Al Hopkins

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Albert Green "Al" Hopkins (born June 5, 1889 in Watauga County , North Carolina , † October 21, 1932 in Winchester , Virginia ) was an American old-time musician who directed the Hill Billies and the Buckle Busters . Hopkins is also said to have introduced the term "hillbilly" to producer Ralph Peer .

Life

Childhood and youth

Al Hopkins was born in Watauga County. Unlike many other old-time musicians, Hopkins came from a wealthier family, as his father John Benjamin Hopkins worked intermittently in the North Carolina General Assembly . He played the fiddle , piano and organ and had an extensive repertoire of traditional fiddle pieces. Hopkins 'mother Celia Isabel Green Hopkins sang mainly ballads and church music, and Hopkins' siblings were also musically gifted. In 1904 the family moved to Washington, DC , where Hopkins' father worked for the United States Census Bureau . During this time, Hopkins was also heavily influenced by popular music.

Early career

Hopkins decided to become a professional musician as early as 1910 and, with his brothers Joe, Elmer and John, founded the Mohawk Quartet , which can be seen regularly at the Majestic Theater in Washington. Around 1912, Hopkins' eldest brother Jacob opened a medical practice in Galax , Virginia , where Hopkins and other banjo players often performed to entertain patients.

In the spring of 1924, Hopkins formed a new band with brother Joe and the fiddler Alonzo Elvis "Tony" Alderman, a local hairdresser, which was joined shortly after by banjo player John Rector. The band traveled to New York City to make a record, but the session was a disaster for the band and label as the technology was not yet mature. That same year, Hopkins' brother Jacob died.

Rise with the Buckle Busters and the Hillbillies

On January 15, 1925, Hopkins and his band made their first real recordings for OKeh Records in New York. A total of six tracks were recorded, but since the group still didn't have a name and producer Ralph Peer was looking for one, Hopkins replied: “ We're nothing but a bunch of hillbillies from North Carolina and Virginia. Call us anything. “Peer liked the expression and christened the band The Hill Billies , although none of the musicians matched the stereotype of a“ Hillbillies ”and some of the musicians were later dissatisfied with the name. But Ernest Stoneman , also a musician and record artist, motivated Hopkins and the Hillbillies to keep the name: “ Well, boys, you have come up with a good one. Nobody could beat it. "

Donkey on a Railroad Track, 1926

With that began the rise of Hopkins and the Hillbillies. This was followed by appearances throughout Easter USA at Fiddler's conventions , political events, vaudevilles, and other local events. They moved from Galax to Washington, where the Hillbillies quickly played regularly on the WRC network, even played for US President Calvin Coolidge and were the first old-time group to be seen in a film. In 1926 the band switched to the Brunswick Records / Vocalion Records labels , where they made records for Brunswick under the name Al Hopkins and his Buckle Busters and for Vocalion as The Hill Billies . The line-up varied, but always included Al Hopkins (vocals / piano), Charlie Bowman (fiddle), Joe Hopkins (guitar), Tony Alderman (fiddle) and John Hopkins ( ukulele ).

The repertoire of Hopkins and his band consisted primarily of traditional old-time pieces such as East Tennessee Blues , Cluck Old Hen , Cumberland Gap , Going Down the Road Feeling Bad or Whoa Mule . Because of Hopkins' popularity, the name "Hillbilly" was not only associated with the band, but also with the marketing of the labels, especially through Ralph Peer, for a whole musical genre.

Hopkins' last session was in New York on December 21, 1928. With Tony Alderman, Ed Belcher (fiddle), Frank Wilson ( steel guitar ), Walter Hughes (guitar) and John Hopkins (guitar) the songs Polka Medley , Marsovia Waltz , Wild Hoss and Medley of Old Time Dance Tunes for Brunswick and Vocalion recorded. Medley of Old Time Dance Tunes / Marsovia Waltz were also released in Mexico under adapted names . From 1929 on, Hopkins and his band performed under the name Al Hopkins' Original Hillbillies . The group continued until 1932 when Al Hopkins was killed in a car accident.

Discography

Singles

Some titles were published simultaneously by Brunswick and Vocalion under both names. Occasionally there were also Brunswick recordings on Supertone Records .

