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{{Short description|British composer (born 1971)}}
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{{Infobox musical artist <!-- For individuals; see Wikipedia:WikiProject_Musicians -->
{{Infobox musical artist
| name = Guto Pryderi Puw
| name = Guto Pryderi Puw
| image =
| image = Guto Pryderi Puw - portrait (2018).jpg
| alt =
| alt =
| caption =
| caption = Guto Pryderi Puw (2018)
| image_size =
| image_size =
| birth_name =
| background = non_vocal_instrumentalist
| birth_name =
| alias =
| alias =
| birth_place =
| birth_place =
| birth_date = 1971
| birth_date = 1971
| death_date =
| death_date =
| origin = Parc, [[Bala, Gwynedd|Bala]]
| instrument =
| origin = Parc, [[Bala, Gwynedd|Bala]]
| instrument =
| genre = Classical music
| occupation = Composer<br />[[Conductor (music)|Conductor]]<br />University lecturer
| genre = Classical music
| years_active = 1993–present
| occupation = Composer<br>[[Conductor (music)|Conductor]]<br>University lecturer
| years_active = 1993–present
| label =
| associated_acts =
| label =
| associated_acts =
| website =
| website =
}}
}}
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'''Guto Pryderi Puw''' (born 1971)<ref name="BBC Proms 2007">{{cite web | url=http://www.bbc.co.uk/pressoffice/pressreleases/stories/2007/04_april/25/proms_new_commissions.shtml | title=Press Packs – New music: BBC commissions | publisher=BBC Online | author= | date=25 April 2007| accessdate=8 January 2010}}</ref> is a Welsh composer, university lecturer and [[Conductor (music)|conductor]]. He is considered to be one of the most promising Welsh composers of his generation and a key figure in current Welsh music.<ref name=Glamorgan1/> Puw's music has been broadcast on [[BBC Radio 3]] and been featured on television programmes for the [[BBC]] and [[S4C]]. He has twice been awarded the Composer's Medal at the [[National Eisteddfod]].
'''Guto Pryderi Puw''' (born 1971)<ref name="BBC Proms 2007">{{cite web | url=http://www.bbc.co.uk/pressoffice/pressreleases/stories/2007/04_april/25/proms_new_commissions.shtml | title=Press Packs – New music: BBC commissions | publisher=BBC Online | author= | date=25 April 2007| access-date=8 January 2010}}</ref> is a Welsh composer, university lecturer and [[Conductor (music)|conductor]]. He is considered to be one of the most prominent Welsh composers of his generation and a key figure in current Welsh music.<ref name=Glamorgan1/> Puw's music has been broadcast on [[BBC Radio 3]] and been featured on television programmes for the [[BBC]] and [[S4C]]. He has twice been awarded the Composer's Medal at the [[National Eisteddfod]].


Puw's works include pieces for unusual combinations of instruments, such as a [[tuba]] quartet or a trio consisting of [[harp]], cello and [[double-bass]], as well as more traditional forces such as solo [[baritone]] and piano, [[choir]] or orchestra. He was associated with the [[BBC National Orchestra of Wales]] as its Resident Composer, the first holder of this title, from 2006 to 2010. Puw's own Welsh identity is a recurrent theme in his music: some of his pieces set Welsh-language poetry to music and one of his pieces, ''Reservoirs'', is written about the flooding of Welsh valleys to provide water for England.
Puw's works include pieces for unusual combinations of instruments, such as a [[tuba]] quartet or a trio consisting of [[harp]], cello and [[double-bass]], as well as more traditional forces such as solo [[baritone]] and piano, [[choir]] or orchestra. He was associated with the [[BBC National Orchestra of Wales]] as its Resident Composer, the first holder of this title, from 2006 to 2010. Puw's own Welsh identity is a recurrent theme in his music: some of his pieces set Welsh-language poetry to music and one of his pieces, ''Reservoirs'', is written about the flooding of Welsh valleys to provide water for England.


==Biography==
==Biography==
Born in Parc (a village in [[Gwynedd]] near [[Bala, Gwynedd|Bala]]),<ref name="Composers of Wales">{{cite web|url=http://www.cc-cw.org/guto_puw_english.htm|publisher=Composers of Wales|title=Guto Pryderi Puw |accessdate=12 January 2010}}</ref> Puw studied music composition at [[Bangor University]] with [[John Pickard (composer)|John Pickard]], [[Andrew Lewis (composer)|Andrew Lewis]] and [[Pwyll ap Siôn]].<ref name=Bangor>{{cite web|url=http://www.bangor.ac.uk/music/staff/guto_puw.php.en|title=Profile of Dr Guto Pryderi Puw |publisher=Bangor University |accessdate=12 January 2010}}</ref> Puw was awarded with a MMus degree in 1996 and a PhD degree in 2002.<ref name=Bangor/> He was then awarded an [[Arts Council of Wales]] [[bursary]] and studied with the composer [[John Metcalf (composer)|John Metcalf]].<ref name=BBCNOW/> Puw was appointed as a Lecturer in Music at Bangor University in 2006, having previously been a Teaching Fellow in Music from 2004.<ref name=Bangor/> A Welsh speaker, he has been the Welsh Medium Teaching Fellow for the School of Music.<ref>{{cite web|url=http://www.bangor.ac.uk/research/full.php.en?Id=137|title=Historical Research Inspires "Tywysogion"|publisher=Bangor University|accessdate=12 January 2010|archive-url=https://web.archive.org/web/20090826024154/http://www.bangor.ac.uk/research/full.php.en?Id=137|archive-date=26 August 2009|url-status=dead}}</ref> He was the founding member and conductor for {{lang|cy|Côr Cyntaf i'r Felin}}, a Welsh-language choir based in [[Y Felinheli]] near Bangor.<ref name=choir>{{cite web|url=http://www.corcyntafirfelin.co.uk/yr-arweinydd |publisher=Cor Cyntaf i'r Felin |title=Yr Arweinydd|language=Welsh|accessdate=12 January 2010}}</ref>
Born in Parc (a village in [[Gwynedd]] near [[Bala, Gwynedd|Bala]]),<ref name="Composers of Wales">{{cite web|url=http://www.cc-cw.org/guto_puw_english.htm|publisher=Composers of Wales|title=Guto Pryderi Puw |access-date=12 January 2010}}</ref> Puw studied music composition at [[Bangor University]] with [[John Pickard (composer)|John Pickard]], [[Andrew Lewis (composer)|Andrew Lewis]] and [[Pwyll ap Siôn]].<ref name=Bangor>{{cite web|url=http://www.bangor.ac.uk/music/staff/guto_puw.php.en|title=Profile of Dr Guto Pryderi Puw |publisher=Bangor University |access-date=12 January 2010}}</ref> Puw was awarded with a MMus degree in 1996 and a PhD degree in 2002.<ref name=Bangor/> He was then awarded an [[Arts Council of Wales]] [[bursary]] and studied with the composer [[John Metcalf (composer)|John Metcalf]].<ref name=BBCNOW/> Puw was appointed as a Lecturer in Music at Bangor University in 2006, having previously been a Teaching Fellow in Music from 2004.<ref name=Bangor/> A Welsh speaker, he has been the Welsh Medium Teaching Fellow for the School of Music.<ref>{{cite web|url=http://www.bangor.ac.uk/research/full.php.en?Id=137|title=Historical Research Inspires "Tywysogion"|publisher=Bangor University|access-date=12 January 2010|archive-url=https://web.archive.org/web/20090826024154/http://www.bangor.ac.uk/research/full.php.en?Id=137|archive-date=26 August 2009|url-status=dead}}</ref> He was the founding member and conductor for {{lang|cy|Côr Cyntaf i'r Felin}}, a Welsh-language choir based in [[Y Felinheli]] near Bangor.<ref name=choir>{{cite web|url=http://www.corcyntafirfelin.co.uk/yr-arweinydd |publisher=Cor Cyntaf i'r Felin |title=Yr Arweinydd|language=Welsh|access-date=12 January 2010}}</ref>


Puw has received commissions from (amongst others) [[BBC Radio 3]], the Welsh [[baritone]] [[Jeremy Huw Williams]], the Bangor New Music Festival and the [[North Wales International Music Festival]].<ref name=Bangor/> He was appointed the first Resident Composer with BBC National Orchestra of Wales (BBC NOW) in 2006 and held this position until 2010. During this time, Puw wrote a concerto for [[oboe]] (premiered in 2006) and an orchestral piece, ''[[... onyt agoraf y drws ...]]'', which was first performed to critical acclaim at the 2007 [[Proms]].<ref name=BBCNOW>{{cite web|url=http://www.bbc.co.uk/wales/now/sites/orchestra/pages/resident_composer.shtml |publisher=BBC Online|title=Resident Composer|accessdate=12 January 2010}}</ref>
Puw has received commissions from (amongst others) [[BBC Radio 3]], the Welsh [[baritone]] [[Jeremy Huw Williams]], the Bangor New Music Festival and the [[North Wales International Music Festival]].<ref name=Bangor/> He was appointed the first Resident Composer with BBC National Orchestra of Wales (BBC NOW) in 2006 and held this position until 2010. During this time, Puw wrote a concerto for [[oboe]] (premiered in 2006) and an orchestral piece, ''[[... onyt agoraf y drws ...]]'', which was first performed to critical acclaim at the 2007 [[The Proms|Proms]].<ref name=BBCNOW>{{cite web|url=http://www.bbc.co.uk/wales/now/sites/orchestra/pages/resident_composer.shtml |publisher=BBC Online|title=Resident Composer|access-date=12 January 2010}}</ref>


He has been active in the promotion of new music in north Wales through his involvement with the [http://www.bangormusicfestival.org.uk/ Bangor Music Festival], being its Artistic Director and founding member since 2000. In 2014 he received the Sir Geraint Evans Award by the [http://welshmusic.tp-web.co.uk/en/ Welsh Music Guild] for his ‘significant contribution to Welsh music.’
He was a founding member and the Artistic Director of the Bangor Music Festival, a festival for new music in north Wales founded in 2000.<ref>{{cite web |url=https://www.bangormusicfestival.org.uk/about/ |title=About Us |website=Bangor Music Festival}}</ref> He received the Tlws y Cerddor award from the Welsh Music Guild.<ref>{{cite web |url=http://welshmusicguild.wales/history/ |title=History |website=Welsh Music Guild }}</ref>


