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{{Short description|German comedian, actor and author}}
{{more citations needed|date=December 2010}}
{{more citations needed|date=December 2010}}
[[File:Kabarett_der_Komiker;_Werner_Finck_013560c.jpg|thumb|Finck in 1937]]

[[Image:2018-07-18 Sterne der Satire - Walk of Fame des Kabaretts Nr 01 Werner Finck-1056.jpg|thumb|Walk of Fame]]


'''Werner Finck''' (2 May 1902 – 31 July 1978) was a German ''[[Kabarett]]'' comedian, actor and author. Not politically motivated by his own admission but just a "convinced [[individualism|individualist]]", he became one of Germany's leading cabaret artists under the conditions of the [[Nazi Germany|Nazi]] suppression after 1933.
'''Werner Finck''' (2 May 1902 – 31 July 1978) was a German ''[[Kabarett]]'' comedian, actor and author. Not politically motivated by his own admission but just a "convinced [[individualism|individualist]]", he became one of Germany's leading cabaret artists under the conditions of the [[Nazi Germany|Nazi]] suppression after 1933.
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Born in [[Görlitz]] in [[Prussia]]n [[Province of Silesia|Silesia]], the son of a pharmacist, Finck attended an art school in [[Dresden]] and began his career as an itinerant storyteller of fairy tales in the 1920s. He took acting lessons and began a mediocre tenure in the theatre, making his debut in Silesian [[Bolesławiec|Bunzlau]] (present-day Bolesławiec, [[Poland]]). However, it became obvious that he had "comic bones" and when he met a friend who had contacts in the [[Berlin]] ''Kabarett'' scene, he found his true calling.
Born in [[Görlitz]] in [[Prussia]]n [[Province of Silesia|Silesia]], the son of a pharmacist, Finck attended an art school in [[Dresden]] and began his career as an itinerant storyteller of fairy tales in the 1920s. He took acting lessons and began a mediocre tenure in the theatre, making his debut in Silesian [[Bolesławiec|Bunzlau]] (present-day Bolesławiec, [[Poland]]). However, it became obvious that he had "comic bones" and when he met a friend who had contacts in the [[Berlin]] ''Kabarett'' scene, he found his true calling.


Together with artists like [[Hans Deppe]], [[Rudolf Platte]] and [[Robert A. Stemmle]] he founded the cabaret ''[[Die Katakombe]]'' with some friends in 1929. Finck acted as [[conferencier]], and the cabaret, became successful because of his critical and subtly impudent remarks against the [[Nazism|Nazis]], proving to be an early thorn in their side. Finck had an ability to be seemingly lost for words when saying something and the audience, playing along, finished his sentences. He often defied authority by daring [[Gestapo]] informers in the audience to write down every word he said. According to an anecdote, Finck once confronted an officer asking with seeming innocence, "Am I talking too fast? Can you follow me or shall I follow you?"
Together with artists like [[Hans Deppe]], [[Rudolf Platte]] and [[Robert A. Stemmle]] he founded the cabaret ''[[Die Katakombe]]'' with some friends in 1929. Finck acted as [[conferencier]], and the cabaret became successful because of his critical and subtly impudent remarks against the [[Nazism|Nazis]], proving to be an early thorn in their side. Finck had an ability to be seemingly lost for words when saying something and the audience, playing along, finished his sentences. He often defied authority by daring [[Gestapo]] informers in the audience to write down every word he said. According to an anecdote, Finck once confronted an officer asking with seeming innocence, "Am I talking too fast? Can you follow me or shall I follow you?"


According to his later accounts, Finck was confronted with politics for the very first time: "If only I had known that all these people were just ''[[Mitläufer]]''. Some even camouflaged as ''[[Gauleiter]]''. (...) So quite a few people claim I had disapproved of the Nazis. I would like to point out that these are defamations. You never know. (...) I must admit though that the Nazis disapproved of me."<ref>''Kritik der reinen Unvernunft'', cabaret program, ''Masuefalle'' Stuttgart, 1947</ref> The way Finck presented his jokes made it very difficult for authorities to nail him down. His exploits made him a legend in his lifetime, to such an extent that when he introduced himself to [[United Kingdom|British]] and [[United States|American]] [[journalists]] after the [[World War II|war]], he was met with disbelief as they believed that the "Werner Finck" who joked against the Nazis was a fairy-tale figure.
According to his later accounts, Finck was confronted with politics for the very first time: "If only I had known that all these people were just ''[[Mitläufer]]''. Some even camouflaged as ''[[Gauleiter]]''. (...) So quite a few people claim I had disapproved of the Nazis. I would like to point out that these are defamations. You never know. (...) I must admit though that the Nazis disapproved of me."<ref>''Kritik der reinen Unvernunft'', cabaret program, ''Masuefalle'' Stuttgart, 1947</ref> The way Finck presented his jokes made it very difficult for authorities to nail him down. His exploits made him a legend in his lifetime, to such an extent that when he introduced himself to [[United Kingdom|British]] and [[United States|American]] [[journalists]] after the [[World War II|war]], he was met with disbelief as they believed that the "Werner Finck" who joked against the Nazis was a fairy-tale figure.


