Square academic cap: Difference between revisions
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The mortarboard is generally believed by scholars to have developed from the [[biretta]], a similar-looking hat worn by [[Roman Catholic]] clergy. The biretta itself may have been a development of the [[Ancient Rome|Roman]] ''pileus quadratus'', a type of [[skullcap]] with superposed square and tump and a reinvention of this type of cap is known as the [[Bishop Andrewes cap]].<ref>Goff; p.22-23</ref> [[Image:Andrea Mantegna 081.jpg|thumb|[[Andrea Mantegna]]: Ludovico Gonzaga, 1474.]] |
The mortarboard is generally believed by scholars to have developed from the [[biretta]], a similar-looking hat worn by [[Roman Catholic]] clergy. The biretta itself may have been a development of the [[Ancient Rome|Roman]] ''pileus quadratus'', a type of [[skullcap]] with superposed square and tump and a reinvention of this type of cap is known as the [[Bishop Andrewes cap]].<ref>Goff; p.22-23</ref> [[Image:Andrea Mantegna 081.jpg|thumb|[[Andrea Mantegna]]: Ludovico Gonzaga, 1474.]] |
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The Italian Biretta is a word derived from ''berretto'', which is derived itself from the latin ''birrus'' and the greek ''pyrros'' ,both of them with the meaning of 'red', its color. The cone shaped red cap,seldom in black, related to the ancient etruscan ''tutulus'' and the roman ''pileus'', it was used in the XIV and XV centuries to identify humanists, students, artists and learned and blooming youth in general. The shape and the color had conveyed always meanings and the red was considered for a long time the Royal power, whether because it was difficult to afford vestments of such solid and brilliant dye or because the high symbolic meaning of blood and Life, thus the Power over Life and Death. It is not casual that the ''Capo'' (captain) headwear is found with such frequency in Renaissance paintings as the highly famous one of [[Federico da Montefeltro|Federico da Montefeltro]] of [[Piero della Francesca]] with his red cap. Campano wrote about |
The Italian Biretta is a word derived from ''berretto'', which is derived itself from the latin ''birrus'' and the greek ''pyrros'' ,both of them with the meaning of 'red', its color. The cone shaped red cap,seldom in black, related to the ancient etruscan ''tutulus'' and the roman ''pileus'', it was used in the XIV and XV centuries to identify humanists, students, artists and learned and blooming youth in general. The shape and the color had conveyed always meanings and the red was considered for a long time the Royal power, whether because it was difficult to afford vestments of such solid and brilliant dye or because the high symbolic meaning of blood and Life, thus the Power over Life and Death. It is not casual that the ''Capo'' (captain) headwear is found with such frequency in Renaissance paintings as the highly famous one of [[Federico da Montefeltro|Federico da Montefeltro]] of [[Piero della Francesca]] with his red cap. Campano wrote about these hats in his Life of [[Niccolò Fortebraccio]] (d.in 1435), "''he used to wear a red and high hat,the higher from the head the wider it became''". Da Montefeltro as Fortebracci were [[Condottieri]]. The same cap is seen on [[Bartolomeo Colleoni]], Commander of the Venetian Armies in 1454, on the Duke [[Ludovico II Gonzaga]] and on [[John Hawkwood]] in his equestrian monument by Paolo Uccello. |
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This cap as worn by the leading italian nobles at the end of the XV century became a symbol of their military and civil powers over the italian cities at a time when the whole of Europe was going to be deeply transformed by Italian Influences. |
This cap as worn by the leading italian nobles at the end of the XV century became a symbol of their military and civil powers over the italian cities at a time when the whole of Europe was going to be deeply transformed by Italian Influences. |
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Revision as of 16:56, 18 May 2010
The square academic cap, often called a mortarboard[1] (because of its similarity in appearance to the hawk used by bricklayers to hold mortar[2]) or Oxford cap, is an item of academic head dress consisting of a horizontal square board fixed upon a skull-cap, with a tassel attached to the center. In the UK and the U.S., it is commonly referred to informally in conjunction with an academic gown worn as a cap and gown. It is also often termed a square, trencher, or corner-cap in Australia. The adjective academical is also used.[3] In the U.S. and U.K, it is usually referred to more generically as a mortarboard, or (in the U.S.) simply cap.