==Music==
==Music==


===Welsh links===
===Welsh links===
Puw's music is rooted in the language and literature of Wales, with a particular affinity to the poetry of [[R. S. Thomas]].<ref name=Glamorgan1>{{cite web|url=http://www.valeofglamorganfestival.org/2005_text_composers.htm|title=Vale of Glamorgan Festival composers 2005|archiveurl=https://web.archive.org/web/20060209181738/http://www.valeofglamorganfestival.org/2005_composers.htm#Puw|archivedate=9 February 2006|accessdate=12 January 2010|publisher=[[Vale of Glamorgan Festival]]|url-status=dead|df=dmy-all}}</ref> Welsh titles and settings of poetry in Welsh, such as ''Mecanwaith'', ''Dawns y Sêr'', and ''[[... onyt agoraf y drws ...]]'', feature in his work. He has won the Composer's Medal at the [[National Eisteddfod of Wales]] twice, winning it first in 1995 for a [[harp]] piece, ''Ffantasia II''.<ref name="Composers of Wales"/> In 1997, when the Eisteddfod was held in Bala, he won the Medal for a [[string quartet]], {{lang|cy|Mecanwaith}} ("Mechanism") – this piece was later featured in [[S4C]]'s television series {{lang|cy|Y Cyfansoddwyr}} ("The Composers").<ref name="Composers of Wales"/> {{lang|cy|Mecanwaith}} has also been performed by the [[Duke Quartet]] at the 1998 [[Bath International Music Festival]] and the 1999 [[Huddersfield Contemporary Music Festival]].<ref name=WMIC/>
Puw's music is rooted in the language and literature of Wales, with a particular affinity to the poetry of [[R. S. Thomas]].<ref name=Glamorgan1>{{cite web|url=http://www.valeofglamorganfestival.org/2005_text_composers.htm|title=Vale of Glamorgan Festival composers 2005|archive-url=https://web.archive.org/web/20060209181738/http://www.valeofglamorganfestival.org/2005_composers.htm#Puw|archive-date=9 February 2006|access-date=12 January 2010|publisher=[[Vale of Glamorgan Festival]]|url-status=dead|df=dmy-all}}</ref> Welsh titles and settings of poetry in Welsh, such as ''Mecanwaith'', ''Dawns y Sêr'', and ''[[... onyt agoraf y drws ...]]'', feature in his work. He has won the Composer's Medal at the [[National Eisteddfod of Wales]] twice, winning it first in 1995 for a [[harp]] piece, ''Ffantasia II''.<ref name="Composers of Wales"/> In 1997, when the Eisteddfod was held in Bala, he won the Medal for a [[string quartet]], {{lang|cy|Mecanwaith}} ("Mechanism") – this piece was later featured in [[S4C]]'s television series {{lang|cy|Y Cyfansoddwyr}} ("The Composers").<ref name="Composers of Wales"/> {{lang|cy|Mecanwaith}} has also been performed by the [[Duke Quartet]] at the 1998 [[Bath International Music Festival]] and the 1999 [[Huddersfield Contemporary Music Festival]].<ref name=WMIC/>


===Orchestral works===
===Orchestral works===
Puw's oboe concerto was commissioned by BBC Radio 3 and was premiered by the BBC National Orchestra of Wales and their principal oboist David Cowley at {{lang|cy|Theatr Brycheiniog}}, [[Brecon]], on 27 April 2006.<ref name=PRS>{{cite web|url=http://www.prsformusic.com/SiteCollectionDocuments/2007%20British%20Composer%20Awards%20Winners%20release%20FINAL.pdf|title=5th British Composer Awards – Winners Announced|publisher=[[PRS for Music]]|date=6 December 2007|accessdate=12 January 2010}}</ref> It takes its inspiration from different qualities of the human voice, including [[stuttering|stutters]] and chatterboxes.<ref name=PRS/> Puw has said that "The second movement is inspired by talkative people who won't let you contribute to a conversation", represented by a repeated row of 13 notes played until "it gets rather unbearable".<ref name=PRS/><ref name=WesternMail2006>{{cite news|work=Western Mail |date=21 April 2006}}</ref> It was broadcast on BBC Radio 3 on 1 March 2007 as part of a programme of music by Welsh composers to celebrate [[St David's Day]].<ref name="St David's Day 2007">{{cite web|url=http://www.bbc.co.uk/radio3/afternoonon3/pip/aoatj/ |date=1 March 2007|title=Afternoon on 3|publisher=BBC Online|accessdate=12 January 2010}}</ref> The concerto won Puw the 2007 [[BBC Radio 3]] Listeners Award at the British Composer Awards.<ref name=PRS/>
Puw's oboe concerto was commissioned by BBC Radio 3 and was premiered by the BBC National Orchestra of Wales and their principal oboist David Cowley at {{lang|cy|Theatr Brycheiniog}}, [[Brecon]], on 27 April 2006.<ref name=PRS>{{cite web|url=http://www.prsformusic.com/SiteCollectionDocuments/2007%20British%20Composer%20Awards%20Winners%20release%20FINAL.pdf|title=5th British Composer Awards – Winners Announced|publisher=[[PRS for Music]]|date=6 December 2007|access-date=12 January 2010|archive-date=15 July 2011|archive-url=https://web.archive.org/web/20110715130436/http://www.prsformusic.com/SiteCollectionDocuments/2007%20British%20Composer%20Awards%20Winners%20release%20FINAL.pdf|url-status=dead}}</ref> It takes its inspiration from different qualities of the human voice, including [[stuttering|stutters]] and chatterboxes.<ref name=PRS/> Puw has said that "The second movement is inspired by talkative people who won't let you contribute to a conversation", represented by a repeated row of 13 notes played until "it gets rather unbearable".<ref name=PRS/><ref name=WesternMail2006>{{cite news|work=Western Mail |date=21 April 2006}}</ref> It was broadcast on BBC Radio 3 on 1 March 2007 as part of a programme of music by Welsh composers to celebrate [[St David's Day]].<ref name="St David's Day 2007">{{cite web|url=http://www.bbc.co.uk/radio3/afternoonon3/pip/aoatj/ |date=1 March 2007|title=Afternoon on 3|publisher=BBC Online|access-date=12 January 2010}}</ref> The concerto won Puw the 2007 [[BBC Radio 3]] Listeners Award at the British Composer Awards.<ref name=PRS/>


His orchestral piece ''Reservoirs'' was inspired by a 1968 poem by R. S. Thomas about the drowning of Welsh valleys such as [[Capel Celyn|Tryweryn]] (a few miles from where Puw grew up) and [[Clywedog reservoir|Clywedog]] to provide water for England.<ref name=Glamorgan2>{{cite web|url=http://www.valeofglamorganfestival.org/2005_text_programmes.htm|title=Vale of Glamorgan Festival of Music 2005 – Programmes|publisher=Vale of Glamorgan Festival|archiveurl=https://web.archive.org/web/20060204182901/http://www.valeofglamorganfestival.org/2005_programmes.htm#Thursday%201%20September,%207.30pm|archivedate=4 February 2006|accessdate=12 January 2010|url-status=dead|df=dmy-all}}</ref> Puw had a particular affinity with the topic as his grandfather lost farmland in the Tryweryn flooding.<ref name=BBCnews>{{cite web|url=http://news.bbc.co.uk/1/hi/wales/4789372.stm|title= Tryweryn reservoir 'unnecessary'|publisher=BBC News|date=9 March 2006|accessdate=12 January 2010}}</ref> Nevertheless, he has said that he "decided not to take the poem too literally because as a composer you can be subject to criticism for doing that."<ref name=WesternMail2006/> It was nominated in 2005 in the Large-Scale Composition category of the [[Royal Philharmonic Society]] Music Awards.<ref name=RPS>{{cite web|url=http://www.bangor.ac.uk/music/news/news_18.03.05.php.en|title=Guto Puw's 'Reservoirs' nominated for RPS Music Award|publisher=Bangor University|accessdate=12 January 2010}}</ref> The music was used in a BBC2 Wales documentary, "Drowning a Village", broadcast on 9 March 2006.<ref name=BBCnews/> A performance by BBC NOW was broadcast on BBC Radio 3 as part of the 2005 [[Vale of Glamorgan Festival]].<ref name=BBCVOG>{{cite web|url=http://www.bbc.co.uk/radio3/hearandnow/pip/o8bk8/ |title=Hear And Now: Vale of Glamorgan Festival|publisher=BBC Online|accessdate=12 January 2010}}</ref>
His orchestral piece ''Reservoirs'' was inspired by a 1968 poem by R. S. Thomas about the drowning of Welsh valleys such as [[Capel Celyn|Tryweryn]] (a few miles from where Puw grew up) and [[Clywedog reservoir|Clywedog]] to provide water for England.<ref name=Glamorgan2>{{cite web|url=http://www.valeofglamorganfestival.org/2005_text_programmes.htm|title=Vale of Glamorgan Festival of Music 2005 – Programmes|publisher=Vale of Glamorgan Festival|archive-url=https://web.archive.org/web/20060204182901/http://www.valeofglamorganfestival.org/2005_programmes.htm#Thursday%201%20September,%207.30pm|archive-date=4 February 2006|access-date=12 January 2010|url-status=dead|df=dmy-all}}</ref> Puw had a particular affinity with the topic as his grandfather lost farmland in the Tryweryn flooding.<ref name=BBCnews>{{cite web|url=http://news.bbc.co.uk/1/hi/wales/4789372.stm|title= Tryweryn reservoir 'unnecessary'|publisher=BBC News|date=9 March 2006|access-date=12 January 2010}}</ref> Nevertheless, he has said that he "decided not to take the poem too literally because as a composer you can be subject to criticism for doing that."<ref name=WesternMail2006/> It was nominated in 2005 in the Large-Scale Composition category of the [[Royal Philharmonic Society]] Music Awards.<ref name=RPS>{{cite web|url=http://www.bangor.ac.uk/music/news/news_18.03.05.php.en|title=Guto Puw's 'Reservoirs' nominated for RPS Music Award|publisher=Bangor University|access-date=12 January 2010}}</ref> The music was used in a BBC2 Wales documentary, "Drowning a Village", broadcast on 9 March 2006.<ref name=BBCnews/> A performance by BBC NOW was broadcast on BBC Radio 3 as part of the 2005 [[Vale of Glamorgan Festival]].<ref name=BBCVOG>{{cite web|url=http://www.bbc.co.uk/radio3/hearandnow/pip/o8bk8/ |title=Hear And Now: Vale of Glamorgan Festival|publisher=BBC Online|access-date=12 January 2010}}</ref>