However, the ''Katakombe'' was closed on 10 May 1935 on the orders of Minister [[Joseph Goebbels]]. Finck and his colleagues were interned for six weeks in [[Esterwegen concentration camp]], where he met [[Carl von Ossietzky]] and [[Julius Leber]]. The ''Katakombe'' ensemble took their arrest in good stride, because they still performed despite their imprisonment. They reasoned that before the cabaret closed down they had performed with anxiety due to the fear of incarceration; now they did not need to fear because they were already in prison! It was due to the intervention of his friend, actress [[Käthe Dorsch]], who talked to Goebbels' rival [[Hermann Göring]], that Finck was released on 1 July on condition that he did not work in public for a year.
However, the ''Katakombe'' was closed on 10 May 1935 on the orders of Minister [[Joseph Goebbels]]. Finck and his colleagues were interned for six weeks in [[Esterwegen concentration camp]], where he met [[Carl von Ossietzky]] and [[Julius Leber]]. The ''Katakombe'' ensemble took their arrest in good stride, because they still performed despite their imprisonment. They reasoned that before the cabaret closed down they had performed with anxiety due to the fear of incarceration; now they did not need to fear because they were already in prison! It was due to the intervention of his friend, actress [[Käthe Dorsch]], who talked to Goebbels' rival [[Hermann Göring]], that Finck was released on 1 July on condition that he not work in public for a year.


Despite this he continued performing before live audiences from 1937 onwards, as well as in film, where he had a successful, if undistinguished, career from 1931. However, he was banned from the ''[[Reichskulturkammer]]'' in 1939 and, threatened with arrest again, he joined the [[Wehrmacht]] armed forces in the rank of a private radiotelephone operator to avoid imprisonment. A member of the [[23rd Infantry Division (Wehrmacht)|23rd Infantry Division]], he was awarded the [[Iron Cross]], 2nd class and the [[Eastern Front Medal]], which he called "Frozen Meat Medal" (''Gefrierfleischorden'').
Despite this he continued performing before live audiences from 1937 onwards, as well as in film, where he had a successful, if undistinguished, career from 1931. However, he was banned from the ''[[Reichskulturkammer]]'' in 1939 and, threatened with arrest again, he joined the [[Wehrmacht]] armed forces in the rank of a private radiotelephone operator to avoid imprisonment. A member of the [[23rd Infantry Division (Wehrmacht)|23rd Infantry Division]], he was awarded the [[Iron Cross]], 2nd class and the [[Eastern Front Medal]], which he called "Frozen Meat Medal" (''Gefrierfleischorden'').
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He temporarily served as a troop entertainer and later used his [[World War II]] exploits in a cabaret programme entitled ''Der brave Soldat schweigt'' ("The Good Soldier Shuts Up" – a pun on [[Jaroslav Hašek]]'s ''[[The Good Soldier Švejk]]''). He witnessed the [[German Instrument of Surrender|German surrender]] as a [[Prisoner of war|POW]] of the [[United States Army|U.S. Army]] in [[Bad Aibling]], Bavaria.
He temporarily served as a troop entertainer and later used his [[World War II]] exploits in a cabaret programme entitled ''Der brave Soldat schweigt'' ("The Good Soldier Shuts Up" – a pun on [[Jaroslav Hašek]]'s ''[[The Good Soldier Švejk]]''). He witnessed the [[German Instrument of Surrender|German surrender]] as a [[Prisoner of war|POW]] of the [[United States Army|U.S. Army]] in [[Bad Aibling]], Bavaria.