The Hill Billies

year title # Remarks
OKeh Records
1925 Silly Bill / Old Time Cinda 40294
Cripple Creek / Sally Ann 40336
Old Joe Clark / Whoa! Mule 40376
Vocalion Records
1926 Governor Alf Taylor's Fox Chase / East Tennessee Blues 5016 /
1926 Fisher's Hornpipe / Blue Eyed Girl 5017
1926 Betsy Brown / Kitty Wells 5018
1926 Kitty Waltz / Sally Ann 5019
1926 Cacklin 'Ann / Donkey on a Railroad Track 5020
1926 Texas Gals / Going Down the Road Feeling Bad 5021
1926 Sourwood Mountain / Ragged Annie 5022
1926 Round Town Gals / Buck-Eyed Rabbits 5023
1926 Cumberland Gap / Walking in the Parlor 5024
1926 Bristol Tennessee Blues / Cinda 5025
1926 Mountaineer Love Song / Cripple Creek 5115/15367
1926 Mississippi Sawyer / Long-Eyed Mule 5116/15368
Old Joe Clark / Silly Bill 5117/15369
The Hickman Rag / Possum Up a Gum Stump, Cooney in the Hollow 5118/15377
1927 Hear Dem Bells /? 5173 B-side from the Kanawha Singers
1927 Sweet Bunch of Daisies / Daisies Won't Tell 5178
1927 Cluck Old Hen / Black-Eyed Susie 5179
1927 Georgia Buck / Baby, Your Time Ain't Long 5182
1927 Oh, Where Is My Little Dog Gone? / Wasn't She A Dandy 5183
1927 Darling Nellie Gray / Sleep Baby Sleep 5186
1927 She'll Be Coming 'Round The Mountain /? 5240 B-side by Warren Caplinger
De Todas Un Poco / Marsovia 8525 as Los Alegres (Mexico)
Unpublished titles
1926
  • Goin 'down the road
  • Going tot he Wedding Sally Ann
Vocalion

Al Hopkins and his Buckle Busters

year title # Remarks
Brunswick Records
1927 East Tennessee Blues / Round Town Girls 103
1927 Bristol Tennessee Blues / Buck-Eyed Rabbits 104
1927 Cinda / Sally Ann 105
1927 Kitty Waltz / Governor Alf Taylor's Fox Chase 106
1927 Cluck Old Hen / Black-Eyed Susie 175
1927 When You Were Sweet Sixteen / Down The Meadow Lane 176
1927 CC & O. Number 558 / Nine Pound Hammer 177
1927 Whoa, Mule / Johnson Boys 179
1927 Blue Ridge Mountain Blues / Echoes of the Chimes 180
1927 She'll Be Coming 'Round The Mountain / Hear Dem Bells 181
1927 Boatin 'Up Sandy / Bug in the Taters 182
1927 Baby Your Time Ain't Long / Georgia Buck 183
1927 Down to the Club / Feller That Looked Like Me 184
1927 Darling Nellie Gray / Sleep Baby Sleep 185
1927 Roll On the Ground / Ride That Mule 186
1927 Wasn't she a dandy? / Where Has My Little Dog Gone 187
1927 ? / Hear Dem Bells 189 A-side from the Kanawha Singers
1928 Gideon's Band / Old Dan Tucker 295
1928 Blue Bell / Old Uncle Ned 300
1928 Carolina Moonshiner / West Virginia Gals 318
1928 Polka Medley / Marsovia Waltz 321
1928 Medley of Old-Time Dance Tunes / Wild Hoss 335
Unpublished titles
1926
  • Daisies Won't Tell (old version)
Brunswick / Vocalion
1927
  • Lynchburg Town
  • Oh didn't he Ramble
Brunswick

Albums

  • 1999: Al Hopkins, Volume 1: 1925-1926 (Document)
  • 2000: Al Hopkins, Volume 2: 1926-1927 (Document)
  • 2000: Al Hopkins, Volume 3: 1927-1928 (Document)

Individual evidence

  1. Archived copy ( memento of the original from September 24, 2010 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. @1@ 2Template: Webachiv / IABot / www.lib.unc.edu
  2. ^ Tony Russell: Country Music Records , pp. 422-424

Web links