As part of his association with BBC NOW, Puw was commissioned by BBC Radio 3 to compose for the 2007 [[Proms]]. His orchestral piece, {{lang|cy|[[... onyt agoraf y drws ... (Puw)|...&nbsp;onyt agoraf y drws&nbsp;...]]}} ("...&nbsp;unless I open the door&nbsp;...") was premiered on 9 August 2007, conducted by [[David Atherton]].<ref name=BBCProms>BBC Proms Guide 2007 {{ISBN|978-1-84607-256-7}}</ref> It is based on a story from the [[Mabinogion]], a collection of medieval Welsh tales, in which a group of warriors, lately returned from Ireland, feast in [[Harlech]] for seven years with the severed head of their leader at the head of the table. They then feast in [[Pembroke, Pembrokeshire|Penfro]] for eighty years in a hall with three doors, and only remember the dreadful events that happened in Ireland when the third door opens. Each of the three doors in Penfro was represented by an instrument in a [[box (theatre)|box]] in the [[Royal Albert Hall]].<ref name=BBCProms/>
As part of his association with BBC NOW, Puw was commissioned by BBC Radio 3 to compose for the 2007 [[The Proms|Proms]]. His orchestral piece, {{lang|cy|[[... onyt agoraf y drws ... (Puw)|...&nbsp;onyt agoraf y drws&nbsp;...]]}} ("...&nbsp;unless I open the door&nbsp;...") was premiered on 9 August 2007, conducted by [[David Atherton]].<ref name=BBCProms>BBC Proms Guide 2007 {{ISBN|978-1-84607-256-7}}</ref> It is based on a story from the [[Mabinogion]], a collection of medieval Welsh tales, in which a group of warriors, lately returned from Ireland, feast in [[Harlech]] for seven years with the severed head of their leader at the head of the table. They then feast in [[Pembroke, Pembrokeshire|Penfro]] for eighty years in a hall with three doors, and only remember the dreadful events that happened in Ireland when the third door opens. Each of the three doors in Penfro was represented by an instrument in a [[box (theatre)|box]] in the [[Royal Albert Hall]].<ref name=BBCProms/>


In recent years, each movement of his lyrical ''Violin Concerto - Soft Stillness'' (2012–14) uses quotations from the 5th Act of Shakespeare's ''The Merchant of Venice'' as inspiration. The orchestral work ''Camouflage'' (2017–18) is constructed from different layers of textures created by various instrumental combinations. The repeated two-note motif introduced at the beginning and later the ascending scales are gradually concealed within thick blocks of orchestral textures. Often these blocks have been constructed from layers of identical ideas that are repeated within a passage, similar to a pattern found in a typical camouflage.
In recent years, each movement of his lyrical ''Violin Concerto - Soft Stillness'' (2012–14) uses quotations from the 5th Act of Shakespeare's ''The Merchant of Venice'' as inspiration. The orchestral work ''Camouflage'' (2017–18) is constructed from different layers of textures created by various instrumental combinations. The repeated two-note motif introduced at the beginning and later the ascending scales are gradually concealed within thick blocks of orchestral textures. Often these blocks have been constructed from layers of identical ideas that are repeated within a passage, similar to a pattern found in a typical camouflage.


===Opera and Music Theatre===
===Opera and music theatre===
[[File:Puw - 'Hadau' for soprano, harp and narrator (2009), bb47-49.tif|thumb]] In 2009 ''Hadau'' was commissioned by the [[National Eisteddfod of Wales]] to be performed alongside an installation by artist Christine Mills at the Lle Celf pavilion. Scored for soprano, harp and narrator, the work was inspired by the strong [[Cerdd Dant]] tradition particularly found in rural communities of Meirionnydd and other parts of the country.
[[File:Puw - 'Hadau' for soprano, harp and narrator (2009), bb47-49.tif|thumb]] In 2009 ''Hadau'' was commissioned by the [[National Eisteddfod of Wales]] to be performed alongside an installation by artist Christine Mills at the Lle Celf pavilion. Scored for soprano, harp and narrator, the work was inspired by the strong [[Cerdd Dant]] tradition particularly found in rural communities of Meirionnydd and other parts of the country.


Earlier in 2017 Puw completed his first chamber opera ''Y Tŵr'' based on the play by the Welsh playwright, Gwenlyn Parry and to libretto by [[Gwyneth Glyn]]. The opera in three acts explores the relationship and emotions between two characters during three specific periods in their lives, during youth, middle age and finally, old age. The composer's use of atonal musical language, [[Octatonic scale|octatonic]] scales and the occasional tonal passage are directly linked with the various emotions of the characters and the unfolding of the drama.
In 2017 Puw completed his first chamber opera ''Y Tŵr'' based on the play by the Welsh playwright, Gwenlyn Parry and to libretto by [[Gwyneth Glyn]]. It was premiered by Music Theatre Wales and [[Richard Baker (broadcaster)|Richard Baker]] on 18 May 2017 at the Sherman Theatre, Cardiff during the Vale of Glamorgan Festival.<ref>{{cite web |url=http://musictheatre.wales/productions/y-twr |title=Y Tŵr: Introduction |archive-url=https://web.archive.org/web/20191117214816/http://musictheatre.wales/productions/y-twr |archive-date=2019-11-17 |url-status=dead }}</ref> The opera in three acts explores the relationship and emotions between two characters during three specific periods in their lives, during youth, middle age and finally, old age. The composer's use of atonal musical language, [[Octatonic scale|octatonic]] scales and the occasional tonal passage are directly linked with the various emotions of the characters and the unfolding of the drama.{{citation needed|date=January 2024}}


===Other works===
===Other works===
Unusual instrumentation and unusual performance techniques, including elements of improvisation, are also important features of his work. In 1998 he composed ''X-ist'', a piece for IST (the Improvising String Trio, consisting of [[harp]], cello and [[double-bass]]). It was described by reviewers as a "frighteningly frantic" and "challenging" piece.<ref name=jazzword/><ref name=Cadence>{{cite web|url=http://www.brucesfingers.co.uk/catalogue/bf28reviews.html |last=Horn|first=Walter|publisher=Bruce's Fingers |title= IST Ghost Notes|accessdate=12 January 2010}}</ref> ''X-ist'' uses a graphic score and includes written directions to the players that act as "creative stimuli", containing notes and motifs to be followed.<ref name=jazzword/> The piece also requires the cellist and double-bassist to tap their instruments, as well as use normal playing methods.<ref name=jazzword>{{cite web|url=http://www.jazzword.com/reviews/102680|last=Waxman|first=Ken|title=IST|date=13 January 2003|accessdate=12 January 2010}}</ref> Another piece requiring improvisation by performers was his commission for the 2001 Bangor New Music Festival, {{lang|cy|Trioled}}, which was written for ensemble (saxophone, guitar, harp, keyboard, cello, piano) and optional dancer. In his performing notes, Puw describes the pieces as a "stimulus for musical improvisation" in which any notes, normal or extended musical techniques and/or percussive effects may be applied.<ref name=WMICtrioled>{{cite web|url=http://wmic.org/cgi-bin/fullwork.cgi?id=464&f=c |title=Catalogue: Trioled |language=Welsh |publisher=Welsh Music Information Centre |accessdate=12 January 2010 |url-status=dead |archiveurl=https://web.archive.org/web/20070927213130/http://wmic.org/cgi-bin/fullwork.cgi?id=464&f=c |archivedate=27 September 2007 }}</ref> {{lang|cy|Trioled}} has two contrasting sub-sections, a and b, arranged in the form a-b-a-a-a-b-a-b to match the Welsh poetic measure of the same name, with the strings playing calmly in the "a" sections, and saxophone and keyboard (gradually joined by the other instruments) playing in a more lively manner in the "b" sections.<ref name=WMICtrioled/> The musicians and the dancer are required to react to each other's contributions in each section to create a "multi-media" experience.<ref name=WMICtrioled/>
Unusual instrumentation and unusual performance techniques, including elements of improvisation, are also important features of his work. In 1998 he composed ''X-ist'', a piece for IST (the Improvising String Trio, consisting of [[harp]], cello and [[double-bass]]). It was described by reviewers as a "frighteningly frantic" and "challenging" piece.<ref name=jazzword/><ref name=Cadence>{{cite web|url=http://www.brucesfingers.co.uk/catalogue/bf28reviews.html |last=Horn|first=Walter|publisher=Bruce's Fingers |title= IST Ghost Notes|access-date=12 January 2010}}</ref> ''X-ist'' uses a graphic score and includes written directions to the players that act as "creative stimuli", containing notes and motifs to be followed.<ref name=jazzword/> The piece also requires the cellist and double-bassist to tap their instruments, as well as use normal playing methods.<ref name=jazzword>{{cite web|url=http://www.jazzword.com/reviews/102680|last=Waxman|first=Ken|title=IST|date=13 January 2003|access-date=12 January 2010}}</ref> Another piece requiring improvisation by performers was his commission for the 2001 Bangor New Music Festival, {{lang|cy|Trioled}}, which was written for ensemble (saxophone, guitar, harp, keyboard, cello, piano) and optional dancer. In his performing notes, Puw describes the pieces as a "stimulus for musical improvisation" in which any notes, normal or extended musical techniques and/or percussive effects may be applied.<ref name=WMICtrioled>{{cite web|url=http://wmic.org/cgi-bin/fullwork.cgi?id=464&f=c |title=Catalogue: Trioled |language=Welsh |publisher=Welsh Music Information Centre |access-date=12 January 2010 |url-status=dead |archive-url=https://web.archive.org/web/20070927213130/http://wmic.org/cgi-bin/fullwork.cgi?id=464&f=c |archive-date=27 September 2007 }}</ref> {{lang|cy|Trioled}} has two contrasting sub-sections, a and b, arranged in the form a-b-a-a-a-b-a-b to match the Welsh poetic measure of the same name, with the strings playing calmly in the "a" sections, and saxophone and keyboard (gradually joined by the other instruments) playing in a more lively manner in the "b" sections.<ref name=WMICtrioled/> The musicians and the dancer are required to react to each other's contributions in each section to create a "multi-media" experience.<ref name=WMICtrioled/>