From 1945-49, Finck, with [[Thaddäus Troll|Hans Bayer ("Thaddäus Troll")]], issued the journal ''Das Wespennest'' ("The Hornets' Nest"), the first German satirical magazine after the war. He resumed his career in cabaret, performing at the ''Schmunzelkolleg'' ("Chuckle College") in [[Munich]] and founding the ''Nebelhorn'' ("Foghorn") cabaret in [[Zurich]] (1947), as well as the ''Mausefalle'' ("Mousetrap") in [[Stuttgart]] (1948). In 1950 he established the joke political party of the "Radical Centre" in [[West Berlin]]. Finck was able to continue his film career, including an appearance in [[Rainer Werner Fassbinder|Fassbinder]]'s TV series ''[[Eight Hours Don't Make a Day]]'' in 1972. He remained active in live performances, notably making a tour of the United States in 1968.
From 1945-49, Finck, with [[Thaddäus Troll|Hans Bayer ("Thaddäus Troll")]], issued the journal ''[[Das Wespennest]]'' ("The Hornets' Nest"), the first German satirical magazine after the war. He resumed his career in cabaret, performing at the ''Schmunzelkolleg'' ("Chuckle College") in [[Munich]] and founding the ''Nebelhorn'' ("Foghorn") cabaret in [[Zürich]] (1947), as well as the ''Mausefalle'' ("Mousetrap") in [[Stuttgart]] (1948). In 1950 he established the joke political party of the "Radical Centre" in [[West Berlin]]. Finck was able to continue his film career, including the role for which he is most known today, in [[Rainer Werner Fassbinder|Fassbinder]]'s TV series ''[[Eight Hours Don't Make a Day]]'' in 1972; he played Gregor, the doddering but gentle old lover of the miniseries protagonist's grandmother. He remained active in live performances, notably going on tour in the United States in 1968.


==Death==
==Death==
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==Selected filmography==
==Selected filmography==
[[Image:2018-07-18 Sterne der Satire - Walk of Fame des Kabaretts Nr 01 Werner Finck-1056.jpg|thumb|Walk of Fame]]
Werner Finck made a lot of film and TV appearances in a career spanning about forty years, many of which are but brief appearances that showcased his talent:

* ''[[The Company's in Love]]'' (1932)
Werner Finck made many film and TV appearances in a career spanning about forty years, many of which are but brief appearances that showcased his talent:
*''[[The Company's in Love]]'' (1932)
*''[[The Hymn of Leuthen]]'' (1933)
*''[[Liebelei (film)|Liebelei]]'' (1933)
*''[[Liebelei (film)|Liebelei]]'' (1933)
* ''[[A Woman Who Knows What She Wants]]'' (1934)
*''[[A Woman Who Knows What She Wants (German Version)|A Woman Who Knows What She Wants]]'' (1934)
* ''[[Holiday From Myself (1934 film)|Holiday From Myself]]'' (1934)
*''[[Holiday From Myself (1934 film)|Holiday From Myself]]'' (1934)
* ''[[The Cousin from Nowhere (1934 film)|The Cousin from Nowhere]]'' (1934)
* ''[[The Flower Girl from the Grand Hotel]]'' (1934)
* ''[[Love Conquers All (1934 film)|Love Conquers All]]'' (1934)
*''[[The Cousin from Nowhere (1934 film)|The Cousin from Nowhere]]'' (1934)
* ''[[Just Once a Great Lady (1934 film)|Just Once a Great Lady]]'' (1934)
* ''[[What Am I Without You]]'' (1934)
* ''[[The Girlfriend of a Big Man]]'' (1934)
*''[[Love Conquers All (1934 film)|Love Conquers All]]'' (1934)
*''[[Just Once a Great Lady (1934 film)|Just Once a Great Lady]]'' (1934)
* ''[[Fresh Wind from Canada]]'' (1935)
* ''[[The Vagabonds (1937 film)|The Vagabonds]]'' (1937)
*''[[The Girlfriend of a Big Man]]'' (1934)
*''[[Fresh Wind from Canada]]'' (1935)
*''[[The Vagabonds (1937 film)|The Vagabonds]]'' (1937)
*''[[La Habanera (film)|La Habanera]]'' (1937)
*''[[La Habanera (film)|La Habanera]]'' (1937)
* ''[[Autobus S]]'' (1937)
* ''[[The Unexcused Hour (1937 film)|The Unexcused Hour]]'' (1937)
* ''[[The Grey Lady (film)|The Grey Lady]]'' (1937)
*''[[Autobus S]]'' (1937)
*''[[The Grey Lady (film)|The Grey Lady]]'' (1937)
* ''[[Faded Melody]]'' (1938)
*''[[Faded Melody]]'' (1938)
* ''[[The Girl of Last Night]]'' (1938)
* ''[[The Man Who Couldn't Say No (1938 film)|The Man Who Couldn't Say No]]'' (1938)
* ''[[The Roundabouts of Handsome Karl]]'' (1938)
*''[[The Girl of Last Night]]'' (1938)
* ''[[My Niece Susanne]]'' (1950)
*''[[The Roundabouts of Handsome Karl]]'' (1938)
* ''[[Not Without Gisela]]'' (1951)
*''[[Film Without a Title]]'' (1948), as Hubert
*''[[My Niece Susanne]]'' (1950), as Dubouton
*''[[Not Without Gisela]]'' (1951), as himself
*''[[Stärker als die Nacht]]'' (1954)
*''[[Stärker als die Nacht]]'' (1954)
*''[[Lola Montès]]'' (1955)
* ''[[Heroism after Hours]]'' (1955)
*''[[Hanussen (1955 film)|Hanussen]]'' (1955)
*''[[Hanussen (1955 film)|Hanussen]]'' (1955), as Expert witness
*''[[Lola Montès]]'' (1955), as Wisböck
* ''[[My Husband's Getting Married Today]]'' (1956)
* ''[[The Zurich Engagement]]'' (1957)
*''[[My Husband's Getting Married Today]]'' (1956), as Dr. Agartz
* ''[[Victor and Victoria (1957 film)|Victor and Victoria]]'' (1957)
*''[[The Zürich Engagement]]'' (1957), as Dr. Julius Wayer<!--16 April 1957-->
*''[[Tired Theodore (1957 film)|Tired Theodore]]'' (1957)
*''[[Victor and Victoria (1957 film)|Victor and Victoria]]'' (1957), as Hinz<!--16 April 1957-->
*''[[Tired Theodore (1957 film)|Tired Theodore]]'' (1957), as Dr. Karl Findeisen<!--6 June 1957-->
* ''[[Marriages Forbidden]]'' (1957)
*''[[Marriages Forbidden]]'' (1957), as Judge Dr. Kern<!--13 June 1957-->
*''[[And That on Monday Morning]]'' (1959)
* ''[[The Last Pedestrian]]'' (1960)
* ''[[The Twins from Zillertal]]'' (1957) as Herr Kleeman
*''[[Der letzte Fußgänger]]'' (1960)
* ''[[Father, Mother and Nine Children]]'' (1958)
*''[[And That on Monday Morning]]'' (1959), as Professor Gross<!--26 June 1959-->
*''[[The White Horse Inn (1960 film)|The White Horse Inn]]'' (1960)
*''[[Labyrinth (1959 film)|Labyrinth]]'' (1959), as President<!--3 September 1959-->
* ''[[What Is Father Doing in Italy?]]'' (1961)
*''[[Roses for the Prosecutor]]'' (1959), as Haase<!--24 September 1959-->
*''[[Love at Twenty]]'' (1962)
*''[[The Last Pedestrian]]'' (1960), as Editor Hiss<!--15 September 1960-->
* ''[[Two Bavarians in Bonn]]'' (1962)
* ''[[Storm in a Water Glass (1960 film)|Storm in a Water Glass]]'' (1960)
*''{{Interlanguage link multi|Quartett im Bett|de}}'' (1968)
*''[[The White Horse Inn (1960 film)|The White Horse Inn]]'' (1960), as Professor Hinzelmann<!--20 December 1960-->
*''[[Hurra, die Schule brennt!]]'' (1969)
*''[[Eight Hours Don't Make a Day]]'' (TV series, 1972)
*''[[What Is Father Doing in Italy?]]'' (1961), as Direktor Schlosser
*''[[Love at Twenty]]'' (1962), as Surgeon<!--22 June 1962-->
*''[[Two Bavarians in Bonn]]'' (1962), as Minister<!--17 August 1962-->
*''{{Interlanguage link multi|Der Partyphotograph|de}}'' (1968), as Jacoby
*''{{Interlanguage link multi|Quartett im Bett|de}}'' (1968), as Newspaper Publisher
*''[[Hurra, die Schule brennt!]]'' (1969), as Under Secretary von Schnorr
*''[[Eight Hours Don't Make a Day]]'' (1972, TV series), as Gregor


In the 1982 TV movie ''[[Inside the Third Reich (film)|Inside the Third Reich]]'', he was portrayed by American comedian [[Mort Sahl]].
In the 1982 TV movie ''[[Inside the Third Reich (film)|Inside the Third Reich]]'', he was portrayed by American comedian [[Mort Sahl]].
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[[Category:20th-century German male actors]]
[[Category:20th-century German male actors]]
[[Category:Commanders Crosses of the Order of Merit of the Federal Republic of Germany]]
[[Category:Commanders Crosses of the Order of Merit of the Federal Republic of Germany]]
[[Category:20th-century comedians]]
[[Category:20th-century German comedians]]
[[Category:Comedians from Saxony]]

Latest revision as of 10:21, 25 April 2024

Finck in 1937

Werner Finck (2 May 1902 – 31 July 1978) was a German Kabarett comedian, actor and author. Not politically motivated by his own admission but just a "convinced individualist", he became one of Germany's leading cabaret artists under the conditions of the Nazi suppression after 1933.

