festival]] before opening on seven screens in the US on November 23, 2007. It grossed $76,214 on its opening weekend and eventually earned $898,786 in the U.S.<ref>{{cite web|url=https://www.boxofficemojo.com/movies/?id=startingoutintheevening.htm|title=Starting Out in the Evening (2007) – Box Office Mojo|website=www.boxofficemojo.com}}</ref>


==Critical reception==
==Critical reception==
[[Rotten Tomatoes]] reported 86% of critics gave the film positive reviews, based on 92 reviews,<ref>{{cite web|url=http://www.rottentomatoes.com/m/starting_out_in_the_evening/|title=Starting Out in the Evening|publisher=}}</ref> while [[Metacritic]] reported the film had an average score of 78 out of 100, based on 33 reviews.<ref>{{cite web|url=http://www.metacritic.com/film/titles/startingoutintheevening|title=Starting Out in the Evening|publisher=}}</ref>
[[Rotten Tomatoes]] reported 86% of critics gave the film positive reviews, based on 92 reviews,<ref>{{Cite web|last=|first=|date=|title=Starting Out in the Evening|url=https://www.rottentomatoes.com/m/starting_out_in_the_evening/|archive-url=|archive-date=|access-date=2020-07-05|website=Rotten Tomatoes}}</ref> while [[Metacritic]] reported the film had an average score of 78 out of 100, based on 33 reviews.<ref>{{cite web|last=|first=|date=|title=Starting Out in the Evening|url=https://www.metacritic.com/film/titles/startingoutintheevening|archive-url=|archive-date=|access-date=2020-07-05|website=Metacritic.com|publisher=}}</ref>


[[A.O. Scott]] of ''[[The New York Times]]'' observed, "Even though it is less populous than Mr. Morton’s novel . . . the adaptation . . . rarely feels unduly claustrophobic or rarefied. Allusions and incidents that evoked the milieu of Leonard’s younger days, and the texture of his mind, have been pruned away. But in their place is the marvelous fact of Mr. Langella, who carries every nuance of Leonard’s experience — including his prodigious, obsessive reading — in his posture and his pores . . . And what is so remarkable about [him] is that he seems to hold Leonard’s intellectual cosmos inside him, to make it implicit in the man’s every gesture and pause."<ref>{{cite web|url=https://www.nytimes.com/2007/11/23/movies/23even.html|title=Starting Out in the Evening – Film – Review|first=A. O.|last=Scott|publisher=}}</ref>
[[A.O. Scott]] of ''[[The New York Times]]'' observed, "Even though it is less populous than Mr. Morton’s novel . . . the adaptation . . . rarely feels unduly claustrophobic or rarefied. Allusions and incidents that evoked the milieu of Leonard’s younger days, and the texture of his mind, have been pruned away. But in their place is the marvelous fact of Mr. Langella, who carries every nuance of Leonard’s experience — including his prodigious, obsessive reading — in his posture and his pores . . . And what is so remarkable about [him] is that he seems to hold Leonard’s intellectual cosmos inside him, to make it implicit in the man’s every gesture and pause."<ref>{{Cite news|last=Scott|first=A. O.|date=2007-11-23|title=A Scholarly May and a Literary December Meet in a New York Autumn|language=en-US|work=The New York Times|url=https://www.nytimes.com/2007/11/23/movies/23even.html|access-date=2020-07-05|issn=0362-4331}}</ref>


[[Roger Ebert]] of the ''[[Chicago Sun-Times]]'' rated the film four out of four stars and commented, "The movie is carefully modulated to draw us deeper and deeper into the situation, and uses no contrived plot devices to superimpose plot jolts on what is, after all, a story involving four civilized people who are only trying, each in a different way, to find happiness."<ref>{{cite web|url=http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20071213/REVIEWS/712130306/1023|title=Starting Out in the Evening Movie Review (2007) – Roger Ebert|first=Roger|last=Ebert|website=rogerebert.suntimes.com}}</ref>
[[Roger Ebert]] of the ''[[Chicago Sun-Times]]'' rated the film four out of four stars and commented, "The movie is carefully modulated to draw us deeper and deeper into the situation, and uses no contrived plot devices to superimpose plot jolts on what is, after all, a story involving four civilized people who are only trying, each in a different way, to find happiness."<ref>{{cite web|last=Ebert|first=Roger|date=2007-12-13|title=Starting Out in the Evening Movie Review (2007) – Roger Ebert|url=https://www.rogerebert.com/reviews/starting-out-in-the-evening-2007|archive-url=|archive-date=|access-date=2020-07-05|website=rogerebert.com}}</ref>