''Visages'', his 1999 piece for 2 [[tuba]]s and 2 [[euphonium]]s, was described as "astringent, often whimsical but well written for these instruments".<ref name=musicweb>{{cite web|url=http://www.musicweb-international.com/classrev/2001/june01/Tubulate.htm |title=Earth and Moon: Music for Brass Quartet|first=Philip |last=Scowcroft|publisher=MusicWeb International|date=June 2001|accessdate=12 January 2010}}</ref> Puw said that in the piece "Freedom is granted to the performers to make any subtle facial expressions that add to the musical interpretation".<ref name=WMICtuba>{{cite web|url=http://wmic.org/cgi-bin/fullwork.cgi?id=595&f=c |title=Catalogue: Visages |publisher=Welsh Music Information Centre |accessdate=12 January 2010 |url-status=dead |archiveurl=https://web.archive.org/web/20070927213054/http://wmic.org/cgi-bin/fullwork.cgi?id=595&f=c |archivedate=27 September 2007 }}</ref> Puw describes {{lang|cy|Ffantasia III}} (a piece for solo piano, composed for the 2000 Bangor New Music Festival) as an "intimate reflection" upon the music of, and a tribute to, [[Robert Schumann]], his "intricate compositional style" and "world of delicate expression".<ref name=WMICFF3>{{cite web|url=http://wmic.org/cgi-bin/fullwork.cgi?id=593&f=c |title=Catalogue: Ffantasia III |language=Welsh |publisher=Welsh Music Information Centre |accessdate=12 January 2010 |url-status=dead |archiveurl=https://web.archive.org/web/20070927213137/http://wmic.org/cgi-bin/fullwork.cgi?id=593&f=c |archivedate=27 September 2007 }}</ref> The music becomes "simpler and softer" throughout the piece, moving from the "rhythmic complexity" of the opening bars through to slow quavers transforming into triplets.<ref name=WMICFF3/> An ensemble piece, ''different light'' (for [[clarinet]], violin, cello and piano) was "inspired by the idea of moving a picture from one place to another, be it to another house, or from one room to the next, or even from one wall to another."<ref name=WMICdifferent>{{cite web|url=http://wmic.org/cgi-bin/fullwork.cgi?id=590&f=c |title=Catalogue: Different Light |publisher=Welsh Music Information Centre |accessdate=12 January 2010 |url-status=dead |archiveurl=https://web.archive.org/web/20070927213122/http://wmic.org/cgi-bin/fullwork.cgi?id=590&f=c |archivedate=27 September 2007 }}</ref> As the picture is moved, it looks the same but is perceived in a different light.<ref name=WMICdifferent/> Puw attempts to convey this in musical terms by having each instrument enter separately with its own musical phrase in the first part of the piece. Then, in the second part of the piece, all the thematic material is repeated with the instruments playing simultaneously, so that the music is similarly perceived in a different light.<ref name=WMICdifferent/> ''different light'' was featured at the 2001 ''UKwithNY'' festival at the [[Angel Orensanz Center]] in New York City.<ref name=WMIC>{{cite web|url=http://wmic.org/cgi-bin/composerfull.cgi?id=5 |title=Doctor Guto Pryderi Puw |publisher=Welsh Music Information Centre |accessdate=12 January 2010 |url-status=dead |archiveurl=https://web.archive.org/web/20110725160229/http://wmic.org/cgi-bin/composerfull.cgi?id=5 |archivedate=25 July 2011 }}</ref> His 2005 composition for the Bangor New Music Festival, ''[[Stereo Type (Puw)|Stereo Type]]'', was written for [[Instrument amplifier|amplified]] [[typewriter]]s and [[Compact Cassette|tape]]. It was premiered by School of Music students from Bangor University in the Deiniol Shopping Centre, [[Bangor, Gwynedd|Bangor]], on 5 March 2005.<ref name=Bangor/>
''Visages'', his 1999 piece for 2 [[tuba]]s and 2 [[euphonium]]s, was described as "astringent, often whimsical but well written for these instruments".<ref name=musicweb>{{cite web|url=http://www.musicweb-international.com/classrev/2001/june01/Tubulate.htm |title=Earth and Moon: Music for Brass Quartet|first=Philip |last=Scowcroft|publisher=MusicWeb International|date=June 2001|access-date=12 January 2010}}</ref> Puw said that in the piece "Freedom is granted to the performers to make any subtle facial expressions that add to the musical interpretation".<ref name=WMICtuba>{{cite web|url=http://wmic.org/cgi-bin/fullwork.cgi?id=595&f=c |title=Catalogue: Visages |publisher=Welsh Music Information Centre |access-date=12 January 2010 |url-status=dead |archive-url=https://web.archive.org/web/20070927213054/http://wmic.org/cgi-bin/fullwork.cgi?id=595&f=c |archive-date=27 September 2007 }}</ref> Puw describes {{lang|cy|Ffantasia III}} (a piece for solo piano, composed for the 2000 Bangor New Music Festival) as an "intimate reflection" upon the music of, and a tribute to, [[Robert Schumann]], his "intricate compositional style" and "world of delicate expression".<ref name=WMICFF3>{{cite web|url=http://wmic.org/cgi-bin/fullwork.cgi?id=593&f=c |title=Catalogue: Ffantasia III |language=Welsh |publisher=Welsh Music Information Centre |access-date=12 January 2010 |url-status=dead |archive-url=https://web.archive.org/web/20070927213137/http://wmic.org/cgi-bin/fullwork.cgi?id=593&f=c |archive-date=27 September 2007 }}</ref> The music becomes "simpler and softer" throughout the piece, moving from the "rhythmic complexity" of the opening bars through to slow quavers transforming into triplets.<ref name=WMICFF3/> An ensemble piece, ''different light'' (for [[clarinet]], violin, cello and piano) was "inspired by the idea of moving a picture from one place to another, be it to another house, or from one room to the next, or even from one wall to another."<ref name=WMICdifferent>{{cite web|url=http://wmic.org/cgi-bin/fullwork.cgi?id=590&f=c |title=Catalogue: Different Light |publisher=Welsh Music Information Centre |access-date=12 January 2010 |url-status=dead |archive-url=https://web.archive.org/web/20070927213122/http://wmic.org/cgi-bin/fullwork.cgi?id=590&f=c |archive-date=27 September 2007 }}</ref> As the picture is moved, it looks the same but is perceived in a different light.<ref name=WMICdifferent/> Puw attempts to convey this in musical terms by having each instrument enter separately with its own musical phrase in the first part of the piece. Then, in the second part of the piece, all the thematic material is repeated with the instruments playing simultaneously, so that the music is similarly perceived in a different light.<ref name=WMICdifferent/> ''different light'' was featured at the 2001 ''UKwithNY'' festival at the [[Angel Orensanz Center]] in New York City.<ref name=WMIC>{{cite web|url=http://wmic.org/cgi-bin/composerfull.cgi?id=5 |title=Doctor Guto Pryderi Puw |publisher=Welsh Music Information Centre |access-date=12 January 2010 |url-status=dead |archive-url=https://web.archive.org/web/20110725160229/http://wmic.org/cgi-bin/composerfull.cgi?id=5 |archive-date=25 July 2011 }}</ref> His 2005 composition for the Bangor New Music Festival, ''[[Stereo Type (Puw)|Stereo Type]]'', was written for [[Instrument amplifier|amplified]] [[typewriter]]s and [[Compact Cassette|tape]]. It was premiered by School of Music students from Bangor University in the Deiniol Shopping Centre, [[Bangor, Gwynedd|Bangor]], on 5 March 2005.<ref name=Bangor/>


In 2017 he composed ''Sustained Clusters (March)'' for brass quintet and fairground organ, which was first performed by Onyx Brass at the Eastern Shelter, Barry during the Vale of Glamorgan Festival. The work features a series of chordal clusters, repeated descending modal scales and a playful tune, creating a humorous dialogue between the brass ensemble and the fairground organ. His latest piece for street organ was ''Ffantasia V'' and was premiere at the [http://valeofglamorganfestival.org.uk/astrid-the-street-organ-10-world-premieres/ Vale of Glamorgan Festival] in May 2019.
In 2017 he composed ''Sustained Clusters (March)'' for brass quintet and fairground organ, which was first performed by Onyx Brass at the Eastern Shelter, Barry during the Vale of Glamorgan Festival. The work features a series of chordal clusters, repeated descending modal scales and a playful tune, creating a humorous dialogue between the brass ensemble and the fairground organ. His latest piece for street organ was ''Ffantasia V'' and was premiere at the [http://valeofglamorganfestival.org.uk/astrid-the-street-organ-10-world-premieres/ Vale of Glamorgan Festival] in May 2019.<ref>{{cite web |url=https://valeofglamorganfestival.org.uk/astrid-the-street-organ-10-world-premieres/ |archive-url=https://web.archive.org/web/20220529084050/http://valeofglamorganfestival.org.uk/astrid-the-street-organ-10-world-premieres/ |archive-date=2022-05-29 |url-status=dead |title=Astrid the Street Organ: 10 World Premieres &#124; Vale of Glamorgan Festival }}</ref>{{better source needed|date=January 2024}}