The cap, together with the gown and (sometimes) a hood, now form the customary uniform of a university graduate, in many parts of the world, following a British model. Other traditions persist as well.
Origins
The mortarboard is generally believed by scholars to have developed from the biretta, a similar-looking hat worn by Roman Catholic clergy. The biretta itself may have been a development of the Roman pileus quadratus, a type of skullcap with superposed square and tump and a reinvention of this type of cap is known as the Bishop Andrewes cap.[4]
The Italian Biretta is a word derived from berretto, which is derived itself from the latin birrus and the greek pyrros ,both of them with the meaning of 'red', its color. The cone shaped red cap,seldom in black, related to the ancient etruscan tutulus and the roman pileus, it was used in the XIV and XV centuries to identify humanists, students, artists and learned and blooming youth in general. The shape and the color had conveyed always meanings and the red was considered for a long time the Royal power, whether because it was difficult to afford vestments of such solid and brilliant dye or because the high symbolic meaning of blood and Life, thus the Power over Life and Death. It is not casual that the Capo (captain) headwear is found with such frequency in Renaissance paintings as the highly famous one of Federico da Montefeltro of Piero della Francesca with his red cap. Campano wrote about these hats in his Life of Niccolò Fortebraccio (d.in 1435), "he used to wear a red and high hat,the higher from the head the wider it became". Da Montefeltro as Fortebracci were Condottieri. The same cap is seen on Bartolomeo Colleoni, Commander of the Venetian Armies in 1454, on the Duke Ludovico II Gonzaga and on John Hawkwood in his equestrian monument by Paolo Uccello. This cap as worn by the leading italian nobles at the end of the XV century became a symbol of their military and civil powers over the italian cities at a time when the whole of Europe was going to be deeply transformed by Italian Influences.
The mortarboard may also have been influenced by practices in Islamic madrassas or other Islamic customs believed to be when one are graduating they wore a skull cap and a Koran placed on top of their head tighten to the skull cap.[5][6] It was originally reserved for holders of master degrees (the highest qualification in mediæval academia), but was later adopted by bachelors and undergraduates. In the sixteenth and seventeenth centuries corner-cap (catercap in the Marprelate tracts) was the term used (OED).
Variants
Doctorate-holders of some universities wear the mortarboard, although the round Tudor bonnet is more common in Britain. The 4, 6, or 8 cornered "tam" is gaining popularity in the U.S., and in general a soft square tam has some acceptance for women as a substitute for the hard 'square'.
In the U.S., the mortarboard is also worn by high school graduates during the presentation of their diplomas.
Tassel
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In U.S. graduation ceremonies, the side on which the tassel hangs is important. Sometimes it is consistent among all students throughout the ceremony, in other cases it differs based on level of study with undergraduate students wearing the tassel on the right, and graduate student wearing them on the left. In some ceremonies, the student wears the tassel on one side up until reception of the diploma, at which point it is switched to the other.
At the high school level, the tassel is usually either the school's primary color or a mix of the school's colors, as many as three colors in a tassel. Sometimes a tassel of a distinctive color, such as gold, is worn by those graduating with Latin Honors (e.g. cum laude) or on the "honor roll."
Universities in the United States might use tassels in black or the school's colors, usually for higher degrees.
For Bachelor degrees the tassel may be colored differently from the traditional black or school colors to represent the field (or one as closely related as possible) in which the wearer obtained his or her education. In 1896 most colleges and universities in the United States adopted a uniform code governing academic dress. The tassel may be adorned with a charm in the shape of the digits of the year.
However, strictly speaking, the American Council on Education (ACE) code states that "The tassel should be black or the color appropriate to the subject", and only makes an exception for the gold tassel. The gold metallic tassel is reserved for those entitled to wear the doctoral gown, as is the use of velvet for headwear. Only one tassel is worn at a time.
