Adolphus Alsbrook

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Adolphus J. Alsbrook Jr. (born February 21, 1912 in Kansas City (Kansas) , † June 2, 1988 in Canada ) was an American jazz and rhythm & blues musician ( double bass , bass guitar , also harp ), arranger and composer .

Live and act

Alsbrook attended Sumner High School and studied classical double bass and harp at the University of Kansas , University of Minnesota, and the Chicago Conservatory of Music. From 1933 to 1954 he lived intermittently in Minneapolis , where he taught and also worked as an arranger. In the early 1930s he played with Boyd Atkins ; he also performed at the town's Cotton Club with Jo Jones in Rook Ganz's band. During this time he also played with Lester Young and Count Basie . In addition to his main instrument, the double bass, Alsbrook also played the bass violin, harp, accordion and guitar; he also wrote several novelty songs . As an arranger he worked in Minneapolis for the orchestras of Red Nichols and Paul Pendarvis . He also taught judo at a police department .

In 1939 Alsbrook was a member of the Duke Ellington Orchestra for a short time (as the successor to Billy Taylor ) , where he was followed by Jimmy Blanton . However, no recordings were made with the orchestra.

In the 1940s Alsbrook worked mainly in the Seattle music scene , where he a. a. played with Ernestine Anderson . From the mid-1950s he played in Earl Bostic's R&B band , as well as with Fats Domino ("Country Boy", Imperial 1960) and Amos Milburn . Further recordings were made in Los Angeles with Jesse Belvin ("Where's My Girl", with Bumps Blackwell ), Sam Cooke (1957), Ernie Freeman and Sugarcane Harris . Tom Lord lists his participation in eight recording sessions in 1956/57.

In 1972 Alsbrook performed with Thelonious Monk, who was a guest in Seattle . Alsbrook last lived in Vancouver.

His son is the musician Darryl Alsbrook.

Appreciation

The young Oscar Pettiford was impressed with Alsbrook's bass playing; and Milt Hinton mentioned Alsbrook in his memoirs Charles Mingus and Gene Ramey praised Alsbrooks talent as a musician and arranger.

Web links

Individual evidence

  1. a b c d Jay Goetting: Joined at the Hip: A History of Jazz in the Twin Cities . Minnesota Historical Society, 2011.
  2. a b c d Another little known Ellingtonian (portrait fragments of the Duke Ellington Music Society)
  3. ^ A b c Robin Kelley: Thelonious Monk: The Life and Times of an American Original .
  4. Hillard "Rook" Ganz, born in Kansas in 1906; see. 1940 US census
  5. ^ Frank Büchmann-Møller: You Just Fight for Your Life: The Story of Lester Young . 1990, page 57
  6. Douglas Henry Daniels: North Side Jazz: Lester "Pres" Young in Minneapolis (pdf)
  7. ^ Robert George Reisner: The Jazz Titans, Including "The Parlance of Hip" . Da Capo Press, 1960
  8. ^ Before Seattle Rocked: A City and Its Music by Kurt E. Armbruster
  9. ^ Roy Porter: There And Back , 1995, p. 198
  10. ^ Radio Recorders - Santa Monica CA
  11. Peter Guralnick: Dream Boogie: The Triumph of Sam Cooke .- 2015
  12. Tom Lord : The Jazz Discography (online, accessed September 25, 2015)
  13. Chris Sheridan: Brilliant Corners: A Bio-Discography of Thelonious Monk . P. 215
  14. International Society of Bassists -1985, Volumes 12-13 - page lxxxviii
  15. Quote: And there was another unbelievable bass player from Minneapolis, Adolphus Alsbrook, who I'd met in Chicago before I went with Cab . I first got to know him in the early '30s when I was working at the Savoy Ballroom with Erskine Tate . Quoted from Milt Hinton, David Garett Berger, Holly Maxson: Playing the Changes: Milt Hinton's Life in Stories . 2008, p. 144
  16. Down Beat , 1966, Volume 33, p. 26