==List of compositions==
==List of compositions==
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| ''Becoming''
| ''Becoming''
| [[soprano]], [[mezzo-soprano]], [[alto]], [[tenor]], [[baritone]], [[Bass (vocal range)|bass]]
| [[soprano]], [[mezzo-soprano]], [[alto]], [[tenor]], [[baritone]], [[Bass (vocal range)|bass]]
| Words by [[R. S. Thomas]]; first performed by the [[London Sinfonietta]] Voices on 27 March 1994<ref name=WMICbecoming>{{cite web|url=http://wmic.org/cgi-bin/fullwork.cgi?id=589&f=c |title=Catalogue: Becoming |publisher=Welsh Music Information Centre website |accessdate=12 January 2010 |url-status=dead |archiveurl=https://web.archive.org/web/20070927213101/http://wmic.org/cgi-bin/fullwork.cgi?id=589&f=c |archivedate=27 September 2007 }}</ref>
| Words by [[R. S. Thomas]]; first performed by the [[London Sinfonietta]] Voices on 27 March 1994<ref name=WMICbecoming>{{cite web|url=http://wmic.org/cgi-bin/fullwork.cgi?id=589&f=c |title=Catalogue: Becoming |publisher=Welsh Music Information Centre website |access-date=12 January 2010 |url-status=dead |archive-url=https://web.archive.org/web/20070927213101/http://wmic.org/cgi-bin/fullwork.cgi?id=589&f=c |archive-date=27 September 2007 }}</ref>
|-
|-
| 1995
| 1995
Line 117: Line 117:
| {{lang|cy|Iddi Hi}}
| {{lang|cy|Iddi Hi}}
| tenor and piano/harp
| tenor and piano/harp
| Recorded by [[John Eifion]] ([[Sain]])<ref name=WMIC/>
| Recorded by [[John Eifion]] ([[Sain (record label)|Sain]])<ref name=WMIC/>
|-
|-
| 1999
| 1999
Line 125: Line 125:
|-
|-
| 1999
| 1999
| ''[https://www.youtube.com/watch?v=VOAKHJ0q6pQ{{lang|cy|Cylch Gwag}}]''<br>("Empty Cycle")
| ''[https://www.youtube.com/watch?v=VOAKHJ0q6pQ{{lang|cy|Cylch Gwag}}]''<br />("Empty Cycle")
| piano
| piano
|
|
Line 142: Line 142:
| {{lang|cy|Ffantasia III}}
| {{lang|cy|Ffantasia III}}
| solo piano
| solo piano
| Commissioned by the [http://www.bangormusicfestival.org.uk/ Bangor New Music Festival], premiered by [[Ian Pace]]
| Commissioned by the Bangor New Music Festival, premiered by [[Ian Pace]]
|-
|-
| 2000
| 2000
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|-
|-
| 2001
| 2001
| {{lang|cy|Dawns y Sêr}}<br>("Dance of the Stars")
| {{lang|cy|Dawns y Sêr}}<br />("Dance of the Stars")
| baritone and piano
| baritone and piano
| Words by Nesta Wyn Jones, commissioned by Jeremy Huw Williams and the [[Arts Council of Wales]];<ref name=WMICdawns>{{cite web|url=http://wmic.org/cgi-bin/fullwork.cgi?id=457&f=c |title=Catalogue: Dawns y Sêr |language=Welsh |publisher=Welsh Music Information Centre website |accessdate=12 January 2010 |url-status=dead |archiveurl=https://web.archive.org/web/20070927213108/http://wmic.org/cgi-bin/fullwork.cgi?id=457&f=c |archivedate=27 September 2007 }}</ref> a version for baritone and orchestra was first performed on 16 March 2007 by Jeremy Huw Williams and BBC NOW conducted by [[Grant Llywellyn]].<ref name=WMICdawns/>
| Words by Nesta Wyn Jones, commissioned by Jeremy Huw Williams and the [[Arts Council of Wales]];<ref name=WMICdawns>{{cite web|url=http://wmic.org/cgi-bin/fullwork.cgi?id=457&f=c |title=Catalogue: Dawns y Sêr |language=Welsh |publisher=Welsh Music Information Centre website |access-date=12 January 2010 |url-status=dead |archive-url=https://web.archive.org/web/20070927213108/http://wmic.org/cgi-bin/fullwork.cgi?id=457&f=c |archive-date=27 September 2007 }}</ref> a version for baritone and orchestra was first performed on 16 March 2007 by Jeremy Huw Williams and BBC NOW conducted by [[Grant Llywellyn]].<ref name=WMICdawns/>
|-
|-
| 2002
| 2002
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|-
|-
| 2009
| 2009
| {{lang|cy|Chwyrnu (yn EN)}}<br>(Snoring (in NY))
| {{lang|cy|Chwyrnu (yn EN)}}<br />(Snoring (in NY))
| SSAATTBB a cappella choir
| SSAATTBB a cappella choir
| Commissioned by the [http://www.bangormusicfestival.org.uk/ Bangor New Music Festival]. Premiered by Exaudi, directed by James Weeks, during the BNMF at Bangor Cathedral on 18 March 2009.
| Commissioned by the [http://www.bangormusicfestival.org.uk/ Bangor New Music Festival]. Premiered by Exaudi, directed by James Weeks, during the BNMF at Bangor Cathedral on 18 March 2009.
|-
|-
| 2009
| 2009
| ''{{lang|cy|[http://www.safle.com/english/projects/stiwdio_safle_recent_projects/cerdd_dant_eisteddfod_09 Hadau]}}
| ''{{lang|cy|[https://culturecolony.com/media/video/christine-mills-hadau Hadau]}}''
| narrator, mezzo-soprano and harp
| narrator, mezzo-soprano and harp
| Commissioned by the 2009 National Eisteddfod, Y Bala
| Commissioned by the 2009 National Eisteddfod, Y Bala
|-
|-
| 2009
| 2009
| ''{{lang|cy|Agorawd 'Torri'r Garreg'}}
| ''{{lang|cy|Agorawd 'Torri'r Garreg'}} ''
| orchestra
| orchestra
| Commissioned by Bangor University as part of their 125th anniversary celebrations, premiered by BBC National Orchestra of Wales. Listen to an extract [http://www.composersofwales.org/member.php?ID=165 here]
| Commissioned by Bangor University as part of their 125th anniversary celebrations, premiered by BBC National Orchestra of Wales. Listen to an extract [http://www.composersofwales.org/member.php?ID=165 here]
|-
|-
| 2010
| 2010
| ''{{lang|cy|[http://news.bbc.co.uk/1/hi/wales/north_west/8589222.stm Music for Prams]}}
| ''{{lang|cy|[http://news.bbc.co.uk/1/hi/wales/north_west/8589222.stm Music for Prams]}}''
| two percussionists
| two percussionists
| Commissioned by The [http://www.bangormusicfestival.org.uk/ Bangor New Music Festival], 20 March 2010
| Commissioned by The [http://www.bangormusicfestival.org.uk/ Bangor New Music Festival], 20 March 2010
|-
|-
| 2010
| 2010
| ''{{lang|cy|Hologram}}
| ''{{lang|cy|Hologram}}''
| orchestra
| orchestra
| Commissioned by BBC Radio 3 for the BBC National Orchestra of Wales, premiered during the [http://www.bnmf.co.uk/ Bangor New Music Festival], Prichard-Jones Hall by BBC National Orchestra of Wales and Grant Llywellyn on 26 March 2010
| Commissioned by BBC Radio 3 for the BBC National Orchestra of Wales, premiered during the [http://www.bnmf.co.uk/ Bangor New Music Festival], Prichard-Jones Hall by BBC National Orchestra of Wales and Grant Llywellyn on 26 March 2010
|-
|-
| 2010
| 2010
| {{lang|cy|Noson Tân Gwyllt}}<br>(Bonfire Night)
| {{lang|cy|Noson Tân Gwyllt}}<br />(Bonfire Night)
| baritone and piano
| baritone and piano
| Commissioned by [[Jeremy Huw Williams]] and premiered at the North Wales International Music Festival, St Asaph Cathedral 22 September 2010
| Commissioned by [[Jeremy Huw Williams]] and premiered at the North Wales International Music Festival, St Asaph Cathedral 22 September 2010
|-
|-
| 2012
| 2012
| {{lang|cy|Digwyddiad Sugnwr Llwch}}<br>(Vacuum Event)
| {{lang|cy|Digwyddiad Sugnwr Llwch}}<br />(Vacuum Event)
| three performers
| three performers
| Premiered by the Bangor New Music Ensemble at the [http://www.bangormusicfestival.org.uk/ Bangor New Music Festival], Powis Hall, 15 March 2012
| Premiered by the Bangor New Music Ensemble at the [http://www.bangormusicfestival.org.uk/ Bangor New Music Festival], Powis Hall, 15 March 2012
|-
|-
| 2012
| 2012
| {{lang|cy|Naid Sgi}}<br>(Ski Jump)
| {{lang|cy|Naid Sgi}}<br />(Ski Jump)
| one performer
| one performer
| Premiered by the Bangor New Music Ensemble at the [http://www.bangormusicfestival.org.uk/ Bangor New Music Festival], Powis Hall, 15 March 2012
| Premiered by the Bangor New Music Ensemble at the [http://www.bangormusicfestival.org.uk/ Bangor New Music Festival], Powis Hall, 15 March 2012
|-
|-
| 2013
| 2013
| {{lang|cy|Trio (lliw)}}<br>(Trio (colour))
| {{lang|cy|Trio (lliw)}}<br />(Trio (colour))
| violin, cello and piano
| violin, cello and piano
| Premiered by the Mozart-Vienner Trio, North Wales International Music Festival, St Asaph, 23 September 2013
| Premiered by the Mozart-Vienner Trio, North Wales International Music Festival, St Asaph, 23 September 2013
|-
|-
| 2012–2014
| 2012–2014
| {{lang|cy|Concerto i'r Ffidil – Llonyddwch Tyner}}<br>(Violin Concerto – Soft Stillness)
| {{lang|cy|Concerto i'r Ffidil – Llonyddwch Tyner}}<br />(Violin Concerto – Soft Stillness)
| solo violin and chamber orchestra
| solo violin and chamber orchestra
| Commissioned by [https://www.madeleinemitchell.com/ Madeleine Mitchell] and [https://www.tycerdd.org/ Ty Cerdd] for the Bangor New Music Festival. Premiered by Madeleine Mitchell and [https://orchestraoftheswan.org/ Orchestra of the Swan], conducted by David Curtis, Bangor New Music Festival, Prichard-Jones Hall, Bangor, 14 March 2014
| Commissioned by [https://www.madeleinemitchell.com/ Madeleine Mitchell] and [https://www.tycerdd.org/ Ty Cerdd] for the Bangor New Music Festival. Premiered by Madeleine Mitchell and [https://orchestraoftheswan.org/ Orchestra of the Swan], conducted by David Curtis, Bangor New Music Festival, Prichard-Jones Hall, Bangor, 14 March 2014
|-
|-
| 2014
| 2014
| {{lang|cy|Tair Cerdd Dylan Thomas}}<br>(Three Dylan Thomas Poems)
| {{lang|cy|Tair Cerdd Dylan Thomas}}<br />(Three Dylan Thomas Poems)
I - Light breaks where no sun shines
I - Light breaks where no sun shines
II - Should lanterns shine
II - Should lanterns shine
Line 243: Line 243:
|-
|-
| 2016
| 2016
| {{lang|cy|Fy nghangen lân, fy nghowled glyd}}<br>(My pure bough, my warm embrace)
| {{lang|cy|Fy nghangen lân, fy nghowled glyd}}<br />(My pure bough, my warm embrace)
| flute, clarinet, violin, cello
| flute, clarinet, violin, cello
| Commissioned by [[Reuben Pace]] for the 'Hearing Orpheus Today' event. Premiered by the Orpheus Ensemble at the Gozo Ministry Hall, Malta on 28 May 2016
| Commissioned by [[Reuben Pace]] for the 'Hearing Orpheus Today' event. Premiered by the Orpheus Ensemble at the Gozo Ministry Hall, Malta on 28 May 2016
|-
|-
| 2011-17
| 2011-17
| {{lang|cy|Y Tŵr}}<br>(The Tower)
| {{lang|cy|Y Tŵr}}<br />(The Tower)
| chamber opera in 3 Acts
| chamber opera in 3 Acts
| Commissioned by [[Music Theatre Wales]] and [[Theatr Genedlaethol Cymru]]. Premiere at the Sherman Theatre, Cardiff during the [[Vale of Glamorgan Festival]] on 19 May 2017
| Commissioned by [[Music Theatre Wales]] and [[Theatr Genedlaethol Cymru]]. Premiere at the Sherman Theatre, Cardiff during the [[Vale of Glamorgan Festival]] on 19 May 2017
|-
|-
| 2017
| 2017
| {{lang|cy|(Ymdeithgan) Clystyrau Parhaus}}<br>('Sustained Clusters (March)')
| {{lang|cy|(Ymdeithgan) Clystyrau Parhaus}}<br />('Sustained Clusters (March)')
| for brass quintet and fairground organ
| for brass quintet and fairground organ
| Commissioned by The Vale of Glamorgan Festival. Premiered by [http://onyxbrass.co.uk/ Onyx Brass] at the Eastern Shelter, Barry during the Vale of Glamorgan Festival on 21 May 2017
| Commissioned by The Vale of Glamorgan Festival. Premiered by [http://onyxbrass.co.uk/ Onyx Brass] at the Eastern Shelter, Barry during the Vale of Glamorgan Festival on 21 May 2017
|-
|-
| 2017
| 2017
| {{lang|cy|'A gwaedd y bechgyn...'}}<br>('And the outcry of the boys...')
| {{lang|cy|'A gwaedd y bechgyn...'}}<br />('And the outcry of the boys...')
| flute, clarinet, harp
| flute, clarinet, harp
| Commissioned by Community Music Projects with financial support from Tŷ Cerdd. Premiered by Ellie Lighton, Sioned Eleri Roberts and Mared Emlyn at Beaumaris Parish Church, Anglesey on 18 November 2017
| Commissioned by Community Music Projects with financial support from Tŷ Cerdd. Premiered by Ellie Lighton, Sioned Eleri Roberts and Mared Emlyn at Beaumaris Parish Church, Anglesey on 18 November 2017
|-
|-
| 2017-18
| 2017-18
| {{lang|cy|Camouflage}}<br>('Cuddliw')
| {{lang|cy|Camouflage}}<br />('Cuddliw')
| full orchestra
| full orchestra
| A co-commission by BBC Radio 3 and Tŷ Cerdd. Premiered by BBC National Orchestra of Wales and Jac van Steen as part of the [https://www.bbc.co.uk/events/ejhbc8 Contemporary Evenings] series at Hoddinott Hall, Cardiff on 28 March 2018
| A co-commission by BBC Radio 3 and Tŷ Cerdd. Premiered by BBC National Orchestra of Wales and Jac van Steen as part of the [https://www.bbc.co.uk/events/ejhbc8 Contemporary Evenings] series at Hoddinott Hall, Cardiff on 28 March 2018
|-
|-
| 2018
| 2018
| {{lang|cy|Uwchsonig}}<br>(Ultrasonic)
| {{lang|cy|Uwchsonig}}<br />(Ultrasonic)
| ensemble
| ensemble
| A commission by [http://www.uproar.org.uk/ UPROAR]. Premiered by UPROAR under Michael Rafferty at Chapter, Cardiff on 26 October 2018
| A commission by [http://www.uproar.org.uk/ UPROAR]. Premiered by UPROAR under Michael Rafferty at Chapter, Cardiff on 26 October 2018
Line 276: Line 276:
| street organ
| street organ
| A commission by [[Vale of Glamorgan Festival]].
| A commission by [[Vale of Glamorgan Festival]].
|-
| 2020
| {{lang|cy|Pedwarawd Llinynnol #1 - 'Mae dy lwybrau'n diferu digonedd.'}}<br />(String Quartet #1 - 'Your paths overflow with plenty')
| string quartet
| A commission by The [http://www.bangormusicfestival.org.uk/ Bangor Music Festival]. Premiered by the [https://www.solemquartet.co.uk/ Solem Quartet] on 12 March 2021 during the festival.
|-
| 2022
| {{lang|cy|Popping Candy - "welcome to the world of FIZZ and FUN!'}}
| large ensemble
| Commission by [http://www.uproar.org.uk/ UPROAR]. Premiered by UPROAR under Michael Rafferty at the [http://www.bangormusicfestival.org.uk/ Bangor Music Festival], Pontio, Bangor on 12 February 2022.
|}
|}