For schools at which the graduation regalia is rented or borrowed by the student the tassel might be a part of the rental, though the tassel may be provided separately. Some schools that do not provide a tassel for graduates to keep may offer a souvenir tassel for sale that is not worn with the regalia.
Recent graduates who own an automobile, particularly in the United States, may customarily display their tassel hanging from the rear-view mirror.
In the UK, the tassel is shorter and is gathered at the button at the center of the board whereas the US style is slightly longer, gathered at a cord attached to the button.
Traditional wear
As with other forms of headdress, academic caps are not generally worn indoors by men (other than by the Chancellor or other high officials), but are usually carried. In some graduation ceremonies caps have been dispensed with for men, being issued only to women, who do wear them indoors, or have been abandoned altogether. This has led to urban legends in a number of universities in the United Kingdom & Ireland which have as a common theme that idea that the wearing of the cap was abandoned in protest at the admission of women to the university. This story is told at the University of Cambridge, Durham University, the University of Bristol, the University of St Andrews, Queen's University, Belfast, Trinity College, Dublin and University College, Dublin among others. In other universities in Ireland, such as the University of Limerick, the rumour was that the mortarboard represented the "capping" of female graduate at bachelors or masters levels.[citation needed]
There are several types of mortarboard that are usually made. The most common in the UK is the 'folding skull' in which the skull part can be folded for ease of storing and carrying. Traditionally, the mortarboard had a 'rigid skull' which is considered more aesthetically pleasing and better fitting than a folding-skull one. Both types require the wearer to wear the appropriate size to fit. In the US, an 'elasticated skull' is mostly used which eliminates the need to make many mortarboards in different hat sizes. Some mortarboards, especially those in east Asia are laced-up at the back of the skull cap.
The correct way to wear a mortarboard is to have the larger part of the skull of the mortarboard at the back of the head with the top board parallel to the ground. A proper fitting mortarboard should not fall off easily.
Until the second half of the 20th century, mortarboards were often worn by schoolteachers, and the hat remains an icon of the teaching profession.
Mortarboards are often seen in party supply shops in the United States in May and June, when they appear in the form of party decorations, on commemorative gifts such as teddy bears, and on congratulatory greeting cards.
Mourning cap
There is a version of the mortarboard that is worn during mourning. Instead of a tassel and button on top of the board there are two wide black ribbons that are attached from corner to corner of the board forming a cross. At the centre where the two ribbons intersect a black rosette is attached. This mourning cap can be worn when mourning a personal friend or a family relative.
Another version has 12 ribbon bows called 'butterflies' attached to the back of the skull cap (eitherside: three at the back, two further towards the sides and one at the sides of the skull) in addition to the above. This cap is worn during the mourning of a member of the royal family or the university chancellor. [8]
See also
Notes
- ^ mortarboard. The American Heritage Dictionary of the English Language: Fourth Edition. 2000
- ^ Mortarboard. dictionary.com
- ^ [1] University of Cambridge Ordinances, Chapter II
- ^ Goff; p.22-23
- ^ 2 augustus 2009. "History of the Mortarboard by Dr Afifi al-Akiti". Youtube.com. Retrieved 2009-10-26.
{{cite web}}: CS1 maint: numeric names: authors list (link) - ^ There's good in Pakistan's madrasas (December 7, 2005). International Herald Tribune. Retrieved 2008-01-06.
- ^ The American Council on Education uses a brown/gray version of "Drab" not a green version, or "Olive drab". This is best represented on Wiki at the time of writing by "Taupe", specifically "Pale taupe" (or, "mouse"), and most closely matches the actual regalia color produced in the US.
- ^ Hargreaves-Mawdsley, A History of Academical Dress in Europe Until the End of the Eighteenth Century (1963), p.137
References
- Goff, Philip (1999). University of London Academic Dress. London: University of London Press.