[[Mick LaSalle]] of the ''[[San Francisco Chronicle]]'' said the original novel's appeal was in "the simple but elegant prose and in the way Morton lets us see into the thought processes of his characters. Neither of those elements translates into a visual medium, and so anyone adapting this novel was sure to face a challenge. Unfortunately, director and co-writer Andrew Wagner compounds the difficulty by wallowing in the story's bleakness and settling for sentimental gestures from his actors. Frank Langella is the single big exception on the acting score . . . ''Starting Out in the Evening'' has the feeling of a film in which the actors, left to direct themselves, played into their own self-indulgent instincts, and the only one who resisted was the old pro who knew better."<ref>{{cite web|url=http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2007/12/14/DDMSTSTGE.DTL|title=Review: Young woman wants to revive aging writer's career|publisher=}}</ref>
[[Mick LaSalle]] of the ''[[San Francisco Chronicle]]'' said the original novel's appeal was in "the simple but elegant prose and in the way Morton lets us see into the thought processes of his characters. Neither of those elements translates into a visual medium, and so anyone adapting this novel was sure to face a challenge. Unfortunately, director and co-writer Andrew Wagner compounds the difficulty by wallowing in the story's bleakness and settling for sentimental gestures from his actors. Frank Langella is the single big exception on the acting score . . . ''Starting Out in the Evening'' has the feeling of a film in which the actors, left to direct themselves, played into their own self-indulgent instincts, and the only one who resisted was the old pro who knew better."<ref>{{cite web|last=LaSalle|first=Mick|date=2007-12-14|title=Review: Young woman wants to revive aging writer's career|url=http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2007/12/14/DDMSTSTGE.DTL|archive-url=|archive-date=|access-date=2020-07-05|website=SFGATE|publisher=}}</ref>


[[Peter Travers]] of ''[[Rolling Stone]]'' called the film "remarkable" and said "Langella delivers a master class in acting [with a] deeply felt portrait of a lion in winter."<ref>{{cite web|url=https://www.rollingstone.com/movies/reviews/starting-out-in-the-evening-20071115|title=Starting Out in the Evening|publisher=}}</ref>
[[Peter Travers]] of ''[[Rolling Stone]]'' called the film "remarkable" and said "Langella delivers a master class in acting [with a] deeply felt portrait of a lion in winter."<ref>{{Cite magazine|last=Travers|first=Peter|date=2007-11-15|title=Starting Out in the Evening|url=https://www.rollingstone.com/movies/movie-reviews/starting-out-in-the-evening-104922/|access-date=2020-07-05|magazine=Rolling Stone|language=en-US}}</ref>


Meghan Keane of ''[[The New York Sun]]'' stated, "The glowing accolades that the filmmakers attempt to bestow on the novelist Brian Morton ultimately result in an undercooked product . . . [T]he film is unable to re-create the delicate balance of emotions that Mr. Morton created in his book of the same name. The deference to [his] work is clear throughout the picture, but the interactions between the characters often fail to realize the soft sentiment that his novel achieved."<ref>{{cite web|url=http://www.nysun.com/arts/building-a-hero-to-tear-him-down/66914/|title=Building a Hero To Tear Him Down – The New York Sun|website=www.nysun.com}}</ref>
Meghan Keane of ''[[The New York Sun]]'' stated, "The glowing accolades that the filmmakers attempt to bestow on the novelist Brian Morton ultimately result in an undercooked product . . . [T]he film is unable to re-create the delicate balance of emotions that Mr. Morton created in his book of the same name. The deference to [his] work is clear throughout the picture, but the interactions between the characters often fail to realize the soft sentiment that his novel achieved."<ref>{{Cite web|last=Keane|first=Meghan|date=2007-11-23|title=Building a Hero To Tear Him Down|url=https://www.nysun.com/arts/building-a-hero-to-tear-him-down/66914/|archive-url=|archive-date=|access-date=2020-07-05|website=The New York Sun}}</ref>