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*2005 – ''Reservoirs'' (orchestral) nominated in the Large-Scale Composition category of the [[Royal Philharmonic Society]] Music Awards<ref name=RPS/>
*2005 – ''Reservoirs'' (orchestral) nominated in the Large-Scale Composition category of the [[Royal Philharmonic Society]] Music Awards<ref name=RPS/>
*2007 – Winner of the [[BBC Radio 3]] Listeners Award at the British Composer Awards for his Oboe Concerto<ref name=PRS/>
*2007 – Winner of the [[BBC Radio 3]] Listeners Award at the British Composer Awards for his Oboe Concerto<ref name=PRS/>
*2013 – Sir Geraint Evans Award presented by the [http://welshmusic.tp-web.co.uk/en/ Welsh Music Guild] "for his significant contribution to Welsh music"
*2013 – Sir Geraint Evans Award presented by the "for his significant contribution to Welsh music" <!-- http://welshmusic.tp-web.co.uk/en/ Welsh Music Guild] -->
*2015 – '' '…onyt agoraf y drws…' '' was chosen as the 2nd finest orchestral work by a Welsh composer, Gramophone magazine
*2015 – '' '…onyt agoraf y drws…' '' was chosen as the 2nd finest orchestral work by a Welsh composer, Gramophone magazine


==Recordings==
==Recordings==
*''Reservoirs – Orchestral Works by Guto Pryderi Puw'', [http://www.signumrecords.com/catalogue/guto-pryderi-puw/reservoirs/sigcd378.html Signum Records] (May 2014). Tracks includes ''...onyt agoraf y drws...'', ''Concerto for Oboe'', ''Reservoirs'', ''Hologram'' and '''Break the Stone' Overture''.
*''Reservoirs – Orchestral Works by Guto Pryderi Puw'', Signum Records (May 2014). Tracks includes ''...onyt agoraf y drws...'', ''Concerto for Oboe'', ''Reservoirs'', ''Hologram'' and '''Break the Stone' Overture''. <!-- http://www.signumrecords.com/catalogue/guto-pryderi-puw/reservoirs/sigcd378.html -->
*''Violin Concerto – Soft Stillness'', included on the CD ''Violin Muse'' performed by violinist [https://www.madeleinemitchell.com/ Madeleine Mitchell] and the BBC National Orchestra of Wales/Edwin Outwater, [https://divineartrecords.com/recording/violin-muse/ Divine Art] (October 2017).
*''Violin Concerto – Soft Stillness'', included on the CD ''Violin Muse'' performed by violinist Madeleine Mitchell and the BBC National Orchestra of Wales/Edwin Outwater, [https://divineartrecords.com/recording/violin-muse/ Divine Art] (October 2017).
*''Visages'', included on the CD ''Earth and Moon'' performed by [http://www.tubalate.com/earth-and-moon.html Tubalaté].
*''Visages'', included on the CD ''Earth and Moon'' performed by Tubalaté. <!-- http://www.tubalate.com/earth-and-moon.html -->


==References==
==References==
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*[https://web.archive.org/web/20070928145405/http://www.cc-cw.org/images/Guto_cylch_gwag_1_a_2_2.jpg A page from the score of {{lang|cy|Cylch Gwag}}]
*[https://web.archive.org/web/20070928145405/http://www.cc-cw.org/images/Guto_cylch_gwag_1_a_2_2.jpg A page from the score of {{lang|cy|Cylch Gwag}}]
*[http://abandonedcommunities.co.uk/page77.html R. S. Thomas's poem 'Reservoirs'], which inspired Puw's orchestral work of the same name
*[http://abandonedcommunities.co.uk/page77.html R. S. Thomas's poem 'Reservoirs'], which inspired Puw's orchestral work of the same name

{{good article}}


{{Authority control}}
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[[Category:21st-century classical composers]]
[[Category:21st-century classical composers]]
[[Category:Welsh classical composers]]
[[Category:Welsh classical composers]]
[[Category:British male classical composers]]
[[Category:Welsh male classical composers]]
[[Category:British classical composers]]
[[Category:Academics of Bangor University]]
[[Category:Academics of Bangor University]]
[[Category:Alumni of Bangor University]]
[[Category:Alumni of Bangor University]]
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[[Category:20th-century British composers]]
[[Category:20th-century British composers]]
[[Category:20th-century British male musicians]]
[[Category:20th-century British male musicians]]
[[Category:20th-century British musicians]]
[[Category:21st-century British male musicians]]
[[Category:21st-century British male musicians]]
[[Category:21st-century British composers]]
[[Category:People from Merionethshire]]

Latest revision as of 08:40, 4 March 2024

Guto Pryderi Puw
Guto Pryderi Puw (2018)
Background information
Born1971
OriginParc, Bala
GenresClassical music
Occupation(s)Composer
Conductor
University lecturer
Years active1993–present

Guto Pryderi Puw (born 1971)[1] is a Welsh composer, university lecturer and conductor. He is considered to be one of the most prominent Welsh composers of his generation and a key figure in current Welsh music.[2] Puw's music has been broadcast on BBC Radio 3 and been featured on television programmes for the BBC and S4C. He has twice been awarded the Composer's Medal at the National Eisteddfod.

Puw's works include pieces for unusual combinations of instruments, such as a tuba quartet or a trio consisting of harp, cello and double-bass, as well as more traditional forces such as solo baritone and piano, choir or orchestra. He was associated with the BBC National Orchestra of Wales as its Resident Composer, the first holder of this title, from 2006 to 2010. Puw's own Welsh identity is a recurrent theme in his music: some of his pieces set Welsh-language poetry to music and one of his pieces, Reservoirs, is written about the flooding of Welsh valleys to provide water for England.