Biography[edit]

Born in Görlitz in Prussian Silesia, the son of a pharmacist, Finck attended an art school in Dresden and began his career as an itinerant storyteller of fairy tales in the 1920s. He took acting lessons and began a mediocre tenure in the theatre, making his debut in Silesian Bunzlau (present-day Bolesławiec, Poland). However, it became obvious that he had "comic bones" and when he met a friend who had contacts in the Berlin Kabarett scene, he found his true calling.

Together with artists like Hans Deppe, Rudolf Platte and Robert A. Stemmle he founded the cabaret Die Katakombe with some friends in 1929. Finck acted as conferencier, and the cabaret became successful because of his critical and subtly impudent remarks against the Nazis, proving to be an early thorn in their side. Finck had an ability to be seemingly lost for words when saying something and the audience, playing along, finished his sentences. He often defied authority by daring Gestapo informers in the audience to write down every word he said. According to an anecdote, Finck once confronted an officer asking with seeming innocence, "Am I talking too fast? Can you follow me or shall I follow you?"

According to his later accounts, Finck was confronted with politics for the very first time: "If only I had known that all these people were just Mitläufer. Some even camouflaged as Gauleiter. (...) So quite a few people claim I had disapproved of the Nazis. I would like to point out that these are defamations. You never know. (...) I must admit though that the Nazis disapproved of me."[1] The way Finck presented his jokes made it very difficult for authorities to nail him down. His exploits made him a legend in his lifetime, to such an extent that when he introduced himself to British and American journalists after the war, he was met with disbelief as they believed that the "Werner Finck" who joked against the Nazis was a fairy-tale figure.

However, the Katakombe was closed on 10 May 1935 on the orders of Minister Joseph Goebbels. Finck and his colleagues were interned for six weeks in Esterwegen concentration camp, where he met Carl von Ossietzky and Julius Leber. The Katakombe ensemble took their arrest in good stride, because they still performed despite their imprisonment. They reasoned that before the cabaret closed down they had performed with anxiety due to the fear of incarceration; now they did not need to fear because they were already in prison! It was due to the intervention of his friend, actress Käthe Dorsch, who talked to Goebbels' rival Hermann Göring, that Finck was released on 1 July on condition that he not work in public for a year.

Despite this he continued performing before live audiences from 1937 onwards, as well as in film, where he had a successful, if undistinguished, career from 1931. However, he was banned from the Reichskulturkammer in 1939 and, threatened with arrest again, he joined the Wehrmacht armed forces in the rank of a private radiotelephone operator to avoid imprisonment. A member of the 23rd Infantry Division, he was awarded the Iron Cross, 2nd class and the Eastern Front Medal, which he called "Frozen Meat Medal" (Gefrierfleischorden).

He temporarily served as a troop entertainer and later used his World War II exploits in a cabaret programme entitled Der brave Soldat schweigt ("The Good Soldier Shuts Up" – a pun on Jaroslav Hašek's The Good Soldier Švejk). He witnessed the German surrender as a POW of the U.S. Army in Bad Aibling, Bavaria.

From 1945-49, Finck, with Hans Bayer ("Thaddäus Troll"), issued the journal Das Wespennest ("The Hornets' Nest"), the first German satirical magazine after the war. He resumed his career in cabaret, performing at the Schmunzelkolleg ("Chuckle College") in Munich and founding the Nebelhorn ("Foghorn") cabaret in Zürich (1947), as well as the Mausefalle ("Mousetrap") in Stuttgart (1948). In 1950 he established the joke political party of the "Radical Centre" in West Berlin. Finck was able to continue his film career, including the role for which he is most known today, in Fassbinder's TV series Eight Hours Don't Make a Day in 1972; he played Gregor, the doddering but gentle old lover of the miniseries protagonist's grandmother. He remained active in live performances, notably going on tour in the United States in 1968.

Death[edit]

Finck died in Munich, aged 76, where he is buried in the Waldfriedhof cemetery. The inscription on his tombstone reads: "You are still here and I passed away, soon you are there where I am today."[citation needed]

Honors[edit]

Selected filmography[edit]

Walk of Fame

Werner Finck made many film and TV appearances in a career spanning about forty years, many of which are but brief appearances that showcased his talent:

In the 1982 TV movie Inside the Third Reich, he was portrayed by American comedian Mort Sahl.

External links[edit]

References[edit]

  1. ^ Kritik der reinen Unvernunft, cabaret program, Masuefalle Stuttgart, 1947