Scott Foundas of ''[[Variety (magazine)|Variety]]'' called the film "a wise, carefully observed chamber drama," a "small yet deeply resonant pic," and "a sophomore film of unusual maturity and confidence – the work of a filmmaker with a sure grasp of his characters."<ref name="Variety" />
Scott Foundas of ''[[Variety (magazine)|Variety]]'' called the film "a wise, carefully observed chamber drama," a "small yet deeply resonant pic," and "a sophomore film of unusual maturity and confidence – the work of a filmmaker with a sure grasp of his characters."<ref name=":0" />


Critics for ''[[The Washington Post]]'', the ''New York Times'', and the ''[[Baltimore Sun]]'' cited the film as one of the ten best of the year.
Critics for ''[[The Washington Post]]'', the ''New York Times'', and the ''[[Baltimore Sun]]'' cited the film as one of the ten best of the year.


==Awards and nominations==
==Awards and nominations==
Frank Langella won the [[Boston Society of Film Critics Award for Best Actor]] and was nominated for the [[Los Angeles Film Critics Association Award for Best Actor]], the [[Chicago Film Critics Association Awards 2007|Chicago Film Critics Association Award for Best Actor]], the [[Independent Spirit Award for Best Male Lead]], and the [[Satellite Award for Best Actor - Motion Picture Drama]].
Frank Langella won the [[Boston Society of Film Critics Award for Best Actor]]<ref>{{Cite news |last=Morris |first=Wesley |date=2007-12-10 |title='No Country,' 'Diving Bell' are favorites of Boston film critics |work=Boston.com |url=http://archive.boston.com/ae/movies/articles/2007/12/10/no_country_diving_bell_are_favorites_of_boston_film_critics/ |access-date=2023-01-16}}</ref> and was nominated for the [[Los Angeles Film Critics Association Award for Best Actor]],<ref>{{Cite web |title=33rd Annual Los Angeles Film Critics Association Awards |url=http://www.lafca.net/years/2007.html |url-status=dead |archive-url=https://web.archive.org/web/20120219053821/http://www.lafca.net/years/2007.html |archive-date=2012-02-19 |access-date=2023-01-16 |website=Los Angeles Film Critics Association}}</ref> the [[Chicago Film Critics Association Awards 2007|Chicago Film Critics Association Award for Best Actor]],<ref>{{Cite web |title=2007 - Winners of the 20th Annual Chicago Film Critics Awards |url=http://www.chicagofilmcritics.org/index.php?option=com_content&view=article&id=48&Itemid=58 |url-status=dead |archive-url=https://web.archive.org/web/20120515203059/http://www.chicagofilmcritics.org/index.php?option=com_content&view=article&id=48&Itemid=58 |archive-date=2012-05-15 |access-date=2023-01-16 |website=Chicago Film Critics}}</ref> the [[Independent Spirit Award for Best Male Lead]],<ref name=":1">{{Cite web |date=2007-11-27 |title=Independent Spirit Awards Nominees Announced |url=https://www.firstshowing.net/2007/independent-spirit-awards-nominees-announced/ |access-date=2023-01-16 |website=FirstShowing.net |language=en-US}}</ref> and the [[Satellite Award for Best Actor - Motion Picture Drama]].<ref>{{Cite web |title=2007 {{!}} Categories |url=https://www.pressacademy.com/award_cat/2007/ |access-date=2023-01-16 |website=International Press Academy |language=en-US}}</ref>


Andrew Wagner and Fred Parnes were nominated for the [[Independent Spirit Award for Best Screenplay]].
Andrew Wagner and Fred Parnes were nominated for the [[Independent Spirit Award for Best Screenplay]].<ref name=":1" />


==References==
==References==
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==External links==
==External links==
*{{imdb title|id=0758784|title=Starting Out in the Evening}}
*{{IMDb title|id=0758784|title=Starting Out in the Evening}}
*{{Amg movie|382520|Starting Out in the Evening}}
*{{Amg movie|382520|Starting Out in the Evening}}