Biography[edit]

Born in Parc (a village in Gwynedd near Bala),[3] Puw studied music composition at Bangor University with John Pickard, Andrew Lewis and Pwyll ap Siôn.[4] Puw was awarded with a MMus degree in 1996 and a PhD degree in 2002.[4] He was then awarded an Arts Council of Wales bursary and studied with the composer John Metcalf.[5] Puw was appointed as a Lecturer in Music at Bangor University in 2006, having previously been a Teaching Fellow in Music from 2004.[4] A Welsh speaker, he has been the Welsh Medium Teaching Fellow for the School of Music.[6] He was the founding member and conductor for Côr Cyntaf i'r Felin, a Welsh-language choir based in Y Felinheli near Bangor.[7]

Puw has received commissions from (amongst others) BBC Radio 3, the Welsh baritone Jeremy Huw Williams, the Bangor New Music Festival and the North Wales International Music Festival.[4] He was appointed the first Resident Composer with BBC National Orchestra of Wales (BBC NOW) in 2006 and held this position until 2010. During this time, Puw wrote a concerto for oboe (premiered in 2006) and an orchestral piece, ... onyt agoraf y drws ..., which was first performed to critical acclaim at the 2007 Proms.[5]

He was a founding member and the Artistic Director of the Bangor Music Festival, a festival for new music in north Wales founded in 2000.[8] He received the Tlws y Cerddor award from the Welsh Music Guild.[9]

Music[edit]

Welsh links[edit]

Puw's music is rooted in the language and literature of Wales, with a particular affinity to the poetry of R. S. Thomas.[2] Welsh titles and settings of poetry in Welsh, such as Mecanwaith, Dawns y Sêr, and ... onyt agoraf y drws ..., feature in his work. He has won the Composer's Medal at the National Eisteddfod of Wales twice, winning it first in 1995 for a harp piece, Ffantasia II.[3] In 1997, when the Eisteddfod was held in Bala, he won the Medal for a string quartet, Mecanwaith ("Mechanism") – this piece was later featured in S4C's television series Y Cyfansoddwyr ("The Composers").[3] Mecanwaith has also been performed by the Duke Quartet at the 1998 Bath International Music Festival and the 1999 Huddersfield Contemporary Music Festival.[10]

Orchestral works[edit]

Puw's oboe concerto was commissioned by BBC Radio 3 and was premiered by the BBC National Orchestra of Wales and their principal oboist David Cowley at Theatr Brycheiniog, Brecon, on 27 April 2006.[11] It takes its inspiration from different qualities of the human voice, including stutters and chatterboxes.[11] Puw has said that "The second movement is inspired by talkative people who won't let you contribute to a conversation", represented by a repeated row of 13 notes played until "it gets rather unbearable".[11][12] It was broadcast on BBC Radio 3 on 1 March 2007 as part of a programme of music by Welsh composers to celebrate St David's Day.[13] The concerto won Puw the 2007 BBC Radio 3 Listeners Award at the British Composer Awards.[11]

His orchestral piece Reservoirs was inspired by a 1968 poem by R. S. Thomas about the drowning of Welsh valleys such as Tryweryn (a few miles from where Puw grew up) and Clywedog to provide water for England.[14] Puw had a particular affinity with the topic as his grandfather lost farmland in the Tryweryn flooding.[15] Nevertheless, he has said that he "decided not to take the poem too literally because as a composer you can be subject to criticism for doing that."[12] It was nominated in 2005 in the Large-Scale Composition category of the Royal Philharmonic Society Music Awards.[16] The music was used in a BBC2 Wales documentary, "Drowning a Village", broadcast on 9 March 2006.[15] A performance by BBC NOW was broadcast on BBC Radio 3 as part of the 2005 Vale of Glamorgan Festival.[17]

As part of his association with BBC NOW, Puw was commissioned by BBC Radio 3 to compose for the 2007 Proms. His orchestral piece, ... onyt agoraf y drws ... ("... unless I open the door ...") was premiered on 9 August 2007, conducted by David Atherton.[18] It is based on a story from the Mabinogion, a collection of medieval Welsh tales, in which a group of warriors, lately returned from Ireland, feast in Harlech for seven years with the severed head of their leader at the head of the table. They then feast in Penfro for eighty years in a hall with three doors, and only remember the dreadful events that happened in Ireland when the third door opens. Each of the three doors in Penfro was represented by an instrument in a box in the Royal Albert Hall.[18]

In recent years, each movement of his lyrical Violin Concerto - Soft Stillness (2012–14) uses quotations from the 5th Act of Shakespeare's The Merchant of Venice as inspiration. The orchestral work Camouflage (2017–18) is constructed from different layers of textures created by various instrumental combinations. The repeated two-note motif introduced at the beginning and later the ascending scales are gradually concealed within thick blocks of orchestral textures. Often these blocks have been constructed from layers of identical ideas that are repeated within a passage, similar to a pattern found in a typical camouflage.

Opera and music theatre[edit]

In 2009 Hadau was commissioned by the National Eisteddfod of Wales to be performed alongside an installation by artist Christine Mills at the Lle Celf pavilion. Scored for soprano, harp and narrator, the work was inspired by the strong Cerdd Dant tradition particularly found in rural communities of Meirionnydd and other parts of the country.

In 2017 Puw completed his first chamber opera Y Tŵr based on the play by the Welsh playwright, Gwenlyn Parry and to libretto by Gwyneth Glyn. It was premiered by Music Theatre Wales and Richard Baker on 18 May 2017 at the Sherman Theatre, Cardiff during the Vale of Glamorgan Festival.[19] The opera in three acts explores the relationship and emotions between two characters during three specific periods in their lives, during youth, middle age and finally, old age. The composer's use of atonal musical language, octatonic scales and the occasional tonal passage are directly linked with the various emotions of the characters and the unfolding of the drama.[citation needed]

Other works[edit]

Unusual instrumentation and unusual performance techniques, including elements of improvisation, are also important features of his work. In 1998 he composed X-ist, a piece for IST (the Improvising String Trio, consisting of harp, cello and double-bass). It was described by reviewers as a "frighteningly frantic" and "challenging" piece.[20][21] X-ist uses a graphic score and includes written directions to the players that act as "creative stimuli", containing notes and motifs to be followed.[20] The piece also requires the cellist and double-bassist to tap their instruments, as well as use normal playing methods.[20] Another piece requiring improvisation by performers was his commission for the 2001 Bangor New Music Festival, Trioled, which was written for ensemble (saxophone, guitar, harp, keyboard, cello, piano) and optional dancer. In his performing notes, Puw describes the pieces as a "stimulus for musical improvisation" in which any notes, normal or extended musical techniques and/or percussive effects may be applied.[22] Trioled has two contrasting sub-sections, a and b, arranged in the form a-b-a-a-a-b-a-b to match the Welsh poetic measure of the same name, with the strings playing calmly in the "a" sections, and saxophone and keyboard (gradually joined by the other instruments) playing in a more lively manner in the "b" sections.[22] The musicians and the dancer are required to react to each other's contributions in each section to create a "multi-media" experience.[22]

Visages, his 1999 piece for 2 tubas and 2 euphoniums, was described as "astringent, often whimsical but well written for these instruments".[23] Puw said that in the piece "Freedom is granted to the performers to make any subtle facial expressions that add to the musical interpretation".[24] Puw describes Ffantasia III (a piece for solo piano, composed for the 2000 Bangor New Music Festival) as an "intimate reflection" upon the music of, and a tribute to, Robert Schumann, his "intricate compositional style" and "world of delicate expression".[25] The music becomes "simpler and softer" throughout the piece, moving from the "rhythmic complexity" of the opening bars through to slow quavers transforming into triplets.[25] An ensemble piece, different light (for clarinet, violin, cello and piano) was "inspired by the idea of moving a picture from one place to another, be it to another house, or from one room to the next, or even from one wall to another."[26] As the picture is moved, it looks the same but is perceived in a different light.[26] Puw attempts to convey this in musical terms by having each instrument enter separately with its own musical phrase in the first part of the piece. Then, in the second part of the piece, all the thematic material is repeated with the instruments playing simultaneously, so that the music is similarly perceived in a different light.[26] different light was featured at the 2001 UKwithNY festival at the Angel Orensanz Center in New York City.[10] His 2005 composition for the Bangor New Music Festival, Stereo Type, was written for amplified typewriters and tape. It was premiered by School of Music students from Bangor University in the Deiniol Shopping Centre, Bangor, on 5 March 2005.[4]

In 2017 he composed Sustained Clusters (March) for brass quintet and fairground organ, which was first performed by Onyx Brass at the Eastern Shelter, Barry during the Vale of Glamorgan Festival. The work features a series of chordal clusters, repeated descending modal scales and a playful tune, creating a humorous dialogue between the brass ensemble and the fairground organ. His latest piece for street organ was Ffantasia V and was premiere at the Vale of Glamorgan Festival in May 2019.[27][better source needed]

List of compositions[edit]

A list of Puw's major compositions.[3][4]

