Ado Vabbe

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Konrad Mägi. Portrait of Ado Vabbe, 1918

Ado Vabbe (actually Adolf , * March 7th July / March 19,  1892 greg. In Tapa ; † April 20, 1961 in Tartu ) was an Estonian painter , graphic artist and art teacher .

Life

Vabbe graduated from high school in Narva in 1909 and then worked in a carpet factory in Riga . From 1911 to 1913 he studied in Munich with Felix Eisengräber at the art school founded by Anton Ažbe . In 1914 he traveled to Italy and spent most of the First World War in a factory in Moscow. In 1917 he returned to Estonia and was initially a drawing teacher, a. a. 1918–1919 at the Jakob-Westholm-Gymnasium.

In 1918 he was one of the founding members of the Pallas Artists' Association , and from 1919 he worked for over two decades at the Pallas Art School , from 1925 to 1929 as its director. In the years after Estonia's Sovietization in 1940 and during the German occupation of Estonia in World War II , he worked at various art schools (which changed names several times as a result of political events). In 1950 he was dismissed, however, and only after Stalin's death was he able to work again in his profession, from 1953 to 1956 he ran a studio for experimental graphics in Tallinn .

plant

While elements of Art Nouveau can still be discerned in Vabbe's early work , his stays abroad quickly led to a reorientation. In Munich he met Wassily Kandinsky , who later had a lasting influence on his work. From now on he painted more abstractly, more and more elements of Expressionism and Futurism can be recognized, later also those of New Objectivity . He also worked as an illustrator and graphic designer for numerous books, including a. the Siuru grouping.

Through his stays in the centers of avant-garde - in Munich, he was in contact with the Blue Rider , in Moscow with the Cubo-Futurism - Vabbe became "the most radical innovators of Estonian art."

literature

  • Eha Komissarov: Avangardistlik narratiiv Ado Vabbe loomingus 1913–1925 , in: Eesti kunsti ajalugu. History of Estonian Art. 5. 1900–1940. Tallinn: Eesti Kunstiakadeemia 2010, pp. 217–237 (with numerous reproductions).
  • Konrad Maier: The fine arts in Estonia since the 19th century. Between dictatorship and freedom? , in: Different inputs - same output? Autonomy and dependence of the arts under different social-economic conditions: the Estonian example. Edited by Cornelius Hasselblatt . Maastricht: Shaker 2006, pp. 89–114 (contains a colored plate by Vabbe on p. 105).
  • Tiina Nurk: Kõrgem kunstikool Pallas 1919–1940. Täiendatud ja parandatud väljaanne. [Tallinn:] Tänapäev 2004. 294 p. + 61 plates.
  • Reet Varblane: Avangardism ja traditsionaalsus Ado Vabbe loomingus , in: Looming 10/1994, pp. 1403-1419.

Web link

Individual evidence

  1. Eesti kunsti ja arhitektuuri biograafiline leksikon. Tallinn: Eesti Entsüklopeediakirjastus 1996, pp. 557-558.
  2. Reet Varblane: Avangardism ja traditsionaalsus Ado Vabbe loomingus, in: Looming 10/1994, p. 1407.
  3. Sirje Helme: Eesti kunsti 100 aastat. Tallinn: AS Eesti Meedia, Post Factum 2018, p. 18.
  4. Eesti kunsti ja arhitektuuri biograafiline leksikon. Tallinn: Eesti Entsüklopeediakirjastus 1996, p. 557.