[[Category:2007 films]]
[[Category:2007 films]]
[[Category:American films]]
[[Category:2007 drama films]]
[[Category:2000s drama films]]
[[Category:2007 independent films]]
[[Category:Films based on American novels]]
[[Category:Films based on American novels]]
[[Category:Films about writers]]
[[Category:Films about writers]]
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[[Category:Works by Brian Morton]]
[[Category:Works by Brian Morton]]
[[Category:Roadside Attractions films]]
[[Category:Roadside Attractions films]]
[[Category:2000s English-language films]]
[[Category:American drama films]]
[[Category:2000s American films]]

Latest revision as of 06:25, 27 February 2024

Starting Out in the Evening
Original poster
Directed byAndrew Wagner
Written byFred Parnes
Andrew Wagner
Brian Morton (novel)
Produced byJake Abraham
Nancy Israel
Fred Parnes
Andrew Wagner
Gary Winick
StarringFrank Langella
Lauren Ambrose
Lili Taylor
Adrian Lester
CinematographyHarlan Bosmajian
Edited byGena Bleier
Music byAdam Gorgoni
Distributed byRoadside Attractions
Release date
  • November 23, 2007 (2007-11-23)
Running time
111 minutes
CountryUnited States
LanguageEnglish
Box office$898,786

Starting Out in the Evening is a 2007 American drama film directed by Andrew Wagner. The screenplay by Wagner and Fred Parnes is based on the novel of the same name by Brian Morton.

Plot[edit]

Now aging and ailing, the one-time celebrated author Leonard Schiller has been forgotten by his readers, literary colleagues, and critics during the decade he has struggled to complete what he knows will be his final novel. When the brash, ambitious Brown University graduate student Heather Wolfe approaches him with a request for access to his thoughts and recollections for the Master's thesis she hopes will reintroduce the public to his work, he initially refuses to cooperate. But the young woman is relentless, and he finally agrees to weekly meetings in which he slowly begins to open up to her as he reluctantly recalls his past.

Slightly suspicious of Heather's motives is Leonard's daughter Ariel, a former professional dancer who supports herself by teaching yoga and Pilates. Rapidly approaching forty, Ariel has stopped using birth control with her boyfriend Victor without telling him about her determination to have a baby. When he learns about her plan, she ends their relationship; at the same time, Ariel's former lover Casey Davis returns to New York City after a five-year absence. He and Ariel had reached an impasse in their relationship because of his refusal to have a child, and as they begin to see each other again, he is quick to let her know his position hasn't changed.

The film focuses on these four individuals and their evolution as they are thrust out of their comfort zones and into arenas that force them to examine their lives and decide how much they are willing to compromise and sacrifice their own desires in order to accommodate the demands of others.

Cast[edit]

Production[edit]

Starting Out in the Evening was shot on location on the Upper West Side of Manhattan in eighteen days.[1]

It premiered at the Sundance Film Festival and was shown at the Toronto International Film Festival, the Edmonton International Film Festival, the Mill Valley Film Festival, the Austin Film Festival, the Hamptons International Film Festival, the Virginia Film Festival, and the Denver Film Festival before opening on seven screens in the US on November 23, 2007. It grossed $76,214 on its opening weekend and eventually earned $898,786 in the U.S.[2]

Critical reception[edit]

Rotten Tomatoes reported 86% of critics gave the film positive reviews, based on 92 reviews,[3] while Metacritic reported the film had an average score of 78 out of 100, based on 33 reviews.[4]

A.O. Scott of The New York Times observed, "Even though it is less populous than Mr. Morton’s novel . . . the adaptation . . . rarely feels unduly claustrophobic or rarefied. Allusions and incidents that evoked the milieu of Leonard’s younger days, and the texture of his mind, have been pruned away. But in their place is the marvelous fact of Mr. Langella, who carries every nuance of Leonard’s experience — including his prodigious, obsessive reading — in his posture and his pores . . . And what is so remarkable about [him] is that he seems to hold Leonard’s intellectual cosmos inside him, to make it implicit in the man’s every gesture and pause."[5]

Roger Ebert of the Chicago Sun-Times rated the film four out of four stars and commented, "The movie is carefully modulated to draw us deeper and deeper into the situation, and uses no contrived plot devices to superimpose plot jolts on what is, after all, a story involving four civilized people who are only trying, each in a different way, to find happiness."[6]