Date Composed Title Instrumentation Notes
1993 Ffantasia violin
1993 Becoming soprano, mezzo-soprano, alto, tenor, baritone, bass Words by R. S. Thomas; first performed by the London Sinfonietta Voices on 27 March 1994[28]
1995 Ffantasia II harp Winner of the Composer's Medal at the 1995 National Eisteddfod
1996 Sonata oboe and piano Commissioned by the North Wales International Music Festival
1997 Mecanwaith ("Mechanism") string quartet Winner of the Composer's Medal at the 1997 National Eisteddfod
1998 X-ist harp, cello and double-bass Commissioned and recorded by IST (Improvising String Trio)
1998 Capel Celyn tenor/high voice and piano Commissioned by the North Wales Music Festival
1998 The Loch Ness Monster's song unaccompanied SATB choir Commissioned by Adlais. View selected pages at Orianna Publications
1998–9 Ad Noctum flute, clarinet, violin, cello and piano Commissioned by MusicFest Aberystwyth
1999 Iddi Hi tenor and piano/harp Recorded by John Eifion (Sain)[10]
1999 Visages tuba quartet Commissioned and recorded by Tubalaté
1999 Cylch Gwag
("Empty Cycle")
piano
2000 Blodeuwedd baritone and piano Words by Nesta Wyn Jones; commissioned by Jeremy Huw Williams and recorded by him on "Songs for Jeremy" (Sain, 2000)
2000 "Swyn i estyn bywyd..." harp
2000 Ffantasia III solo piano Commissioned by the Bangor New Music Festival, premiered by Ian Pace
2000 different light clarinet, violin, cello and piano Commissioned by the Vale of Glamorgan Festival
2001 Trioled ("Triolet") Improvisation for saxophone, guitar, harp, keyboard, cello, piano and optional dancer Commissioned by the Bangor New Music Festival
2001 Dawns y Sêr
("Dance of the Stars")
baritone and piano Words by Nesta Wyn Jones, commissioned by Jeremy Huw Williams and the Arts Council of Wales;[29] a version for baritone and orchestra was first performed on 16 March 2007 by Jeremy Huw Williams and BBC NOW conducted by Grant Llywellyn.[29]
2002 Reservoirs orchestral work for BBC NOW Commissioned by BBC Radio 3
2003 Ffantasia IV (Canon) solo organ Commissioned by North Wales International Music Festival, premiered by Huw Tregelles Williams
2005 Stereo Type amplified typewriters and tape Commissioned by the Bangor New Music Festival
2006 Concerto for Oboe and orchestra oboe and orchestra Commissioned and premiered by BBC NOW, with oboist David Cowley.
2007 ... onyt agoraf y drws ... ("... unless I open the door ...") orchestra Orchestral work for BBC NOW for 2007 Proms
2009 Chwyrnu (yn EN)
(Snoring (in NY))
SSAATTBB a cappella choir Commissioned by the Bangor New Music Festival. Premiered by Exaudi, directed by James Weeks, during the BNMF at Bangor Cathedral on 18 March 2009.
2009 Hadau narrator, mezzo-soprano and harp Commissioned by the 2009 National Eisteddfod, Y Bala
2009 Agorawd 'Torri'r Garreg' orchestra Commissioned by Bangor University as part of their 125th anniversary celebrations, premiered by BBC National Orchestra of Wales. Listen to an extract here
2010 Music for Prams two percussionists Commissioned by The Bangor New Music Festival, 20 March 2010
2010 Hologram orchestra Commissioned by BBC Radio 3 for the BBC National Orchestra of Wales, premiered during the Bangor New Music Festival, Prichard-Jones Hall by BBC National Orchestra of Wales and Grant Llywellyn on 26 March 2010
2010 Noson Tân Gwyllt
(Bonfire Night)
baritone and piano Commissioned by Jeremy Huw Williams and premiered at the North Wales International Music Festival, St Asaph Cathedral 22 September 2010
2012 Digwyddiad Sugnwr Llwch
(Vacuum Event)
three performers Premiered by the Bangor New Music Ensemble at the Bangor New Music Festival, Powis Hall, 15 March 2012
2012 Naid Sgi
(Ski Jump)
one performer Premiered by the Bangor New Music Ensemble at the Bangor New Music Festival, Powis Hall, 15 March 2012
2013 Trio (lliw)
(Trio (colour))
violin, cello and piano Premiered by the Mozart-Vienner Trio, North Wales International Music Festival, St Asaph, 23 September 2013
2012–2014 Concerto i'r Ffidil – Llonyddwch Tyner
(Violin Concerto – Soft Stillness)
solo violin and chamber orchestra Commissioned by Madeleine Mitchell and Ty Cerdd for the Bangor New Music Festival. Premiered by Madeleine Mitchell and Orchestra of the Swan, conducted by David Curtis, Bangor New Music Festival, Prichard-Jones Hall, Bangor, 14 March 2014
2014 Tair Cerdd Dylan Thomas
(Three Dylan Thomas Poems)

I - Light breaks where no sun shines II - Should lanterns shine III - Sometimes the sky's too bright

SATB choir a cappella Commissioned by The School of Music, Bangor University and Pontio. Premiered by the Bangor University Singers during the 'My Friend Dylan Thomas' Festival, Powis Hall, Bangor, 29 October 2014
2016 Fy nghangen lân, fy nghowled glyd
(My pure bough, my warm embrace)
flute, clarinet, violin, cello Commissioned by Reuben Pace for the 'Hearing Orpheus Today' event. Premiered by the Orpheus Ensemble at the Gozo Ministry Hall, Malta on 28 May 2016
2011-17 Y Tŵr
(The Tower)
chamber opera in 3 Acts Commissioned by Music Theatre Wales and Theatr Genedlaethol Cymru. Premiere at the Sherman Theatre, Cardiff during the Vale of Glamorgan Festival on 19 May 2017
2017 (Ymdeithgan) Clystyrau Parhaus
('Sustained Clusters (March)')
for brass quintet and fairground organ Commissioned by The Vale of Glamorgan Festival. Premiered by Onyx Brass at the Eastern Shelter, Barry during the Vale of Glamorgan Festival on 21 May 2017
2017 'A gwaedd y bechgyn...'
('And the outcry of the boys...')
flute, clarinet, harp Commissioned by Community Music Projects with financial support from Tŷ Cerdd. Premiered by Ellie Lighton, Sioned Eleri Roberts and Mared Emlyn at Beaumaris Parish Church, Anglesey on 18 November 2017
2017-18 Camouflage
('Cuddliw')
full orchestra A co-commission by BBC Radio 3 and Tŷ Cerdd. Premiered by BBC National Orchestra of Wales and Jac van Steen as part of the Contemporary Evenings series at Hoddinott Hall, Cardiff on 28 March 2018
2018 Uwchsonig
(Ultrasonic)
ensemble A commission by UPROAR. Premiered by UPROAR under Michael Rafferty at Chapter, Cardiff on 26 October 2018
2019 Ffantasia V street organ A commission by Vale of Glamorgan Festival.
2020 Pedwarawd Llinynnol #1 - 'Mae dy lwybrau'n diferu digonedd.'
(String Quartet #1 - 'Your paths overflow with plenty')
string quartet A commission by The Bangor Music Festival. Premiered by the Solem Quartet on 12 March 2021 during the festival.
2022 Popping Candy - "welcome to the world of FIZZ and FUN!' large ensemble Commission by UPROAR. Premiered by UPROAR under Michael Rafferty at the Bangor Music Festival, Pontio, Bangor on 12 February 2022.

Awards and nominations[edit]

  • 1995 – Winner of the Composer's Medal at the National Eisteddfod of Wales for Ffantasia II (harp)[3]
  • 1997 – Winner of the Composer's Medal at the National Eisteddfod of Wales for Mecanwaith (string quartet)[3]
  • 2005 – Reservoirs (orchestral) nominated in the Large-Scale Composition category of the Royal Philharmonic Society Music Awards[16]
  • 2007 – Winner of the BBC Radio 3 Listeners Award at the British Composer Awards for his Oboe Concerto[11]
  • 2013 – Sir Geraint Evans Award presented by the "for his significant contribution to Welsh music"
  • 2015 – '…onyt agoraf y drws…' was chosen as the 2nd finest orchestral work by a Welsh composer, Gramophone magazine

Recordings[edit]

  • Reservoirs – Orchestral Works by Guto Pryderi Puw, Signum Records (May 2014). Tracks includes ...onyt agoraf y drws..., Concerto for Oboe, Reservoirs, Hologram and 'Break the Stone' Overture.
  • Violin Concerto – Soft Stillness, included on the CD Violin Muse performed by violinist Madeleine Mitchell and the BBC National Orchestra of Wales/Edwin Outwater, Divine Art (October 2017).
  • Visages, included on the CD Earth and Moon performed by Tubalaté.

References[edit]

  1. ^ "Press Packs – New music: BBC commissions". BBC Online. 25 April 2007. Retrieved 8 January 2010.
  2. ^ a b "Vale of Glamorgan Festival composers 2005". Vale of Glamorgan Festival. Archived from the original on 9 February 2006. Retrieved 12 January 2010.
  3. ^ a b c d e f "Guto Pryderi Puw". Composers of Wales. Retrieved 12 January 2010.
  4. ^ a b c d e f "Profile of Dr Guto Pryderi Puw". Bangor University. Retrieved 12 January 2010.
  5. ^ a b "Resident Composer". BBC Online. Retrieved 12 January 2010.
  6. ^ "Historical Research Inspires "Tywysogion"". Bangor University. Archived from the original on 26 August 2009. Retrieved 12 January 2010.
  7. ^ "Yr Arweinydd" (in Welsh). Cor Cyntaf i'r Felin. Retrieved 12 January 2010.
  8. ^ "About Us". Bangor Music Festival.
  9. ^ "History". Welsh Music Guild.
  10. ^ a b c "Doctor Guto Pryderi Puw". Welsh Music Information Centre. Archived from the original on 25 July 2011. Retrieved 12 January 2010.
  11. ^ a b c d e "5th British Composer Awards – Winners Announced" (PDF). PRS for Music. 6 December 2007. Archived from the original (PDF) on 15 July 2011. Retrieved 12 January 2010.
  12. ^ a b Western Mail. 21 April 2006. {{cite news}}: Missing or empty |title= (help)
  13. ^ "Afternoon on 3". BBC Online. 1 March 2007. Retrieved 12 January 2010.
  14. ^ "Vale of Glamorgan Festival of Music 2005 – Programmes". Vale of Glamorgan Festival. Archived from the original on 4 February 2006. Retrieved 12 January 2010.
  15. ^ a b "Tryweryn reservoir 'unnecessary'". BBC News. 9 March 2006. Retrieved 12 January 2010.
  16. ^ a b "Guto Puw's 'Reservoirs' nominated for RPS Music Award". Bangor University. Retrieved 12 January 2010.
  17. ^ "Hear And Now: Vale of Glamorgan Festival". BBC Online. Retrieved 12 January 2010.
  18. ^ a b BBC Proms Guide 2007 ISBN 978-1-84607-256-7
  19. ^ "Y Tŵr: Introduction". Archived from the original on 17 November 2019.
  20. ^ a b c Waxman, Ken (13 January 2003). "IST". Retrieved 12 January 2010.
  21. ^ Horn, Walter. "IST Ghost Notes". Bruce's Fingers. Retrieved 12 January 2010.
  22. ^ a b c "Catalogue: Trioled" (in Welsh). Welsh Music Information Centre. Archived from the original on 27 September 2007. Retrieved 12 January 2010.
  23. ^ Scowcroft, Philip (June 2001). "Earth and Moon: Music for Brass Quartet". MusicWeb International. Retrieved 12 January 2010.
  24. ^ "Catalogue: Visages". Welsh Music Information Centre. Archived from the original on 27 September 2007. Retrieved 12 January 2010.
  25. ^ a b "Catalogue: Ffantasia III" (in Welsh). Welsh Music Information Centre. Archived from the original on 27 September 2007. Retrieved 12 January 2010.
  26. ^ a b c "Catalogue: Different Light". Welsh Music Information Centre. Archived from the original on 27 September 2007. Retrieved 12 January 2010.
  27. ^ "Astrid the Street Organ: 10 World Premieres | Vale of Glamorgan Festival". Archived from the original on 29 May 2022.
  28. ^ "Catalogue: Becoming". Welsh Music Information Centre website. Archived from the original on 27 September 2007. Retrieved 12 January 2010.
  29. ^ a b "Catalogue: Dawns y Sêr" (in Welsh). Welsh Music Information Centre website. Archived from the original on 27 September 2007. Retrieved 12 January 2010.

External links[edit]