Mick LaSalle of the San Francisco Chronicle said the original novel's appeal was in "the simple but elegant prose and in the way Morton lets us see into the thought processes of his characters. Neither of those elements translates into a visual medium, and so anyone adapting this novel was sure to face a challenge. Unfortunately, director and co-writer Andrew Wagner compounds the difficulty by wallowing in the story's bleakness and settling for sentimental gestures from his actors. Frank Langella is the single big exception on the acting score . . . Starting Out in the Evening has the feeling of a film in which the actors, left to direct themselves, played into their own self-indulgent instincts, and the only one who resisted was the old pro who knew better."[7]

Peter Travers of Rolling Stone called the film "remarkable" and said "Langella delivers a master class in acting [with a] deeply felt portrait of a lion in winter."[8]

Meghan Keane of The New York Sun stated, "The glowing accolades that the filmmakers attempt to bestow on the novelist Brian Morton ultimately result in an undercooked product . . . [T]he film is unable to re-create the delicate balance of emotions that Mr. Morton created in his book of the same name. The deference to [his] work is clear throughout the picture, but the interactions between the characters often fail to realize the soft sentiment that his novel achieved."[9]

Scott Foundas of Variety called the film "a wise, carefully observed chamber drama," a "small yet deeply resonant pic," and "a sophomore film of unusual maturity and confidence – the work of a filmmaker with a sure grasp of his characters."[1]

Critics for The Washington Post, the New York Times, and the Baltimore Sun cited the film as one of the ten best of the year.

Awards and nominations[edit]

Frank Langella won the Boston Society of Film Critics Award for Best Actor[10] and was nominated for the Los Angeles Film Critics Association Award for Best Actor,[11] the Chicago Film Critics Association Award for Best Actor,[12] the Independent Spirit Award for Best Male Lead,[13] and the Satellite Award for Best Actor - Motion Picture Drama.[14]

Andrew Wagner and Fred Parnes were nominated for the Independent Spirit Award for Best Screenplay.[13]

References[edit]

  1. ^ a b Foundas, Scott (January 24, 2007). "Starting Out in the Evening". Variety. Retrieved July 5, 2020.
  2. ^ "Starting Out in the Evening (2007) – Box Office Mojo". www.boxofficemojo.com.
  3. ^ "Starting Out in the Evening". Rotten Tomatoes. Retrieved July 5, 2020.
  4. ^ "Starting Out in the Evening". Metacritic.com. Retrieved July 5, 2020.
  5. ^ Scott, A. O. (November 23, 2007). "A Scholarly May and a Literary December Meet in a New York Autumn". The New York Times. ISSN 0362-4331. Retrieved July 5, 2020.
  6. ^ Ebert, Roger (December 13, 2007). "Starting Out in the Evening Movie Review (2007) – Roger Ebert". rogerebert.com. Retrieved July 5, 2020.
  7. ^ LaSalle, Mick (December 14, 2007). "Review: Young woman wants to revive aging writer's career". SFGATE. Retrieved July 5, 2020.
  8. ^ Travers, Peter (November 15, 2007). "Starting Out in the Evening". Rolling Stone. Retrieved July 5, 2020.
  9. ^ Keane, Meghan (November 23, 2007). "Building a Hero To Tear Him Down". The New York Sun. Retrieved July 5, 2020.
  10. ^ Morris, Wesley (December 10, 2007). "'No Country,' 'Diving Bell' are favorites of Boston film critics". Boston.com. Retrieved January 16, 2023.
  11. ^ "33rd Annual Los Angeles Film Critics Association Awards". Los Angeles Film Critics Association. Archived from the original on February 19, 2012. Retrieved January 16, 2023.
  12. ^ "2007 - Winners of the 20th Annual Chicago Film Critics Awards". Chicago Film Critics. Archived from the original on May 15, 2012. Retrieved January 16, 2023.
  13. ^ a b "Independent Spirit Awards Nominees Announced". FirstShowing.net. November 27, 2007. Retrieved January 16, 2023.
  14. ^ "2007 | Categories". International Press Academy. Retrieved January 16, 2023.

External links[edit]